The Sound Department Colloquium Series is a series of presentations by the department's visiting artists and scholars, faculty, graduate students and invited guests. The presentation on November 4 will feature SAIC Faculty member Whitney Johnson.
Whitney Johnson is a musician, composer and writer living in Chicago. She performs with the viola, as well as combo organ, electronics and voice. As Matchess, she interprets the unknown with sound. Her techniques reproduce meaning through a range of historical material processes, including reel-to-reel tape looping, cassette tape sampling and field recording. In the Matchess Trilogy (2013-2018), Johnson used the limited palette of a 1960s Ace Tone combo organ, an analog Rhythm Ace drum machine, viola and voice to craft a sound collage of transient songs on a bed of ambient noise. She has recently collaborated in improvised and composed settings with Circuit des Yeux, TALsounds, Brett Naucke, Gel Set, Lia Kohl, Macie Stewart, Matt Jencik, Couteau Sang, Lea Bertucci and Sarah Davachi. In tandem with her music practice, she received her doctorate in the sociology of sound from the University of Chicago in 2018, writing a dissertation on the cultural value of embodied sensory perception, particularly in the discipline of sound art.
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