Anna Martine Whitehead makes performances. She has been presented by the Chicago Museum of Contemporary Art; San José Museum of Art; Velocity Dance Center; Links Hall; AUNTS; and Yerba Buena Center for the Arts. She has developed her craft working closely with Onye Ozuzu, Jefferson Pinder, taisha paggett, Every house has a door, Keith Hennessy, BodyCartography Project, Julien Prévieux, Jesse Hewit, and the Prison + Neighborhood Art Project, among others. She is the recipient of a 2019 Graham Foundation Award, 2018 3Arts Award, 2018 Chicago Dancemakers Forum Lab Artist Award, and a 2017 Foundation for Contemporary Art Emergency Grant. Martine has written for Art21 Magazine, C Magazine, frieze, Art Practical; and contributed to Queer Dance: Meanings and Makings (Oxford, 2017). Her work appears in Organize Your Own: The Politics and Poetics of Self-Determination Movements (Soberscove, 2016); Platforms: Ten Years of Chances Dances (2016); Girl Zines: Making Media, Doing Feminism (NYU, 2009); and elsewhere. Martine is the author of TREASURE | My Black Rupture (Thread Makes Blanket, 2016).
Disclaimer: All work represents the views of the INDIVIDUAL ARTISTS & AUTHORS who created them, and are not those of the school or museum of the Art Institute.