A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
Christine wears layers that include denim jacket, white collared shirt and a blue tee.

Christine Tarkowski

Professor

Bio

Education: AAS, 1987, Fashion Institute of Technology; BFA, 1989, Parsons; MFA, 1992, SAIC. 

Projects/Exhibitions: Arts Club Chicago; University of Illinois Chicago; Millennium Park, Chicago; Corning Museum of Glass; Devening Projects; Priska Juschka Fine Art, NY; MCA Chicago; Mass MoCA; Manilow Sculpture Park, Governor's State University; Socrates Sculpture Park; Renaissance Society; Contemporary Art Museum St. Louis; Cooper-Hewitt. 

Bibliography: Art Forum; Art in America; New Art Examine; Metropolis; Dwell; 

Awards: Belic Institute for the Study of Women and Gender in the Arts and Media; Driehaus Foundation; Creative Capital; Illinois Arts Council Fellowships: Cité Internationale des Arts; Kohler Arts in Industry, Tacoma Museum of Glass, Pilchuck School of Glass.

 

Courses

Title Department Catalog Term

Description

In this class, students will learn reactive processes for use in screen printing on fabric and pliable materials. Reactive processes are those that will chemically or physically alter the nature of the printed cloth and include; fiber reactive dyes, devoré or the burning away of fibers, bleaching and removing of color, and the sublimation of color from one surface to another. Screen printing will be the primary method of creating works, yet a broad disciplinary approach is encouraged.
Assignments will be framed to address concepts of alchemy and instability, and include readings of works by; Georges Bataille, Anthony Vidler, Luce Irigaray, Yve-Alain Bois and Rosalind Krauss.
Students will create three studio intensive projects for class critiques. Prior screen printing experience is recommended.

Class Number

2263

Credits

3

Description

This class enables students to develop personal conceptual concerns and expand their existing knowledge of a range of print processes within the expanded field of FMS. Independently guided projects will be based on students' proposals and the development of conceptual inquiries in conjunction with appropriate methods and material. Students will advance their printing techniques at it relates to their individual directions. Advanced techniques include; large scale, repeat structures, color layering, CMYK and experimental alternative processes. The relevance of screen-printing, what it offers the expanded field of contemporary art/design practice and issues of display and installation will be discussed and explored.

Students work within the communal studios that are FMS (print, dye, and sewing labs, and the Textile Resource Center) creating a foundational peer driven atmosphere. Writing will be practiced and discussed in relation to an artist statement and project proposals. Student driven research guides project development and is supported with critiques, readings and exhibition visits.

Students present finished and in-process work at several critiques over the course of the semester.

Class Number

1585

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1201

Credits

3 - 6