Yael Davids (b. 1968) examines the capacities in which the body operates as a documentary vessel: as much a registry of the present, intrinsically connected to collective heritage and political narratives, as it is a receptacle in which a private biography is compacted and a finite, unique voice is contoured. By orchestrating an associative constellation of performative, sculptural, and archival elements, framed in the form of choreographic assemblages.