Short, 2018, Graphite, pencil, and colored pencil on paper, 76 x 99 x 0.25 in
Image courtesy of the artist and Massimo De Carlo
Tony Lewis (b. 1986, Los Angeles) lives and works in Chicago. His work has been the subject of recent solo exhibitions including Anthology 2014-2016, Hirshhorn Museum and Sculpture Garden, Washington D.C. (2018); Plunder, Rose Art Museum, Waltham, MA (2017); Alms, Comity and Plunder, Museo Marino Marini, Florence, Italy (2016); and nomenclature movement free pressure power weight, Museum of Contemporary Art Cleveland, OH (2015). His work has been featured in numerous museum group exhibitions including The Revolution Will Not Be Gray, Aspen Art Museum, Aspen, CO (2016); Walls and Words, Museum at Eldridge Street, New York, NY (2014); LUMP Projects, organized by John Neff, Raleigh, NC (2013); People of Color, Gene Siskel Film Center, Chicago, IL (2012); and Ground Floor, Hyde Park Art Center, Chicago, IL (2012). Tony Lewis participated in the 2014 iteration of the Whitney Biennial at the Whitney Museum of American Art in New York, and was the recipient of the 2017-2018 Ruth Ann and Nathan Perlmutter Artist-in-Residence Award at the Rose Art Museum at Brandeis University. His work is represented in notable public collections including the Albright-Knox Art Gallery, Buffalo, NY; Dallas Museum of Art, Dallas, TX; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Museum of Contemporary Art, Chicago, IL; Museum of Modern Art, New York, NY; Smithsonian National Museum of African Art, Washington D.C.; and the Studio Museum in Harlem, New York, NY.
...Feeling Of An Outrage..., 2019, Graphite and Epson UltraChrome ink on paper, 60 x 83.5 in
Image courtesy of the artist and Blum & Poe