Alum Wu Tsang's Adaptation of Moby-Dick Reviewed by Hyperallergic

A shirtless man kneels down on the lower level of a ship with his right arm stretched over his head.

Tosh Basco as Queequeg in MOBY DICK. Photo by Greg Amgwer. Image courtesy of The Shed.

Tosh Basco as Queequeg in MOBY DICK. Photo by Greg Amgwer. Image courtesy of The Shed.

A recent Hyperallergic review analyzes filmmaker Wu Tsang's (BFA 2004) MOBY DICK; or The Whale, a film adaptation of the classic Herman Melville novel Moby-Dick. Created as part of Tsang’s artist collective Moved by the Motion, the adaptation features a reimagining of the relationship between main characters Ishmael and Queequeg, a musical composition performed by a live orchestra, and film techniques reminiscent of the American silent-film era. Hyperallergic writes, “MOBY DICK evokes the immense, mystical depths opened by intertextuality and discourse.”


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