Associate Professor, Art History, Theory, and Criticism (2008). PhD in Art History and Theory, 2003, Northwestern University, Evanston; MA in Design History, 1997 and BFA with honors in Graphic Design, 1991, University of Illinois, Chicago. Publications: Brillo Box Archive: Aesthetics, Design, and Art (Hanover: Dartmouth College Press, 2008); Relearning from Las Vegas (Minneapolis: University of Minnesota Press, 2008); "Modern Mind and Typographic Modernity in Gyorgy Kepes’ Language of Vision" in Chicago Makes Modern: How Creative Minds Changed Society (University of Chicago Press, 2012); "Optical Constancy, Discontinuity, and Nondiscontinuity in Eameses' Rough Sketch" in The Educated Eye: Visual Culture and Pedagogy in the Life Sciences (Dartmouth College Press 2012); "'From the Far Corners:' Telephones, Globalization, and the Production of Locality in the 1920s" in Global Design History (Routledge 2011). Awards: Graham Foundation Grant; Anschutz Distinguished Fellow in American Studies, Princeton University; Dartmouth College Humanities Institute, Postdoctoral Fellow.
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