| Black and White |
Photography |
2011 (002) |
Fall 2025 |
|
Description
This course explores the techniques and aesthetics of black and white photography, from exposure to final prints. Students will develop skills in analog darkroom and inkjet printing, contrast control, lighting techniques, and the impact of scale, paper, and film choices. Hands-on projects and darkroom experimentation will deepen technical abilities and creative expression. An adjustable film camera is required.
|
Class Number
1578
Credits
3
|
| Theory Seminar |
Photography |
2040 (001) |
Spring 2025 |
|
Description
This course examines historical and contemporary philosophies, critical frameworks, and theoretical approaches that shape photography and visual culture. Designed to prepare students for advanced discourse, whether in graduate studies or as practicing artists navigating the broader art world, the class emphasizes the integration of theory, research, and artistic practice. Through weekly critical readings, discussions, and informal writing assignments, students will analyze key concepts, articulate ideas, and conduct theoretical research connected to their own creative work. The course also incorporates visits to photography exhibitions and collections around the city, fostering engagement with contemporary photographic dialogue.
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Class Number
1540
Credits
3
|
| Digital Light Projections |
Art & Technology / Sound Practices |
3050 (001) |
Fall 2025 |
|
Description
This course embraces the concept of projection as a broad field of art practice. Starting with the magic lantern, the course investigates the history of projection related practices that shape the parameters of visual perception and communication. Deconstructing the concept of the screen, the course focuses on projection in sculptural and installation contexts.
Microcontrollers and Adobe software is used in unorthodox ways to shape visual elements for digital light projection. History of visual, technical and conceptual use of light is accessed to investigate the interactions of projections with objects and space.
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Class Number
1139
Credits
3
|
| Digital Light Projections |
Photography |
3050 (001) |
Fall 2025 |
|
Description
This course embraces the concept of projection as a broad field of art practice. Starting with the magic lantern, the course investigates the history of projection related practices that shape the parameters of visual perception and communication. Deconstructing the concept of the screen, the course focuses on projection in sculptural and installation contexts.
Microcontrollers and Adobe software is used in unorthodox ways to shape visual elements for digital light projection. History of visual, technical and conceptual use of light is accessed to investigate the interactions of projections with objects and space.
|
Class Number
1592
Credits
3
|
| Public Light and Space |
Art & Technology / Sound Practices |
4032 (001) |
Spring 2025 |
|
Description
Public Light and Space examines concepts and develops plans for art projects based on light, space and public interaction. The projects are conceptualized and planned in response to the opportunities afforded by specific locations around the city of Chicago. Particular attention is focused on elements such as digital light projection, controlled light sources, and light-responsive materials.
The course investigates concepts and understandings of public space and the history of art in these spaces. The class offers a critical examination of the active role played by light and its dynamics in selected art movements.
A series of technical workshops builds proficiency to lend support to the development of the final, publicly exhibited project. Visiting artists, critics and Chicagoans assist in refining the project ideas, as they are being chosen and developed.
|
Class Number
1123
Credits
3
|
| Public Light and Space |
Photography |
4032 (001) |
Spring 2025 |
|
Description
Public Light and Space examines concepts and develops plans for art projects based on light, space and public interaction. The projects are conceptualized and planned in response to the opportunities afforded by specific locations around the city of Chicago. Particular attention is focused on elements such as digital light projection, controlled light sources, and light-responsive materials.
The course investigates concepts and understandings of public space and the history of art in these spaces. The class offers a critical examination of the active role played by light and its dynamics in selected art movements.
A series of technical workshops builds proficiency to lend support to the development of the final, publicly exhibited project. Visiting artists, critics and Chicagoans assist in refining the project ideas, as they are being chosen and developed.
|
Class Number
1533
Credits
3
|
| Grad Projects:Photography |
Photography |
6009 (002) |
Fall 2025 |
|
Description
Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
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Class Number
2346
Credits
3 - 6
|
