Daniel Ricardo Quiles
Assistant Professor, Art History, Theory & Criticism (2009). BA, 1997, Amherst College; MA, 2006, PhD, 2010, The Graduate Center, City University of New York. Publications: ArtMargins, Artforum, ArtNexus, Art in America, Arte al Dia International, Visual Resources, Americas Society Quarterly. Awards: 2013-2014 Postdoctoral Fellow, École Normale Supérieure, Paris; Warhol Foundation Arts Writers Grant; Milton Brown Dissertation Fellowship; Getty Research Institute Library Research Grant; Amherst College Memorial Fellow; Critical Studies Fellow, Whitney Independent Study Program.
Experience at SAIC
Co-Chair of Art History Self-Study Committee, 2012–2013
Faculty Senate Remuneration and Benefits Committee, 2012–present
Dual-Degree Coordinator, 2011–present
Art History Campus Facilities Study Committee, 2011–present
Events and Exhibitions Committee, 2009–2011
Curriculum Committee, 2010–2011
Course Evaluation Committee, 2010–2011
Co-creator and faculty advisor, MA/MFA Studio Visit Group, 2010-Present
Current Major Projects
Ghost Messages: Argentine Conceptualism, 1965–1972. Book manuscript, to be completed 2013.
Catalogue Essays and Contributions to Scholarly Journals
Chapter contribution, A Companion To Modern and Contemporary Latin American and Latino Art, ed. Robin Greeley and Megan Sullivan (Boston: Wiley-Blackwell, forthcoming 2014).
Chapter contribution, Luis Benedit, ed. Maria Torres (Buenos Aires: Fundación Espigas, forthcoming 2013).
"My Reference is Prejudiced: David Lamelas's Publication," Art Margins (forthcoming October 2013).
"El doble vínculo del Arte de Sistemas," in Sistemas, Acciones y Procesos en los Albores del Conceptualismo: Coloquio Internacional (Buenos Aires: Fundación Proa, forthcoming 2013).
"Distress," in Dimensional Lines: Art + Dress, exh. cat. (Chicago: Evanston Art Center, 2012).
"Conrad Freiburg: Out of Time," in Conrad Freiburg: It Is What It Isn't, exh. cat. (Chicago: Hyde Park Art Center, 2011).
"Response to Philip Derbyshire's 'Who Was Oscar Masotta?'" Radical Philosophy (Fall 2010).
"Contra-," Ramona (Buenos Aires) (Summer 2010).
"Mixed Fortunes," in Mariliana Arvelo: Mixed Fortunes, ed. José Guillermo Fantoni, exh. cat. (Cambridge, MA: David Rockefeller Center for Latin American Studies, Harvard University, 2009).
"Deciding the Best of Given Choices," in Carla Herrera-Prats: Prep Materials: Art in General New Commissions Program Vol. XIX, exh. cat., ed. Anne J. Barlow and Eva Diaz (New York: Art in General, 2008), 21–37.
"Interview with Roberto Jacoby," Americas Society Quarterly (November 2007), 323–330.
"Burn Out My Identity: Destruction and Collectivity in Greco and Minujín," in Beginning With A Bang! From Confrontation To Intimacy: An Exhibition of Argentine Contemporary Artists, exh. cat., ed. Gabriela Rangel Mantilla (Boston: Harvard University Press and Americas Society, 2007), 69–80.
Criticism and reviews
Arte al Dia International
Disclaimer: All work represents the views of the INDIVIDUAL ARTISTS & AUTHORS who created them, and are not those of the school or museum of the Art Institute.