A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Andrew Falkowski

Assistant Professor

Bio

BA, 1995, University of California, Santa Cruz; MA, 1999, University of Wisconsin, Madison; MFA, 2003, California Institute of the Arts, Valencia, CA. Exhibitions: Andrew Rafacz Gallery, Chicago; Rosamund Felsen Gallery, Santa Monica, CA; KunzVisGonzales, Chicago; St. Louis Contemporary, MO; The Suburban, Oak Park, IL; Gallery 400, Chicago; Kavi Gupta, Chicago; Hudson-Franklin, New York. Publications: New Art Examiner; Cakewalk. Bibliography: Artforum.com; Time Out; The Magazine; Newcity; Artweek. Collections: Dean Valentine; Tony Shifrazi; Deborah Sussman; Paul and Meryl Lander; Marcia Goldenfeld; Ruth and Marvin Sacker; Pete Franciosa; Barbara and Jeff Kaplan; Martin Leesak; Reese Polesky; James Phillips.

Courses

Title Department Catalog Term

Description

Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.

Class Number

1878

Credits

3

Description

This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image. Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis. Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.

Class Number

1857

Credits

3

Description

This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.

Class Number

1901

Credits

3

Description

This studio explores specific problems in each student's area of concentration and interest. Students are expected to command familiarity with problems of color, composition, and basic materials.

Class Number

1908

Credits

9

Description

Painting Materials: Individual Investigations This class is for students who wish to gain material mastery of their work by expanding their knowledge of its physical aspects. Students will learn to make their own paints and employ application processes and strategies from the earliest forms to experimental approaches of the moment. The class will be balanced between practical demonstrations of paint formulation and application methods, individual projects and class critiques. Covered media will include, but are not limited to: tempera and emulsion paints, acrylic, casein, oil, encaustic, distemper, pigment dispersions, grounds and supports. Special emphasis will be placed on areas of greatest student interest and individual approaches.

Class Number

1683

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1283

Credits

3 - 6