Pedro Reyes

Tuesday, March 02, 6:30 p.m.7:45 p.m.
Click here to join via Zoom, Passcode: SAICVAP
This event will be live captioned by CART.
 

Join us live for a virtual lecture by artist Pedro Reyes followed by an audience Q&A.

FREE, non-ticketed, and open to the general public.

Pedro Reyes explores the power of individual and collective organization to incite change through communication, creativity, happiness, and humor. His work engages the interaction between physical and social spaces, making invisible geometry tangible in our personal relationships. Reyes designs projects that propose playful solutions to social problems, often enlisting viewers as participants through individual conversations, therapeutic acts, or as creators of objects. A sociopolitical critique of contemporary gun culture is addressed in Reyes's Palas por Pistolas (2008), in which the artist worked with local authorities in Culiacán, Mexico, to melt down guns into shovels that were used to plant trees in cities elsewhere in the world. Similarly, in Disarm (2013) the Mexican government donated more than 6,700 confiscated firearms for Reyes to transform into mechanical musical instruments, which are automated to play a delightful, if surreal loop, retaining the raw emotion of their origination. Issues of community and compassion are addressed in Sanatorium, activated at the Guggenheim Museum in New York in 2011, dOCUMENTA (13) in Germany in 2012 and in 2014 at The Power Plant in Toronto and the Institute of Contemporary Art (ICA) in Miami. In this work, visitors are invited to sign up for a "temporary clinic" with the mission of treating various kinds of urban malaise. His immersive exhibition Doomocracy, organized by Creative time at the Brooklyn Army Terminal, marked the confluence of two events haunting the American cultural imagination at the time: Halloween and the 2016 US presidential election. Reyes's expansive notion of sculpture examines the cognitive contradiction of modern life and the possibility of overcoming our particular crises by increasing our degree of individual and collective agency.

Reyes lives and works in Mexico City. Solo exhibitions include Museum Tinguely, Basel (2020); Savannah College of Art and Design, Atlanta (2019); Creative Time, New York (2016); Dallas Contemporary (2016); La Tallera, Mexico (2016); Hammer Museum, Los Angeles (2015); ICA, Miami (2014); The Power Plant, Toronto (2014); Walker Art Center, Minneapolis (2011); Guggenheim Museum, New York (2011); CCA Kitakyushu, Japan (2009); Bass Museum, Miami (2008); and San Francisco Art Institute (2008). Reyes has participated in group exhibitions at the 21st Century Museum of Contemporary Art, Japan (2015); Táná National Museum of 21st Century Arts (MAXXI), Rome (2015); Beijing Biennale (2014); Whitechapel Gallery, London (2013); dOCUMENTA (13), Kassel (2012); and the Liverpool Biennial (2012); Gwangju Biennial, South Korea (2012); Lyon Biennale, France (2009); and the 50th Venice Biennale (2003). Reyes's awards include the US Department of State Medal for the Arts (2016) and a Ford Foundation Fellowship (2016).

This program is partially supported by a grant from the Illinois Arts Council Agency.

View the Pedro Reyes SAIC Flaxman Library Resource Guide for additional information about the artist.

Pedro Reyes's Website

Lisson Gallery