A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Daniel Robert Gunn

Assistant Professor, Adjunct

Bio

Dan Gunn, Adjunct Assistant, Painting and Drawing (2010). BS, 2003, Wheaton College; Post-Bacc, 2005, MFA, 2007, SAIC; Skowhegan, 2012; Exhibitions: MCA Chicago; Elmhurst Art Museum; Center for Visual Art, University of Toledo; Hyde Park Art Center; Monique Meloche Gallery; Western Exhibitions; Loyola University Museum of Art; Poor Farm, Manawa Wisconsin;  Publications: Managing Editor of Chicago Artist Writers, Bad at Sports, “Artist Run Chicago Digest”, Newcity Magazine, ArtSlant. Bibliography: Frieze, Art in America, INSIDE / WITHIN, Artforum, Art21 Blog, The Chicago Tribune, TimeOut Chicago, ARTWRIT, ArtSlant Awards: Artadia/ EXPO Chicago, 2013 Collections: TD Bank, Fidelity, The Joyce Foundation, Marciano Art Foundation.

 

Courses

Title Department Catalog Term

Description

This course investigates strategies to develop and maintain a painting practice within the context of a home or off-campus studio. Painting materials, application, color, form, and contemporary and traditional methodologies will all be examined. Focus will be given to the development of safe home studio practices. Designed to accommodate many skill levels, students will explore various creative strategies through a skill-based curriculum as well as individual projects Lectures and assignments will focus on developing a home studio practice, as well as contemporary painting in general. Students will review a wide variety of current and past painters, with emphasis placed on diversity and recontextualization of the traditional canon. PTDW/StudioLab-developed content for a safe home studio practice, including readings and video tutorials, will be shared and explored. Other critical readings may be assigned at the discretion of the faculty. The course leaves room for differing approaches by section and faculty, much like a Multi-level Painting course, but with an added focus on home studio practice. Course work will vary by section, but will typically include a mixture of short, focused studio assignments, in combination with longer, individually driven projects. Critiques and one-on-one discussion will occur throughout the semester, culminating in a final critique, based on work created throughout the semester, or on a culminating independent project. Readings and tutorials on home studio practice will be assigned throughout the semester as needed.

Class Number

1899

Credits

3