A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Michelle Bolinger

Lecturer

Bio

Education: MFA, 2005, University of Washington, Seattle, WA; BFA, 2003, Indiana University, Bloomington, IN. Exhibitions: Paris London Hong Kong, Chicago; Roman Susan Gallery, Chicago; Elmhurst Art Museum, Elmhurst, IL; Baby Blue Gallery, Chicago, IL; Lloyd Dobler Gallery, Chicago; Roots and Culture, Chicago, IL; Francine Seders Gallery, Seattle, WA. Publications: New American Paintings. Bibliography: Yale University Radio, New City, Bad at Sports Blog, Chicago Tribune. Collections: The University of Washington, Seattle, WA; King County Public Art Collection, Seattle, WA; Harold Washington College, Chicago, IL. Awards: Illinois Arts Council, Professional Development Grant, State of Illinois; Chicago Artist Assistance Program (CAAP) Grant, City of Chicago.

Courses

Title Department Catalog Term

Description

In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers. In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty.

Class Number

1290

Credits

3

Description

In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers. In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty.

Class Number

1710

Credits

3

Description

Why do some artists use the same imagery over and over again? How does it change or stay the same? Why do some artists produce multiples? How does quantity and multiplicity impart meaning? How can repetition be used to reinvent or edit an idea? In this class, we will ask these questions and more as we explore the ways artists revisit certain ideas and techniques. We will look at work by Yayoi Kusama, Allan McCollum, Joyce Pensato, Andy Warhol, Judy Ledgerwood and Agnes Martin among many, many others. You will complete two independent projects and contribute to one group project in this class. Studio work will be supplemented with several field trips, readings, presentations and group discussions.

Class Number

1653

Credits

3