Suzanne Scanlon

This FYS I class explores the art of writing about feelings. Readings will include work by Jenny Odell, Jenny Zhang, Zadie Smith, and others. FYS I develops college-level writing skills and prepares one for FYS II and upper-level Liberal Arts courses. In our FYS I class, we will develop our critical reading, writing, and thinking skills by focusing on writing as a process. Students can expect to compose and revise 15-20 pages in multidraft formal writing assignments in addition to homework and in-class writing. Peer review and one-on-one writing conferences with the teacher should also be expected.

This course invites students to explore the relationship between walking and writing-two practices that open space for reflection, discovery, and transformation. Writers and artists have long turned to walking as a way of seeing differently, of mapping inner and outer landscapes, of lingering, wandering, or breaking free. In this first-year writing seminar, we will read and write with walking in mind, considering how movement through city streets, rural paths, and unfamiliar places shapes identity, knowledge, escape, and transcendence. Our texts will treat walking as both subject and structure. Authors and artists may include Virginia Woolf, Frank O¿Hara, Agnès Varda, Rebecca Solnit, Harryette Mullen, Garnette Cadogan, Sheila Heti, T Clutch Fleischmann, and Carmen Maria Machado. Together, we will ask how movement shapes thought, memory, perception, and creativity, and what it means for writing to carry the rhythm of a walk. Students will develop their own writing practices in dialogue with these works, producing essays that experiment with form as well as argument. Over the semester, they will complete 20¿25 pages of formal, revisable writing, culminating in a final research project that considers walking as a method for making meaning.

Fernando Pessoa in Lisbon, Virginia Woolf in London, Frank O¿Hara in New York City; writers, philosophers and artists of all kinds have long created, expanded, and contracted themselves through walking the city. We will spend this semester walking and reading and writing fiction structured around the movement of the self in the city. We will consider the walk as form and content. We¿ll read short-and long-form works to examine how writers work¿contracting and expanding time, organizing structure, shifting among points of view, creating spaces, and controlling tensions¿so that you can develop skills and craft your own fictions. Students will write three new works of fiction over the course of the semester, to be developed into a final portfolio.