Bio

Instructor, Art History, Theory, and Criticism (2013). BS, 1997, Art, University of Wisconsin-Madison; MA, 2004, Criticism and Theory, Art Center College of Design, Pasadena, CA; MA, 2006, and Ph.D., 2011, Art History, University of Southern California, Los Angeles. Publications: Journal of Modern Craft  (forthcoming review), Image Match: Visueller Transfer, "Imagescapes" und Intervisualität in globalen Bild-Kulturen (chapter), caa.reviews. Awards: Center for Advanced Study in the Visual Arts, National Gallery of Art, DAAD (German Academic Exchange Service), Fulbright-IIE. 


Publications

"Ideal and Material Ornament," Journal of Art Historiography (forthcoming).

Exhibition review of Grete Marks: When Modern Was Degenerate, Milwaukee Art Museum, September 2012–February 2013, The Journal of Modern Craft (forthcoming).

"Anfänge der Kunst und die Kunst der Naturvölker: Kunstwissenschaft um 1900," in Image Match: Visueller Transfer, "Imagescapes" und Intervisualität in globalen Bild-Kulturen, ed. Martina Baleva, Ingeborg Reichle, and Oliver Lerone Schultz (Munich: Wilhelm Fink, 2012).

Book Review of Elizabeth C. Mansfield, ed., Making Art History: A Changing Discipline and its Institutions, caa.reviews, 28 April 2010.


Current Interests

In addition to further articles and new projects, I am currently at work on a manuscript based on my dissertation to do with the intersections of German-speaking art history with ethnology, prehistory, psychological aesthetics, ornament, and abstraction in the decades around the turn of the twentieth century.

 

Disclaimer: All work represents the views of the INDIVIDUAL ARTISTS & AUTHORS who created them, and are not those of the school or museum of the Art Institute.