Elise Paschen

This class serves as an entry into the historical, theoretical and practical concerns of creative writing as an art form in itself and as a vital element of interdisciplinary projects. We explore the possibilities of fiction, non-fiction, poetry, plays and hybrid practices as writing for the page, as well as for performance, sound, installation, and image-based pieces. Readings include diverse examples of genre and form, as well as investigations of literary and thematic terminology. Students generate weekly responses to reading and writing exercises that focus on understanding the mechanics of writing, and are introduced to workshopping techniques and etiquette.

Poetry can provide a necessary circular path¿ where the page offers a place to think out loud. But poetry, simultaneously, provides a way OUT of the circularity and the spin. It can provide unexpected resolution¿a quick turn, surprise, a daring jump, or rupture¿¿ writes Layli Long Soldier, a citizen of the Oglala Lakota Nation. In this advanced workshop, we will challenge and reinvigorate your approach to writing poetry. We will experiment with poetic hybrids, exploring collage, docupoetics, ecopoetics, ekphrastic, and erasure, to name a few. We will read the work of groundbreaking contemporary writers such as Layli Long Soldier, Claudia Rankine, Craig Santoz Perez, Kimiko Hahn, Harryette Mullen, Victoria Chang, Forrest Gander, Diana Khoi Nguyen, Ilya Kaminsky, and others. Each week, you will be offered writing prompts to create your own poetic possibilities. For the final class, you will present at least six pieces you have written during the course of the semester. This class is open to students exploring any genre.