A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Michelle Grabner

Professor

Bio

Michelle Grabner is a 2021 Guggenheim Fellow and a National Academician in the National Academy of Design. She is a artist, curator and critic who contributes regularly to Artforum. With her husband artist Brad Killam, she directs the artist-run exhibition spaces and residency: The Suburban (est. 1999) and The Poor Farm (est. 2008). Grabner co-curated the 2014 Whitney Biennial, and the 2016 Portland Biennial. She was the Artistic Director for the inaugural 2018 exhibition, FRONT International: Cleveland Triennial for Contemporary Art. In 2021 Grabner and Theaster Gates co-curated the 5th edition of Sculpture Milwaukee titled there is this We. She is currently curating an exhibition on painting for the Milwaukee Art Museum.

Her work is in the following public collections: Walker Art Center, Minneapolis: the Cleveland Museum of Art; Museum of Contemporary Art, Chicago; The Art Institute of Chicago; MUDAM - Musée d’Art Moderne Luxembourg; Allen Memorial Art Museum, Oberlin, OH; Milwaukee Art Museum, WI, Madison Museum of Contemporary Art, Madison WI; Daimler Contemporary, Berlin; Smithsonian American Art Museum, Washington DC; Victoria and Albert Museum, London; Museum of Fine Arts, Boston; Allen Memorial Art Museum, Oberlin College, OH; RISD Museum, Providence, RI; Sheldon Museum of Art, Lincoln, Nebraska; Mount Holyoke College Art Museum, South Hadley, MA; Wellin Museum of Art, Hamilton College, Clinton, N; Bates College, Lewiston, Maine

Crown Family Professor in Painting and Drawing. Professor, Painting and Drawing (1996). BFA, 1984, MA, 1987, University of Wisconsin-Milwaukee; MFA, 1990, Northwestern University, IL.

Courses

Title Department Catalog Term

Description

This is a 0 credit study trip placeholder course. Specific credit courses will be applied to your enrollment for the term based on your Study Trip Preregistration information.

Class Number

1012

Credits

0

Description

Class Number

1015

Credits

3

Description

Class Number

1014

Credits

3 - 6

Description

This course examines forms of critique and post critique. It will interpret artwork within contemporary and historical political and philosophical arguments. It will also address and evaluate specific modes of interpretation and critique, including forms shaped by institutional, intellectual, and in some cases vernacular histories. Active participation in discussions and in weekly critiques is expected. Class presentations on selected reading will also be required.

Class Number

1253

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1282

Credits

3 - 6