Tim Pannell - Untitled (Gun Project)








Tim Pannell
Untitled (Gun Project)
Life-Size, Variable Dimensions
Linoleum Block
2006 - Present

(Click the image to enlarge)

The Gun Project is an ongoing attempt to print a handgun for every individual killed by a firearm in Philadelphia beginning in 2006. The goal of the project is to make visual a crime statistic that is so high, it would otherwise seem abstract. Eventually the prints will be dispersed around the city for the public to have.

Biography:

Robert T. Pannell has made West Philadelphia his home after graduating with an MFA in Printmaking from the Rhode Island School of Design in 2006. Through prints, drawings and 2-D animations, he often references art historical images to address issues of historical truth and to comment on current social and political issues. His work is on view at
www.rtpannell.com.



Grayson Cox - Building







Grayson Cox
Building, 2006-present
Paper, wood box, table, chairs, Poster (silkscreen)
Dimensions variable
Image courtesy of the artist
(Click the image to enlarge)

"Building" is a yet-unrealized (site specific OR portable) structure large enough for one person to enter. Building is composed entirely of folded paper (origami) blown up into structural cubes. The project consists of the actual cube making process as well as the cube blow-up phase and the construction of the building.

Head Collaborator of many: Asa Gauen
Asa is a great artist making films and drawings. He is a graduate student at SVA studying computer art.



Marie Krane Bergman/Cream Co. - Forty-Eight Parts of One Timeline






Marie Krane Bergman/Cream Co.
Forty-Eight Parts of One Timeline, 2005-2008
pencil and acrylic on linen over medium density fiberboard
48 panels: 4-1/2" x 4-1/2" each
overall dimensions variable
Image courtesy of the artist
(Click the image to enlarge)

Cream Co., a fluid theory/practice collective including artists and others, formed in 1997 among students at the School of the Art Institute. In 2000, the group began to produce paintings under the moniker of one of its founders "Marie Krane Bergman." Cream Co. has participated in exhibitions in North America and Europe, including shows at the Museum of Contemporary Art (Chicago), the Hyde Park Art Center (Chicago), Song Song (Vienna) and Rijks Academie (Netherlands). Cream Co.'s art is in the collections of the Whitney Museum of American Art, the Albright-Knox Art Gallery, the Museum of Contemporary Art in Chicago, and has been frequently reviewed and included in numerous essays and texts, including James Elkins' "Six Stories from the End of Representation," Stanford University Press, 2008.



Josué Pellot Gonzalez - Family portrait (as Boricua toys)







Josué Pellot Gonzalez
Family portrait (as Boricua toys), 2008
Mixed Media
Dimensions Variable
Image courtesy of the artist
(Click the image to enlarge)

"This piece is part of an ongoing public-intervention for which figurines of my family and I were created for a vending machine that sold toys of "Boricuas" (Puerto Ricans) in Chicago;s Humboldt park neighborhood. By placing figurines of my family and I into the machine, I hoped to create a balance between the general stereotypes and…"

Biography
Having been born in Puerto Rico (Mayaguez - wearing bell-bottoms) but raised in the U.S. since the age of five, traveling back and forth from the Island and Chicago, Josue feels that he's somewhere between these two cultures, probably in the Bahamas. Josue (ho.swe) - grew up between Humboldt Park and Logan square where he was introduced to art thru Graffiti and Hip Hop. He went to Kelvyn Park High School on Chicago's northwest side and then received a BFA with a minor in Biology from the University of Illinois at Chicago. Despite all this, he was awarded an MA from Northwestern University in Art Theory and Practice (the theory being if you practice, you'll improve - thus he keeps trying!). He's now a Chicago-based artist and works in various mediums.



Masaco Kuroda - An Apple A Day, Drawing Book






Masaco Kuroda
An Apple A Day, 2006–2007
Daily apple drawings in a hand-made book
Made with paper, linen, wood, and leather
5.75" x 5.75" x 4.75"
Image courtesy of the artist
(Click the image to enlarge)

"An Apple A Day" project is based on the saying "an apple a day keeps the doctor away." The Drawing Book is one of my An Apple A Day projects involving me trying to keep myself healthy and eat an apple a day and draw or save cores and pieces of the peel of apples that I ate. I made a 366-page book (for 365 days and a title page) to draw an apple a day for a year starting on my birthday in 2006. I made simple rules: draw one apple on the page of the day, draw from a different apple each time, and skip the page on the day I didn't draw. The "completed" book with many blank pages is a record of my attempt.



Young Cho - You and I







Young Cho
You and I, 2007
Color pencils on Recycled card.
Each 4”X6”
Image courtesy of the artist
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Fred Nocella - 32 Seconds of Hand Washing







Fred Nocella
32 Seconds of Hand Washing, 2003–2008
Gel transfers on cotton rags
8' x 13'
Image courtesy of the artist
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You Are Beautiful - Installation









You Are Beautiful
Installation
Image courtesy of the artist
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Burtonwood and Holmes - A Celebration of Markets








Burtonwood and Holmes
A Celebration of Markets, 2008
Paper, vinyl, plastic, wood
Image courtesy of the artist
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Jesse Seay - Mechanical Tide






Jesse Seay
Mechanical Tide, 2007
Poplar wood, metal frame, motor,
1,000 steel ball bearings of varied sizes, tin can
8' x 5'
Image courtesy of the artist
(Click the image to enlarge)



Aviva Alter - Hyperbolic Coral Reef Project; Untitled Corn







Aviva Alter
Hyperbolic Coral Reef Project; Untitled Corn, 2007–2008
Textile, reused plastic
Dimensions variable
Image courtesy of the artist
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Tim Louis - Untitled (Fence)







Tim Louis
Untitled (Fence), 2008
Orange plastic fence
Dimensions variable
Image courtesy of the artist
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ks rives and Nicole Kenney - Before I Die I Want To…








ks rives and Nicole Kenney
Before I Die I Want To…, 2007–present
Polaroids, dimensions variable
Image courtesy of the artist
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Sighn - It’s OK






Sighn
It’s OK, 2008
(1–1,000 out of edition of 1 million)
basswood
8' x 15'
Image courtesy of the artist
(Click the image to enlarge)


Thank you to the Sullivan Galleries, School of the Art Institute of Chicago, and the Department of Exhibitions