A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Jeremy Biles

Professor

Bio

BA, Capital University; MA, University of Chicago; PhD, University of Chicago. Exhibitions: Society for Psychoanalytic Research, University of Chicago; 4th Ward Project Space, Chicago; Adds Donna Gallery, Chicago; Darst Center, Chicago. Books: Ecce Monstrum: Georges Bataille and the Sacrifice of Form (author); Negative Ecstasies: Georges Bataille and the Study of Religion (co-editor). Selected journal publications (refereed): Performance Research; Culture, Theory, and Critique; NANO; Archaevs; Janus Head; Journal for Cultural and Religious Theory. Selected essays in edited volumes: Embodied Religion; From Influence and Confluence to Difference and Indifference: Studies on History of Religions; Negative Ecstasies; The Uses of Excess in Visual and Material Culture, 1600–2010; Monster Culture in the 21st Century: A Reader; Seriously Strange: The Anomalous in Psychology and Physics; Religion and Material Culture: The Matter of Belief; Re-Enchantment; Formless: Ways In and Out of Form. Awards: Chairman’s Award for Part-Time Faculty; Karen and Jim Frank Excellence in Teaching Award; Fellowship, The Chicago Institute for Psychoanalysis; Martin Marty Dissertation Fellowship; Henry Luce Dissertation Fellowship; Macleish Scholarship in Religion and Literature.

Current Interests

Philosophy of religion; theories of religion; theories of sacrifice; surrealism; women surrealists; Georges Bataille; psychoanalysis; continental philosophy; excess; eroticism; ecstasy; bodybuilding/powerlifting; discipline; attention; delirium; philosophy of photography; drawing.

  

 

Courses

Title Department Catalog Term

Description

This course immerses participants in the life and work of Franz Kafka, surrealist thought, and contemporary Prague arts, including the installation art of David ¿erný. Students will visit cultural landmarks such as the DOX Center for the Arts, Franz Kafka Museum, Museum of Communism, and more, as well as excursions to Terezin Concentration Camp, Kutná Hora's ossuary, and Karlstejn Castle. The program coincides with the Prague International Fringe Theater Festival, providing students with a wide range of further cultural activities to experience. Students will explore surrealism, the uncanny, and the absurd, using journaling and sketchbooks to engage with dream imagery, hone attention to both assigned texts and the city, experiment with multiple modes of writing, and cultivate a surrealist sensibility, all while drawing on Prague's unique landscape, history, and creative culture for inspiration.

Class Number

1315

Credits

0

Description

This course immerses participants in the life and work of Franz Kafka, surrealist thought, and contemporary Prague arts, including the installation art of David Cerný. Students will visit cultural landmarks such as the DOX Center for the Arts, Franz Kafka Museum, Museum of Communism, and more, as well as excursions to Terezin Concentration Camp, Kutná Hora's ossuary, and Karlstejn Castle. The program coincides with the Prague International Fringe Theater Festival, providing students with a wide range of further cultural activities to experience. Students will explore surrealism, the uncanny, and the absurd, using journaling and sketchbooks to engage with dream imagery, hone attention to both assigned texts and the city, experiment with multiple modes of writing, and cultivate a surrealist sensibility, all while drawing on Prague's unique landscape, history, and creative culture for inspiration.

Class Number

1327

Credits

3 - 6

Description

This course investigates the relationship between eroticism, excess, artistic practice, and modes of representation. Taking an interdisciplinary and transgeneric approach (with readings in theory, history, philosophy, psychology, and literature), the course will treat a variety of mediums, with special emphasis on painting, drawing, and adjacent practices. Instructors frame the concept of ?erotics? as a mode of practice that investigates and integrates sex, gender, and a variety of ambivalent movements, for example, the play of form and formlessness, figuration and monstrosity, taboo and transgression, attraction and repulsion, incorporation and excretion, abjection and sublimity. Key ideas discussed in class include sex/uality, gender, difference, bodies, ritual, violence, representation, desire, ?perversion.? Students will read texts from art theory and history, psychoanalysis, literature, and psychology. Throughout the class, they will be asked to synthesize course readings and discussions with their own artistic practice.

Class Number

1126

Credits

3

Description

This course investigates the relationship between eroticism, excess, artistic practice, and modes of representation. Taking an interdisciplinary and transgeneric approach (with readings in theory, history, philosophy, psychology, and literature), the course will treat a variety of mediums, with special emphasis on painting, drawing, and adjacent practices. Instructors frame the concept of 'erotics' as a mode of practice that investigates and integrates sex, gender, and a variety of ambivalent movements, for example, the play of form and formlessness, figuration and monstrosity, taboo and transgression, attraction and repulsion, incorporation and excretion, abjection and sublimity. Key ideas discussed in class include sex/uality, gender, difference, bodies, ritual, violence, representation, desire, 'perversion.' Students will read texts from art theory and history, psychoanalysis, literature, and psychology. Throughout the class, they will be asked to synthesize course readings and discussions with their own artistic practice.

Class Number

1862

Credits

3

Description

This course immerses participants in the life and work of Franz Kafka, surrealist thought, and contemporary Prague arts, including the installation art of David Cerný. Students will visit cultural landmarks such as the DOX Center for the Arts, Franz Kafka Museum, Museum of Communism, and more, as well as excursions to Terezin Concentration Camp, Kutná Hora's ossuary, and Karlstejn Castle. The program coincides with the Prague International Fringe Theater Festival, providing students with a wide range of further cultural activities to experience. Students will explore surrealism, the uncanny, and the absurd, using journaling and sketchbooks to engage with dream imagery, hone attention to both assigned texts and the city, experiment with multiple modes of writing, and cultivate a surrealist sensibility, all while drawing on Prague's unique landscape, history, and creative culture for inspiration.

Class Number

1330

Credits

3