Recent releases
SCHOOL OF THE ART INSTITUTE OF CHICAGO’S FASHION SHOW RETURNS TO MILLENNIUM PARK THURSDAY, APRIL 19SAIC Alumna Cynthia Rowley to Receive SAIC Legend of Fashion Award Alongside Husband and Art Connoisseur Bill Powers at THE WALK 2012 Annual Benefit Gala
CHICAGO — Nick Cave, professor and chair of the School of the Art Institute of Chicago (SAIC) Fashion Design department, proudly announces that SAIC will present its 78th annual fashion show, Fashion 2012, on Thursday, April 19, 2012. Presented for the second consecutive year against the backdrop of beautiful Millennium Park, the show will be presented three times throughout the day before a final evening presentation during THE WALK 2012, SAIC’s annual benefit gala supporting the production of student work and scholarships. This year’s runway show will conclude with the elaborate and diverse creations of more than 40 seniors, the largest graduating class in SAIC Fashion Design history. Taking place a full three weeks earlier than in 2011, Fashion 2012 is one of several significant year-end happenings at SAIC, which also hosts the annual Graduate Exhibition in SAIC’s Sullivan Galleries April 28–May 18. Fashion and art lovers from around the world will experience a stunning runway show at these events, featuring more than 300 original garments created by undergraduate students in SAIC’s internationally renowned Fashion Design program, which boasts such distinguished alumni as Halston, Cynthia Rowley, Gary Graham, J. Morgan Puett, Lawrence Steele, and Maria Pinto. “SAIC's full day of year-end fashion events is great for our students and the vibrancy of our city,” says SAIC President Walter Massey. “As a flagship event on Chicago’s cultural calendar, this show provides our talented fashion design students a platform to share their innovative work and gives a sophisticated, creative audience a glimpse of the future of fashion and the next generation of designers. I am delighted that we were able to welcome more than 2,400 guests to our shows last year and eager to welcome them back to Millennium Park once again, along with new friends.” Fashion 2012 delivers all the elements of a professional fashion runway show—stunning design, intriguing soundscapes, exquisite garments, and cutting-edge looks—by incorporating and combining techniques from the fields of sculpture, performance, design, technology, architecture, and installation. Seniors in SAIC’s acclaimed Fashion Design department will create complete collections of five garments; Juniors will show three complete designs from their collection; and each Sophomore will present one avant-garde look in muslin. Behind-the-scenes photos from students and other insights into their creative process are online and updated regularly at facebook.com/saic.fashionshow. More than 70 models from Factor Runway will wear designs down a 90-foot runway inside a 15,000-square-foot tent on Chase Promenade, a three-block-long, tree-lined walkway centrally located in Millennium Park. Hairstyling is provided by Aveda Institute Chicago; make-up services are provided by Chicago Emerging Artists. Capitalizing on the success of Fashion 2011, Creative Director of Brooklyn-based WAAVES Studio Skooby Laposky—a past collaborator with designers including Gemma Kahng, Conny Groenewegen, and Jason Wu—will again lend his creative expertise to the sound and musical accompaniment that serves as the backdrop for the show. Fashion 2012 is produced by SAIC faculty member Conrad Hamather, Graduate Coordinator of the Master of Design in Fashion Body & Garment program. THE WALK 2012—APRIL 19, 5:30 P.M. SAIC is also proud to host THE WALK 2012, the annual scholarship benefit gala held in conjunction with the fashion show. The event is made possible in part by presenting sponsor Swarovski, returning for its second consecutive year of support. This year’s chairs are Kate Neisser and John Jones of Chicago. Neisser is the chair of the board of trustees of the Erikson Institute, immediate past president of Snow City Arts, and is a member of the SAIC Fashion Committee. She also co-chaired THE WALK 2011. As a freelance writer, her work was published in Harper's Bazaar and Elle Décor among other publications. Jones is the founder and co-owner of the Gold Coast men’s boutique George Greene. Previously, for 30 years, Jones served as the Vice President of high-end fashion boutique Ultimo, working directly with Joan Weinstein. He was the first recipient of the Uomo Moda Award for Men’s Fashion in the United States. 2012 SAIC LEGEND OF FASHION AWARD TO CYNTHIA ROWLEY AND BILL POWERS A highlight of THE WALK 2012 will be when SAIC alumna Cynthia Rowley (SAIC 1978–81), creator of the renowned fashion label bearing her name, and her husband Bill Powers, co-owner of HALF Gallery and judge on Bravo’s competition reality series Work Of Art, receive the 2012 SAIC Legend of Fashion Award. “There could not be a more perfect choice for our Legend of Fashion Award than Cynthia Rowley and Bill Powers,” says SAIC Fashion Design Department Chair Nick Cave. “In a constant conversation between fashion and art, Cynthia and Bill work from a communal, visceral center that allows them to inspire, support, collaborate, and share their vision with the world. In doing so their work resonates with the duality of couture and artistic expression that is at the core of SAIC’s Fashion Design program. Their involvement in Fashion 2012 will benefit our students tremendously.” Cynthia Rowley constructed her first dress when she was seven years old. Her intuitive technical skill paired with a love of “making things” led her into an undergraduate degree from the School of the Art Institute of Chicago, where she began to pursue a career in fashion. Her first full collection was purchased while she was still in school, and gave her the leverage she needed to move to New York and establish her brand. Rowley’s namesake collection has since grown to include womenswear, menswear, eyewear, handbags, shoes, legwear, shapewear, home sewing products, wetsuits as well as a collaboration with Johnson & Johnson Band-Aid Brand. Rowley has been recognized both within the fashion industry, with a Perry Ellis Award for Womenswear Design Talent by the CFDA and a CFDA nomination for the Perry Ellis Award for New Menswear Design Talent, and as a popular style authority on 24 Hour Catwalk, Project Runway, Oprah, Late Show with David Letterman, The Today Show, and America’s Next Top Model among others. Her work has been featured in nearly every major magazine and newspaper domestically and internationally, and the Cynthia Rowley Collection is sold in better department, specialty, and online stores, as well as in more than 60 Cynthia Rowley boutiques around the world. An art enthusiast herself, Cynthia has collaborated with artists like SAIC’s Nick Cave, Will Cotton, Olaf Breuning, and Ryan McNamara on various ventures and collections, and has designed a capsule for the Gagosian Gallery, a collaborative exhibit for MoMA’s PS1, and co-founded the groundbreaking art retail site Exhibition A. Bill Powers owns Half Gallery in New York City along with partners Andy Spade and James Frey. More recently, Powers co-founded ExhibitionA.com, an online art site that commissions limited edition prints. Powers's path in contemporary art first manifested itself in 1997 when he became the Editor-in-Chief of Blackbook magazine, where he remained off-and-on until 2005. He has also written about art and culture for other prominent titles including the New York Times, W, and Muse and is currently a contributor at Purple magazine and a judge on Bravo’s Work of Art. Powers is currently on the board of the non-profit RxArt, an organization that places contemporary art in hospitals and healing environments. “I am so honored to be receiving the Legend of Fashion Award,” says Cynthia Rowley. “As an alumna of SAIC this award has a very special meaning to Bill and me. We both believe that a marriage between fashion and art is something to strive for in the 21st century, and we hope that future fashion and design students continue to draw inspiration from both the runway and the gallery.” “Chicago has an incredibly vibrant and thriving scene where art, fashion, and culture at large fuse together,” says Bill Powers. “The MCA continues to introduce artists from Jeff Koons to Rashid Johnson into the larger ‘art world’ and wouldn‘t you know it: they both got their start as students at SAIC.” FUNDRAISING HIGHLIGHTS FROM 2011 In addition to the Presenting Sponsor’s Swarovski Scholarship, THE WALK 2011 included the presentation of a diverse and noteworthy array of fashion student scholarships, fellowships, and internships. Additional scholarships included the $25,000 Eunice W. Johnson Fellowship, the $25,000 Ikram and Joshua Goldman Scholarship, and a $30,000 Fashion Scholarship from an anonymous donor. SAIC students were also awarded coveted fashion internships with major designers, including paid internships at J.Crew and Proenza Schouler in New York, through the work of Chicago fashion icon and 2011 Legend of Fashion Award winner Ikram Goldman, a member of SAIC’s Fashion Committee. In total, THE WALK 2011 raised more than $167,000 for student scholarships. EVENT DETAILS AND SPONSORS Fashion 2012 will be presented three times on Thursday, April 19: 9:00 a.m. is a general admission dress rehearsal. Tickets are $40. 12:00 p.m. and 3:00 p.m. shows are general admission seating. Tickets are $75. Tickets to the 9:00 a.m., 12:00 p.m., and 3:00 p.m. shows are on sale now. Tickets are available online only via saic.edu/fashionshow. THE WALK 2012 begins with a cocktail welcome at 6:00 p.m. on Thursday, April 19. Preceding the evening’s runway show, the presentation of the SAIC Legend of Fashion Award to Cynthia Rowley and Bill Powers is followed by the announcement of individual student awards and scholarships. The event concludes with an elegant post-show dinner at 8:00 p.m. on the rooftop terrace of Millennium Park’s Harris Theater. Tickets start at $500, and tables are $5,000 to $25,000. Call 312.499.4194 for tickets, tables, sponsorships, and more information. CS Magazine is the Exclusive Print Media Sponsor of THE WALK 2012, which is made possible in part by Presenting Sponsor Swarovski. ABOUT THE SAIC FASHION DESIGN DEPARTMENT The School of the Art Institute of Chicago’s Fashion program provides a creative and intellectual context in which the nature and potential of fashion is closely examined and reimagined. Uniquely situated within a vibrant contemporary school of art and design, SAIC's Fashion department offers undergraduate, graduate, and post-baccalaureate fashion programs that build on the connections and relationships between art and fashion that have been evolving in the past century and that reach an unprecedented level in contemporary practices today. SAIC’s Fashion program is housed within the Sage Studios for Fashion Design located in the historic Carson Pirie Scott building. The 25,000-square-foot studio space includes the Fashion Resource Center, a hands-on collection of late-20th- and 21st-century designer garments and accessories representing extreme innovation, which allows SAIC students the opportunity to explore the most progressive achievements in the world of dress and fashion. The success of SAIC’s Fashion Design program and SAIC's interdisciplinary approach to education is reflected in a list of alumni that includes such notable designers as Halston, Cynthia Rowley, Lawrence Steele, J. Morgan Puett, Eunwha Kim, Maria Pinto, Gary Graham, and Matthew Ames. SAIC graduates hold senior design positions in firms as varied as Yeohlee, Jones New York, Levis, Nike, Charles Chang Lima, and Tommy Hilfiger, and design for Anna Sui, Calvin Klein, Tiffani Kim, Betsey Johnson, Triple5Soul, and Moschino. Upon graduating, many have chosen to intern for international houses such as Viktor & Rolf, Alexander McQueen, Wendy & Jim, Castelbajac, Zac Posen, Threeasfour, and William Ivey Long or to launch their own fashion lines. The current chair of SAIC’s Fashion Design department is critically acclaimed designer Nick Cave. For more information, please visit saic.edu/fashion. ABOUT SAIC SPRING EXHIBITION EVENTS (APRIL 14–JULY 21) The fashion events on April 19 are the launch of an unparalleled year-end lineup of artistic and cultural events at SAIC. A host of year-end exhibitions will be featured on and off campus, including ARTBASH 2012: Contemporary Practices Exhibition, April 14–27; the MFA Graduate Exhibition, April 28–May 18; and the AIADO and Fashion Graduate Exhibition/Post-Baccalaureate Studio Exhibition, June 9–July 21. Concurrent with THE WALK 2012 is the Master of Arts in Visual and Critical Studies Symposium, in conjunction with an exhibition at Autumn Space Gallery. Other symposia featuring the latest research from SAIC’s graduating scholars include the Bachelor of Arts in Visual and Critical Studies and Bachelor of Fine Arts in Liberal Arts Symposium on April 28; the Modern Art History, Theory, and Criticism Graduate Symposium May 3–4; and the Art Education Graduate Symposium and Apprentice Teaching Event and Reception on May 9 and 10. The Undergraduate and Graduate Film, Video, New Media, Animation, and Sound Festival showcases the next generation of film, video, and new media artists May 9–11 at the Gene Siskel Film Center. More information is available at saic.edu/highlights. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC) A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. |
Download Release (printer-friendly version) Images and Interviews Available on Request
![]() 2012 SAIC Legend of Fashion Award honorees Bill Powers and Cynthia Rowley (SAIC 1978–81) with SAIC Fashion Design Chair Nick Cave. Photo: William Eadon CONTACT: John Eding, SAIC 312.499.4211 jeding@saic.edu Eileen Chambers, CF&A 773.327.3830 x102 eileenc@carolfoxassociates.com |


SAIC Ballroom Hosts Free Information Session January 30 Regarding 2012 Creative Capital GrantsChicago, IL—President and Executive Director of Creative Capital Ruby Lerner will participate in an information session at 5 p.m. on January 30 in the SAIC Ballroom, 112 S. Michigan Ave., hosted by SAIC’s Department of Exhibitions. After its Letter of Inquiry period between February 1 and March 1, Creative Capital—a foundation that provides integrated financial and advisory support to adventurous artists—will consider proposals in Emerging Fields, Literature, and Performing Arts. Selected grantees can receive up to $50,000 in direct support, and a suite of services valued at more than $37,000. The event is free and open to the public, with RSVP required to grants@creative-capital.org. Any working artist with at least five years of professional experience who is a U.S. citizen or permanent legal resident and at least 25 years old is eligible to apply for a grant. Far from a traditional funder, Creative Capital is committed to working in long-term partnership with the bold and groundbreaking artists that they fund, making a multi-year financial commitment while providing advisory and professional development services. Acting as a catalyst for the development of exceptional and imaginative ideas, Creative Capital supports artists whose work is provocative, timely and relevant; who are deeply engaged with their artforms and demonstrate a rigorous commitment to their craft, yet are also boldly original and push the boundaries of their genre; and who create work that carries the potential to reshape the cultural landscape. For more information on Creative Capital, including past recipients and current work, please visit www.creative-capital.org. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy that is built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. |
Download Release (printer-friendly version) CONTACT: John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


HOLIDAY / JANUARY EXTENSION FOR 8,750-SQUARE-FOOT INSTALLATION BY WOLFGANG LAIB AND SAIC STUDENTS & ALUMNIChicago, IL —More than a ton of rice and pollen in over 23,000 piles comprising Unlimited Ocean—a new major work by Wolfgang Laib created during his ten-day October residency in collaboration with students and alumni from the School of the Art Institute of Chicago (SAIC)—remains on extended view through January 28 at SAIC’s Sullivan Galleries (33 South State Street, 7th floor), free and open to the public. Created over a ten-day residency within SAIC’s vast gallery space inside Louis Sullivan’s architectural monument at the corner of State and Madison (the former Carson, Pirie, Scott and Company building), Laib’s installation is one of the largest works ever made by this renowned German artist. The Sullivan Galleries are open Tuesday–Saturday, 11 a.m.–6 p.m. The galleries will be closed December 24–January 2. For more information: saic.edu/exhibitions | 312.629.6635 | exhibitions-saic@saic.edu PRAISE FOR THE EXHIBITION Paul Klein of the Huffington Post writes, “Not only a beautiful, site-specific presentation, there is a pervasive calm that resonates throughout the room and the viewer.” Unlimited Ocean has also received coverage from WBEZ Chicago Public Radio, Chicago Art Blog This is Colossal, and ecosalon.com. The artist’s conversation with SAIC faculty Mary Jane Jacob (Sculpture) and Nora Taylor (Art History, Theory, and Criticism) for the Visiting Artists Program was selected as a Critic’s Pick in the October 13 edition of Time Out Chicago. ABOUT THE ARTIST Wolfgang Laib has explored Eastern spiritualism and philosophies throughout his artistic career, which now spans more than three and a half decades. This interest in Eastern ways of life connects Laib’s work with that of several other artists included in the Sullivan Galleries’s fall season of exhibitions and events—which has featured Thai artist Kamin Lertchaiprasert (31st Century Museum of Contemporary Spirit, on view through December 23), Indian artist Jitish Kallat (Ekphrasis, September 11), and Korean artist Kimsooja (Mumbai: A Laundry Field, September 10–October 8)—as well as the department’s work with Indian filmmaker Amar Kanwar, who participated in SAIC’s Visiting Artists Program on November 16. Laib has exhibited extensively, including at the Venice Biennale; documenta 7, Kassel, Germany; Musée d'art moderne de la ville de Paris; Kunstmuseum Bonn, Germany; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Fondation Beyeler, Basel, Switzerland; and Museo Nacional Centro de Arte Reina Sofía, Madrid, among others. Laib’s work has been the focus of many retrospectives including the Musée de Grenoble, France; Fondazione Merz, Turin, Italy; Museo Universitario Arte Contemporáneo, Mexico City; and Museo Nacional de Arte de La Paz, Bolivia. He is represented in the US by Sean Kelly Gallery, New York. For more information, visit skny.com/artists/wolfgang-laib. ALSO ON VIEW IN THE SULLIVAN GALLERIES Lim Tzay Chuen: extended classroom December 9–February 18 Works by artist Lim Tzay Chuen act as prompts and provocations in this exhibition organized by SAIC's Curatorial Models/ Experimental Contexts class, led by visiting faculty Weng Choy Lee. Born in Singapore and residing in Beijing, Lim's work often questions institutional practices and explores gaps of perception. Lim has participated in numerous solo and group exhibitions, as well as the Venice, Gwangju, Singapore, and Sydney biennales. Weng Choy Lee has devoted extensive research to Lim's work; born in Malaysia and based in Singapore, he is an art critic and former artistic co-director of Singapore's The Substation arts center. And then a pause December 9–February 18 This exhibition features new work from the Department of Writing’s Text Off the Page class and includes performances, installations, and language-based projects. Art of Connection December 8–February 18 This exhibition showcases artwork by graduate art therapy students and the individuals they work with at their internship sites. Artwork in the show reflects the varied settings, populations, and practices of art therapy, and represents a culmination of the Master of Arts in Art Therapy program at SAIC. Luminal December 9–December 23 The twelve artists participating in the Department of Film, Video, New Media, and Animation’s Video Installation course exhibition analyze and confront formal questions emerging from constructing single and multi-channel installations. Using video, they investigate the intersection of a time-based medium with space and embodied actions. Kamin Lertchaiprasert | The 31st Century Museum of Contemporary Spirit (A Laboratory) September 3–December 23 In collaboration with students in the Department of Exhibitions and Exhibition Studies’ Advanced Curatorial Practice course, Thai artist Kamin Lertchaiprasert expands upon his ongoing project 31st Century Museum of Contemporary Spirit. Kamin and the group present the self as museum, putting on display the spirit they have located in their experience of everyday life. The students opened up this process to other participants, as the gallery “acquired” new works and projects throughout the fall semester. ABOUT THE SULLIVAN GALLERIES The School of the Art Institute of Chicago’s exhibitions bring to Chicago audiences the work of acclaimed and emerging artists through group exhibitions, artists’ projects, and publications, while providing a forum for exchange among faculty, students, and the public on the discourses of art today. Comprising over 30,000 square feet, the Sullivan Galleries are the largest single contemporary gallery space in Chicago’s Loop, and are located in the recently renovated Sullivan Center, which is listed on the National Register of Historic Buildings. The building was originally designed by architect Louis Sullivan and was home to the flagship store for Carson Pirie Scott and Company for more than a century. The Sullivan Galleries are generally free and open to the public Tuesdays through Saturdays from 11:00 a.m. to 6:00 p.m. For more information: saic.edu/exhibitions | 312.629.6635. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. |
Download Release (printer-friendly version) CONTACT: John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


POP-UP EXHIBITION AT TOM ROBINSON GALLERY ON VIEW TWO DAYS ONLYChicago, IL— The Fiber and Material Studies Department at the School of the Art Institute of Chicago (SAIC) is pleased to announce the pop-up exhibition Shape. Shift. Substitute. featuring students from SAIC’s Advanced Fibers Studio. The show is hosted by the Tom Robinson Gallery (2416 W. North Avenue at Western Avenue, 773-477-7913) from noon to 8:00 pm Friday, December 2 and noon to 6:00 pm Saturday, December 3. Show opening is 6:00 to 8:00 pm on Friday. Shape. Shift. Substitute. is a multimedia show that reflects the wide variety of materials being used in contemporary fibers practice. Video art, reductive painting, cultural installations, weavings, meditative handwork, and sculpture will all be part of this varied show. The work reflects thematic coincidences that organically come about in a shared studio. As twelve artists coming of age together in our society, these works explore the perceptions of our place in time—through site, community, identity, anxiety, and phenomenology. Through the varied use of traditional and other materials, these works convey an outstanding sense of individual identity within the group of works, the unique coming together of this set of artists. The participating artists include Melissa Leandro, whose work aims to create a visual diary of the struggles involved with being an “other.” She manipulates materials such as felt, fabric, foam, paper, along with more construction-based materials such as plaster and wire to make objects that reference the disconnection. Geanna Marshé Hernandez uses found materials in combination with painting, drawing, and sewing to create objects that reference her personal struggle of class difference within the Latino communities. Manipulating materials to create layered surfaces, she explores perception and transformation. Jules Schmid re-contextualizes cultural stereotypes and reveals their absurdity by viewing them through a post-minimalist lens. She appropriates the shapes and colors drawn from artifacts and cultural commodities to construct sculptural objects that place the viewer in the intersection of two points of view. Alexandria Eregbu investigates social identity through the exploration of how her body, as a young Black woman, functions within any given environment. She interprets the female body as a spectacle through performance and objects that reveal the juxtaposition of new media and laborious craft. Dyne Lee is deeply interested in the Zen Buddhist idea of self-reflection. The anxiety about her existence drives her to create art that will outlast her, thereby leaving a trace on the physical world long after she is gone. She creates labor-intensive fiber works as a form of meditation about her life. Camilla Rosas is interested in translating the effects that time has on one’s body and mind into embroidered textiles as a way to deal with anxieties about her genetic future and health. She uses both hand and digital stitching methods that require physical concentration that relates to her fear of loss of memory and sight. Sydney Lynch explores feelings of nostalgia, love, longing, and loss through time and obsessive making to change one’s experience of these. Time intensive and repetitive processes are important to her as a way of externalizing internal emotions. Sarah Benning is interested in the moments of conflict and the poetic moments of synchronicity that occur in every relationship and in the delicacy of these rare and fleeting experiences. These instances in her own life become the source material from which she generates formal compositions where the trials of human interaction are translated into the accumulation of marks. Laura Christman’s work examines organic and inorganic objects that she finds in everyday life. Each found object, carefully selected for its texture, pattern, and symptoms of decay, all keep to themselves the story of their existence. She uses these objects to create sculptural pieces, printed collages, and drawings. Yaloopop poetically combines found electronic images and fragments of her work into a virtual space that becomes video installations that reference daily life. She is interested in creating a space that will allow the viewer to stop and daydream. Tim Mann is interested in finding the ordinary and recognizing it as extraordinary. He intends to abolish the line that separates himself from the viewer by making objects that act as stand-ins for something in which he has found a transcendent beauty. Susannah Dotson creates art in response to the radical instinct self. She utilizes malleable materials, with a sense of plasticity to evoke the contemporary and the ancient, the preternatural and the natural. She makes archetypal abstract shapes that relate to the physical body and are both atavistic and obtuse. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. |
Download Release (printer-friendly version) Images and Interviews Available on Request CONTACT: Laura Christman 515.490.2841 lrosen5@saic.edu |


"Art Criticism in Chicago: Past, Present, Future"
|
Download Release (printer-friendly version) Images and Interviews Available on Request
CONTACT: Ann Wiens School of the Art Institute of Chicago 312.560.9780 awiens@saic.edu |


EZIO MANZINI, LEADING EXPERT ON SUSTAINABILITY IN DESIGN, TO LECTURE AT SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC)Chicago, November 4—The School of the Art Institute of Chicago brings Ezio Manzini, Professor of Industrial Design at Milan Polytechnic and one of the world’s leading experts on sustainable design, to Chicago on Monday, November 14 at 6 p.m. as part of SAIC’s William H. Bronson & Grayce Slovet Mitchell Lecture Series. The event is free and open to the public, and will be presented at the SAIC Columbus Auditorium, 280 South Columbus Drive. Seating is limited and available on a first come, first served basis. Doors open at 5:45 p.m. For more information, call 312.629.6650 or e-mail aiado@saic.edu.POST LECTURE PANEL DISCUSSION Following the lecture, there will be a panel discussion exploring intersections between the lecture content and design implications in the City of Chicago. The panel will be moderated by Victor Margolin, Professor Emeritus at the University of Illinois at Chicago, and will include John Tolva, Chief Technology Officer for the City of Chicago, Karen Weigert, Chief Sustainability Officer for the City of Chicago, Dan X. O’Neil, Executive Director of Smart Chicago, Marisa Novara, Project Manager at the Metropolitan Planning Council, George Aye, Assistant Professor in the Department of Architecture, Interior Architecture, and Designed Objects (AIADO) at SAIC, and other guests. ABOUT THE LECTURE Manzini will discuss the theme of “regeneration” as a result of social innovations and new ideas of quality in design. The presenter notes, “In a small, densely populated, highly connected planet, social resources are by far the most abundant ones. In other words, people’s sensitivity, knowledge, creativity, and entrepreneurial capabilities are potentially the most powerful drivers for sustainable changes. Therefore, one of the most promising strategies towards sustainability is to create the conditions that catalyze these diffuse social resources, transforming these potentialities into concrete initiatives capable of generating large systemic changes. This is what design for social innovation is about and what this lecture will introduce and articulate in lines of action.” ABOUT EZIO MANZINI As a design strategist, Ezio Manzini focuses on design for social innovation and sustainability, and developing design solution scenarios that encompass both environmental and social quality. Manzini has written numerous books, including The Material of Invention; Artifacts: Towards a New Ecology of the Artificial Environment; Solid Side: The Search for Consistency in a Changing World (with Marco Susani); and Sustainable Everyday. He is professor of Industrial Design at Milan Polytechnic and founded Design for Social Innovation Towards Sustainability (DESIS), a network of university-based design labs. DESIS Labs are groups of professors, researchers and students who orient their design and research activities towards social innovation. They can operate at the local scale with local partners and, in collaboration with other DESIS Labs, they can engage in regional and global large-scale projects and programs. RECENT SAIC FACULTY ACCOMPLISHMENTS Assistant Professor Tristan d'Estr�e Sterk (AIADO), founder of the technology and design firm ORAMBRA, received the Unbuilt Design Award from AIA Chicago on October 28 for his project “Prairie House for a Fashion Pattern Maker & Fiber Artist.” A design concept produced by ORAMBRA (the Office of Robotic Architectural Media & The Bureau for Responsive Architecture), the Prairie House uses actuated tensional-integrity systems, in conjunction with soft cladding systems, to produce a house that is estimated to emit less than half of the carbon of a typical house in Illinois. “Tristan's award reflects well on him, and we offer our congratulations,” said Anders Nereim, Professor in Architecture at SAIC and former Department Chair. “As a colleague, his excellent work brings special focus to our newly accredited Master of Architecture program, and demonstrates how our faculty pursue the edge of architecture, and that those pursuits are recognized and valued by the profession.” In September the International Union of Architects (UIA) and Children Golden Globes Award bestowed a Special Mention Award upon Professor Linda Keane (AIADO) for her educational nonprofit NEXT.cc. The UIA & Children Golden Cubes Awards were founded to honor people and organizations that help children and young people to understand architecture. NEXT.cc is a 21st century EcoWeb of researched resources dedicated to transforming teaching and learning of design into a relevant, fun, anywhere and anytime activity. It offers a collection of tools, languages, discovery, and design opportunities aimed at increasing children’s awareness, understanding, and engagement of the importance of the built and natural environments. Recipient of two National Endowment for the Arts Design Education supporting grants, two Graham Foundation Grants, and a US Green Building Excellence in Green Building Education Award, NEXT.cc was chosen as the sole US architecture educational program out of 300 entries from 19 countries. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. |
Download Release (printer-friendly version)
CONTACT: Ann Wiens School of the Art Institute of Chicago 312.560.9780 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


SCHOOL OF THE ART INSTITUTE OF CHICAGO HOSTS 23RD ANNUAL HOLIDAY ART SALE NOV. 18 AND 19Unique Sale Offers One-of-a-Kind Gifts Created by SAIC Students Admission is Free and Open to the PublicChicago, November 3—The School of the Art Institute of Chicago (SAIC) proudly hosts the 23rd annual Holiday Art Sale on Friday, November 18 from 11:00 a.m. to 7:00 p.m. and Saturday, November 19. From 10:00 a.m. to 5:00 p.m. in the SAIC Ballroom (112 S. Michigan Avenue). Co-sponsored by Campus Life and SAIC’s Student Association, the Holiday Art Sale is FREE and open to the public. For more information, please call 312.629.6880 or visit saic.edu/holidaysale.The immense talent and creativity of more than 120 SAIC students is on display at this unique sale, which offers exquisite one-of-a-kind gifts such as photographs, paintings, sculpture, ceramics, prints and drawings, jewelry, fashion accessories and handmade paper designs. Prices of works for sale range from $1 to $1000+. Participating students receive the majority of their total sales; SAIC Student Association receives a small commission to support the Holiday Art Sale and to fund future projects and educational programs. SAIC’s New Artists Society also hosts a special Holiday Art Sale Preview Party Thursday, November 17 from 5:00 to 8:00 p.m. Tickets are $35/person or $60/couple. For more information about the New Artists Society Preview Party or to purchase tickets, call 312.499.4190. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. |
Download Release (printer-friendly version)
CONTACT: Ann Wiens School of the Art Institute of Chicago 312.560.9780 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu
|


School of the Art Institute of Chicago (SAIC) Graduate Students in Art Therapy Will Present The Art of Connection on December 10Chicago, IL— The Art of Connection showcases artwork by students graduating from the Master of Arts in Art Therapy program at the School of the Art Institute of Chicago, and the people they work with at their internship sites.As defined by the American Art Therapy Association, “art therapy is the therapeutic use of art making, within a professional relationship, by people who experience illness, trauma, or challenges in living, and by people who seek personal development. Through creating art and reflecting on the art products and processes, people can increase awareness of self and others; cope with symptoms, stress, and traumatic experiences; enhance cognitive abilities; and enjoy the life-affirming pleasures in making art.” The diversity of artwork on display in The Art of Connection reflects the wide range of people, places, and approaches encompassed by art therapy. As a curricular requirement of the program, each art therapy graduate student works at an internship site where the power of art making is used to help people communicate their stories. Whether the work produced provides a respite from an emotional storm, or depicts an image directly from it, the common theme that links together each of the artists represented here is the belief in growth through expression, which is fostered within a safe and supportive environment, and is also aimed at integrating internal and external experiences. Typically, artwork created in a therapeutic setting is confidential. However, the artists represented in this exhibition chose to share their work with an audience as a means of building understanding and healing. Art Therapy students participating in The Art of Connection include April Abesamis, Avery Blair-Wilson, Rifi Bleichman, Amy L. Cavazos, Cassie Lynn Dobbs, Michelle Ettlinger, Katrina Funk, Joyce Garside, GraceAnn Goll, Jae Hoon Kim, Charlotte Kimlick, Terri Kuberski, Stephany Latham, Emily MacArthur, Cass Magiera, Giselle Pagani, Jeannette Perkal, Kate Pfeiffer, and Hannah Shinozaki. Participating locations for art therapy internships include Advocate Hope Children’s Hospital, Advocate Lutheran General Children’s Hospital, Alexian Brothers Behavioral Health Hospital, Arlyn Day School, Chicago Community Counseling Center, Center on Halsted, Chicago Children’s Advocacy Center, Deborah’s Place, Hephzibah Children's Association, Mercy Home for Boys and Girls, Mercy Housing Lakefront, Neumann Family Services, Norwegian American Hospital, Rainbow Hospice and Palliative Care, Rice Child and Family Center, and The ARK. The Art of Connection December 10, 2011–February 18, 2012 Public receptions: Thursday December 8, 7:00–8:30 p.m. and Friday December 9, 4:30–7:00 p.m. Sullivan Galleries School of the Art Institute of Chicago 33 South State Street, 7th floor Chicago, IL 60603 312.629.6635 saic-exhibitions@saic.edu saic.edu/exhibitions Gallery hours: Tuesday–Saturday, 11:00 a.m.–6:00 p.m., and by appointment Note: The galleries will be closed December 24–January 2 Free and open to the public For more information on Art Therapy at School of the Art Institute of Chicago, visit saic.edu/arttherapy ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. |
Download Release (printer-friendly version)
CONTACT: Ann Wiens School of the Art Institute of Chicago 312.560.9780 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC) IS TOP PRODUCER OF FULBRIGHT RECIPIENTS AMONG US COLLEGES OF ART & DESIGNChicago, IL — Four recent alumni from the School of the Art Institute of Chicago (SAIC) won Fulbright awards for 2011–12, the largest number of Fulbright recipients hailing from a single U.S. college of art and design this year1. Alexandra Dietz (BFA 2010) is working on a photography project in India; Liliya Lifanova (MFA 2010) is working on a performance piece in Russia; Ania Szremski (MA 2011) is pursuing art historical research in Egypt; and Stephanie J. Victa (MFA 2010) is building sculptural work in the Philippines. From fall 2000 to fall 2010, SAIC helped send 27 students abroad on Fulbright awards, more than any other college of art and design in the nation.“Our students and alumni are examining the role of the artist in the larger global context, exploring ways that artists and arts scholars can contribute to the dialogue around national and international issues. What better way to study this than by practicing their disciplines around the world?” said Elissa Tenny, SAIC Provost. “The Fulbright awards are a wonderful acknowledgement of the value of art and design in our global community. I am especially proud of our students who will participate this year and am confident they will make important contributions on this international stage," said Lisa Wainwright, SAIC Dean of Faculty. The Fulbright competition is administered at SAIC by the Fulbright Program Advisor in the Office of Career Services. This year, under the Fulbright program, almost 1,700 American students, artists, and young professionals in more than 100 different fields of study have been offered grants to study, teach English, and conduct research in more than 130 countries throughout the world beginning this fall. Of the 1,700 Fulbright Scholars, 19% are at the doctorate degree level, 17% are at the master’s level, and 65% are at the bachelor’s degree level. Students receiving awards for this academic year applied through 600 colleges or universities. Lists of Fulbright recipients are available at fulbrightonline.org/us. 1 "Top Producers of U.S. Fulbright Students by Type of Institution, 2011-12." Chronicle of Higher Education, October 23, 2011, http://chronicle.com/article/Top-Producers-of-US/129452/ (accessed October 24, 2011). ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. About the Fulbright Program Since its inception in 1946, the Fulbright Program has provided more than 300,000 participants—chosen for their academic merit and leadership potential—with the opportunity to study, teach and conduct research, exchange ideas, and contribute to finding solutions to shared international concerns. In the past 64 years, more than 44,000 students from the United States have benefited from the Fulbright experience. The Fulbright Program is sponsored by the United States Department of State, Bureau of Educational and Cultural Affairs. The Fulbright Program also awards grants to American teachers and faculty to conduct research and teach overseas. In addition, some 3,850 new foreign Fulbright students and scholars come to the United States annually to study for graduate degrees, conduct research and teach at U.S. universities, colleges, and secondary schools. |
Download Release (printer-friendly version) ![]() CONTACT: Ann Wiens School of the Art Institute of Chicago 312.560.9780 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


ARTIST WOLFGANG LAIB CONDUCTS RESIDENCY AND MAJOR INSTALLATION AT THE SCHOOL OF THE ART INSTITUTE OF CHICAGOChicago, IL, October 12—More than 30,000 piles of rice and pollen will comprise Unlimited Ocean, a new major work by Wolfgang Laib created during his ten-day residency in collaboration with students and alumni from the School of the Art Institute of Chicago (SAIC). One of the largest works ever made by Laib, this new site-specific installation piece will be on view at SAIC’s Sullivan Galleries (33 South State Street, 7th floor) October 22–December 23, drawing inspiration from the vast gallery space of Louis Sullivan’s architectural monument at the corner of State and Madison (the former Carson, Pirie, Scott and Company building). The artist will discuss his practice and Unlimited Ocean as part of SAIC’s Visiting Artists Program on Monday, October 17.German-born Wolfgang Laib has explored Eastern spiritualism and philosophies throughout his artistic career, which now spans more than three and a half decades. This interest in Eastern ways of life connects Laib’s work with that of several other artists included in the Sullivan Galleries’s fall season of exhibitions and events—which has featured Thai artist Kamin Lertchaiprasert (31st Century Museum of Contemporary Spirit, also on view through December 23), Indian artist Jitish Kallat (Ekphrasis, September 11), and Korean artist Kimsooja (Mumbai: A Laundry Field, September 10–October 8)—as well as the department’s work with Indian filmmaker Amar Kanwar, who will also participate in SAIC’s Visiting Artists Program on November 16. More information about each of these presentations is available at saic.edu/exhibitions. RELATED LECTURE As part of SAIC’s Visiting Artists Program, Laib will have a conversation about this project and others with Mary Jane Jacob, Professor and Executive Director of SAIC’s Department of Exhibitions and Exhibition Studies, and Nora Taylor, SAIC’s Alsdorf Professor of South and Southeast Asian Art, on Monday, October 17 at the Art Institute of Chicago’s Fullerton Hall, 111 South Michigan Avenue. The lecture, free and open to the public, begins at 6:00 p.m. Doors open at 5:30 p.m. ABOUT THE ARTIST Wolfgang Laib has exhibited extensively, including at the Venice Biennale; documenta 7, Kassel, Germany; Musée d'art moderne de la ville de Paris; Kunstmuseum Bonn, Germany; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Fondation Beyeler, Basel, Switzerland; and Museo Nacional Centro de Arte Reina Sofía, Madrid, among others. Laib’s work has been the focus of many retrospectives including the Musée de Grenoble, France; Fondazione Merz, Turin, Italy; Museo Universitario Arte Contemporáneo, Mexico City; and Museo Nacional de Arte de La Paz, Bolivia. He is represented in the US by Sean Kelly Gallery, New York. For more information, visit skny.com/artists/wolfgang-laib. ALSO ON VIEW Fall Undergraduate Exhibition Sullivan Galleries, October 15–November 12 Reception: Friday, October 14, 6:00–8:00 p.m. More than 70 talented SAIC students completing undergraduate degrees this fall exhibit their innovative work. The School of the Art Institute of Chicago promotes crossing disciplines and challenging assumptions, and the results of this approach are showcased in this exhibition. ABOUT THE SULLIVAN GALLERIES The School of the Art Institute of Chicago’s exhibitions bring to Chicago audiences the work of acclaimed and emerging artists through group exhibitions, artists’ projects, and publications, while providing a forum for exchange among faculty, students, and the public on the discourses of art today. Comprising over 30,000 square feet, the Sullivan Galleries are the largest single contemporary gallery space in Chicago’s Loop, and are located in the recently renovated Sullivan Center, which is listed on the National Register of Historic Buildings. The building was originally designed by architect Louis Sullivan and was home to the flagship store for Carson Pirie Scott and Company for more than a century. The Sullivan Galleries are generally free and open to the public Tuesdays through Saturdays from 11:00 a.m. to 6:00 p.m. For more information: saic.edu/exhibitions | 312.629.6635. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. |
Download Release (printer-friendly version) CONTACT: Ann Wiens School of the Art Institute of Chicago 312.560.9780 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


SULLIVAN GALLERIES HOSTS SCREENING ON WORLD AIDS DAY, DECEMBER 1Chicago, IL, October 12—Thirty years since the Centers for Disease Control and Prevention (CDC)’s Morbidity and Mortality Weekly Report listed the first AIDS case in the U.S., the School of the Art Institute of Chicago (SAIC) and Visual AIDS present Untitled, a new video work by Jim Hodges, Carlos Marques da Cruz, and Encke King, for World AIDS Day on December 1. The screening takes place at the Sullivan Galleries Conference Room, 33 S. State St., 7th floor, 11 a.m.–6 p.m. To preview the trailer, visit www.jimhodges.com. Untitled is a 60-minute non-linear montage of archival and pop footage created to conjure up the passionate activism sparked by the early years of the AIDS crisis. The three artists behind the film explore fractious scenes from the last three turbulent decades and present them in a powerful and provocative way. Un-spooling at multiple levels, the narrative flies between scenes of tragic brutality, kitschy humor, and arch clips of laughter while shredding traditional chronology. Untitled features the expertise of three renowned contemporary artists. Hodges has created a broad range of work exploring themes of fragility, temporality, love, and death in a highly original and poetic vocabulary. Da Cruz works with artists, performers and filmmakers in Lisbon, Paris, Venice, Rome, Genoa, Spoleto, Naples, Milan, Palermo, Madrid, Brussels, London, and New York. King is a film and video producer, editor, and writer based in New York. Together the three artists present an intense and thought-provoking film that concerns the historical struggle of people who live with HIV/AIDS. This film is distributed by Visual AIDS, the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects, while assisting artist living with HIV/AIDS. www.visualaids.orgABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. |
![]() Download Release (printer-friendly version) CONTACT: Ann Wiens School of the Art Institute of Chicago 312.560.9780 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


2011 FALL UNDERGRADUATE EXHIBITION OPENS FRIDAY, OCTOBER 14 AT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC)Chicago, IL, October 11—More than 70 talented SAIC students completing undergraduate degrees this fall exhibit their innovative work October 15–November 12 in the Fall Undergraduate Exhibition at SAIC’s Sullivan Galleries, 33 South State Street, 7th floor. This year’s opening reception, free and open to the public, takes place Friday, October 14, 6:00–8:00 p.m.This culminating exhibition reflects SAIC’s interdisciplinary approach to art and design, which is evident in the diverse range of talent and visible across various media. Visitors to this exhibition of emerging artists and designers can see why SAIC was named the most influential art school in the United States by Columbia University’s National Arts Journalism Program (2002). PARTICIPATING ARTISTS Josef Aguilar, Michelle Kathleen Anderson, Emilie Bennett-Kjenstad, Daniel Bertner, Alex Calhoun, Sarah Cambell, E.T Chong, Esther Chow, Tory Lonn, Francisco Cordero-Oceguera, Jessee Rose Crane, Kristina Daignault, Theodore Darst, Sam Davis, John Deardourff, Stephanie Del Carpio, Claire Demos, Ben Dimock, Kait Doyle, Jay Fernandez, Brandy Fisher, Charles T. Fogarty, Jasmine J. Grant, Christopher Grieshaber, Alison Groh, Yo Ahn Han, Zachary Hunter Harvey, Caitlin Hennessy, Danielle J. Jacklin, Billy Joyce, Ellie Jung, Cindy Myung Hin Kim, Minky Kim, Elizabeth Kovach, Hyun Jee Kwon, Youjeong Kwon, Melissa Leandro, Christina Joorie Lee, Kanghoon Lee, Tina Kyusun Lee, Sulhwa Lee, Sarah Legow, Yaloopop, Matthew Litwin, Elyse Mack, Elizabeth A. Mallery, Mark Mcwilliams, Absis Minas, Caroline A. Moody, Alicia Moreno, Mara Patricia Mullen, Drew Noble, Eileen O’donnell, Alp Oz, Mark Palmen, Ji Ha Park, Kaitlin Patterson, Heather Platen, Lou Regele, Thomas Roland, Camila Rosas, Nathan Scealf, Nick Schleicher, Jules Schmid, Noelle Sharp, Sam Sieger, Kollin Strand, Eric Tai, Geoff Thais, Claire Valdez, Sarah Welch, Nayeon Yan, and Yun, Shi Woo ABOUT THE SULLIVAN GALLERIES The School of the Art Institute of Chicago’s exhibitions bring to Chicago audiences the work of acclaimed and emerging artists through group exhibitions, artists’ projects, and publications, while providing a forum for exchange among faculty, students, and the public on the discourses of art today. Comprising approximately 30,000 square feet, the Sullivan Galleries are the largest single contemporary gallery space in Chicago’s Loop, and are located in the recently renovated Sullivan Center, which is listed on the National Register of Historic Buildings. The building was originally designed by architect Louis Sullivan and was home to the flagship store for Carson Pirie Scott & Co. for more than a century. The Sullivan Galleries are generally free and open to the public Tuesdays through Saturdays from 11:00 a.m. to 6:00 p.m. For more information: www.saic.edu/exhibitions | 312.629.6635 ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit saic.edu. |
![]() Download Release (printer-friendly version) CONTACT: Ann Wiens School of the Art Institute of Chicago 312.560.9780 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


CONVERSATIONS AT THE EDGE CELEBRATES TEN YEARSFall 2011 season brings compelling artists' film, video, new media and animation to ChicagoChicago, IL, September 13—Conversations at the Edge, the screening and visiting artist series organized by the School of the Art Institute of Chicago’s Department of Film, Video, New Media, and Animation (FVNMA) in collaboration with the Video Data Bank and the Gene Siskel Film Center, begins the first season of its ten-year anniversary on Thursday, September 15. The complete schedule for this newest season is available below and with presenter interviews, preview videos, critical reviews, and more at blogs.saic.edu/cate.This fall’s ten-week season begins with a special preview screening of Chicago-based filmmaker Chris Sullivan’s decade-in-the-making animated feature Consuming Spirits. An FVNMA faculty member, Sullivan has been dubbed one of the most “potent and thoughtful” of all animators by Chris Robinson in Unsung Heroes of Animation (Indiana University Press, 2006). Additional highlights include appearances by Matthew Buckingham, Laura Parnes, Thomas Comerford, Lee Anne Schmitt, Bill Brown, Steina Vasulka, Rebecca Meyers, Luke Fowler, Nicolas Provost, and Amar Kanwar, in addition to a rare US screening of Gregory Markopoulos’s magnum opus ENIAIOS II (1949–1991). FVNMA Department Chair Gregg Bordowitz notes, "For the past ten years, Conversations at the Edge has provided Chicago's audiences and emerging artists with the opportunity to lead important discussions about the role of media in society—how artists can respond to historical and technological change in meaningful ways." All programs take place Thursdays at 6 p.m. at the Gene Siskel Film Center, 164 North State Street. Tickets $11 general admission $7 students / $6 GSFC members $4 Art Institute of Chicago staff and SAIC faculty, and staff FREE to SAIC students with a valid school ID All tickets may be purchased at the Film Center Box Office. Both general admission and Film Center member tickets are also available through Ticketmaster, 800-982-2787, www.ticketmaster.com, and all Ticketmaster outlets. For more information about the Gene Siskel Film Center, call 312.846.2800 (24-hour movie hotline) or 312.846.2600 (general information, 9:00 a.m.–5:00 p.m., Monday-Friday), or visit www.siskelfilmcenter.org. FALL 2011 SEASON DETAILS Thursday, September 15, 6:00 p.m. Consuming Spirits 2011, USA, 16mm on HDCAM, 125 min plus discussion. Chris Sullivan in person! Over a decade in the making, Consuming Spirits (2011) is a hypnotic and elegiac feature film by award-winning animator and SAIC faculty member Chris Sullivan. Set in a dreary rustbelt town, the film follows late-night radio host Earl Gray; wilting violet Genny, who cares for her Alzheimer’s-stricken mother; and Genny’s sometime boyfriend Victor Blue, whose days teeter at the edge of sobriety. While driving home one evening, Genny hits a nun in full habit on the highway. The accident sets off a string of events that reveal a long and twisted history between Genny, Earl, and Victor, involving family dysfunction, foster care, and old wounds longing to heal. Sullivan’s intricate hand-drawn and cut-out animations telegraph his characters’ complicated emotions while also depicting the minute tragedies and triumphs that make up a life. Chris Sullivan (b. 1960, Pittsburgh, PA) is an animator and performance artist whose experimental narratives have screened in the U.S. and internationally at the MoMA, New York, NY; Whitney Biennial, New York, NY; Boston Art Museum, Boston, MA; Flaherty Film Seminar, NY; Black Maria 20th Anniversary Show, MoMA, New York, NY; Short Film Expo, Ottawa, Zagreb, and New York; "Animation Celebration," Los Angeles, CA; and Black Maria Film and Video Festival, Ann Arbor, MI. He has performed at a variety of venues including the Walker Art Center, Minneapolis, MN; Franklin Furnace, New York, NY; LACE, Los Angeles, CA; and Randolph Street, Chicago, IL. He is a recipient of numerous awards, including a John Simon Guggenheim Fellowship; Rockefeller Media Arts Fellowship; Bush Foundation Fellowship; Illinois Arts Council Fellowship; and an NEA Regional Fellowship. He is a Professor of Animation in the Film, Video, New Media, and Animation department at the School of the Art Institute of Chicago. Thursday, September 22, 6:00 p.m. Matthew Buckingham: Situation Leading to a Story 1996–2009, USA, multiple formats, ca. 75 min plus discussion. Matthew Buckingham in person! Answering to the gaps and cracks in history, New York-based artist Matthew Buckingham weaves fact and fiction, past and present into elegant narratives and meditative essays. This evening’s program, culled from across Buckingham's body of work, explores the ways that historical moments, figures, and places shape the tenor of daily life. Works include Amos Fortune Road (1996), which takes up the mystery of former slave Amos Fortune and a collection of historical markers in his name; Situation Leading to a Story (1999), which transforms four happened-upon home movies from the 1920s into an absorbing investigation of privacy and imperialism; and A Man of the Crowd (2003), which molds Edgar Allen Poe's short tale to the contours of present-day Vienna; among others. Matthew Buckingham (b. 1963, Nevada, Iowa) utilizes a variety of media to question the role that social memory plays in contemporary life. His work has appeared in one-person and group exhibitions at ARC / Musée d’art moderne de la Ville de Paris, France; Camden Arts Centre, London, England; The Corcoran Gallery of Art, Washington, D.C.; Hamburger Bahnhof National Gallery, Berlin, Germany; Kunst-Werke, Berlin, Germany; Moderna Museet, Stockholm, Sweden; Museum Moderner Kunst, Vienna, Austria; Museum of Contemporary Art, Chicago, IL; Museum of Modern Art, New York, NY; Reina Sofia, Madrid, Spain; Whitechapel, London, England; and The Whitney Museum of American Art, New York, NY. He was a recipient of the DAAD Artist in Berlin Fellowship, studied at the School of the Art Institute of Chicago, received a BA from the University of Iowa, an MFA from Bard College and attended the Whitney Independent Study Program. Thursday, September 29, 6:00 p.m. Laura Parnes’s Blood and Guts in High School 2004–11, USA, multiple formats, ca. 75 min plus discussion. Laura Parnes in person! Laura Parnes's bracingly inventive, stylized films and videos operate at the intersection of narrative film and video art. This evening, Parnes will present her acclaimed feature, Blood and Guts in High School (2004–06). Distilled from Kathy Acker's subversive feminist novel of the same title, the film interweaves events surrounding the book’s publication—the Jonestown Massacre, Three Mile Island, the rise of Reagan Republicanism and the Moral Majority—with interludes from the short, violent life of its pre-teen protagonist, Janie Smith. Parnes will also screen episodes from her new web series, County Down (ongoing). Building on the darkly comic spirit of Blood and Guts, County Down is set in a lavish gated community where parents suddenly prey upon their children. Co-presented by the Video Data Bank. Laura Parnes (b. 1968, Buffalo, New York) has screened and exhibited her work widely in the US and internationally, including Light Industry, New York, NY; Kunsthalle Winterthur, Winterthur, Switzerland; Pacific Film Archives, Berkeley Art Museum, Berkeley, CA; the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; the Whitney Museum of American Art, New York, NY; Dunedin Public Art Gallery, Dunedin, New Zealand; MoMA PS1, New York, NY; Museo de Arte Contemporáneo Galizia, Vigo, Spain; Miami Museum of Contemporary Art, Miami, FL; Palm Beach Institute of Contemporary Art, Lake Worth, FL; the Brooklyn Museum, New York, NY; and on PBS and Spanish Television. Her work has been featured in solo shows at Alma Enterprises, London; Locust Projects, Miami, FL; Upstream Gallery, Amsterdam; Los Angeles Contemporary Exhibitions, Los Angeles; Participant Inc, New York, NY; Deitch Projects, New York, NY; and in a two-person screening at the Museum of Modern Art, New York, NY. She is currently a Faculty Lecturer in the graduate department at Yale University School of Art. Thursday, October 6, 6:00 p.m. Landscape as Archive Multiple directors, 2003–2010, USA, 16mm, ca. 60 min plus discussion. Filmmakers Bill Brown and Lee Anne Schmitt in person! In recent years, a number of artists have turned to the landscape itself—using everything from iPhone apps to walking tours—to examine the ways in which ideas, events, and cultures are recorded in the terrain. Curated by filmmaker and SAIC Adjunct Associate Professor Thomas Comerford (Indian Boundary Line, 2010), this program investigates the notion of landscape as archive. Bill Brown's distinctively narrated travelogue, Mountain State (2003), views historical markers across West Virginia (as well as the ghosts that haunt them) as indices of US westward expansion in the 18th and 19th centuries. Lee Lynch’s and Lee Anne Schmitt's Bower’s Cave (2010) explores the implications of the geographic proximity of a California landfill to a cave once containing Native American cultural objects. Sarah J. Christman's Dear Bill Gates (2006) addresses not only how the mining industry has reshaped the landscape of Pennsylvania, but also how mines serve as literal archives for the cultural ephemera collected by the film's namesake. Bill Brown (b. 1969, Cleveland, OH) is a “nomadic” filmmaker, photographer, and author. He has produced films on the United States-Mexico border, North Dakota missile silos, and the Trans-Canada Highway, among other places. His work has been exhibited throughout the world. He's also the author of the travel zine Dream Whip and the book Saugus to the Sea (2001). Lee Anne Schmitt (b. 1971, Cleveland, OH) is a writer and director of essay films and performances, work that exists in the juncture between fiction and documentary. Her film and video work has screened internationally, at venues that include the Museum of Modern Art, New York, NY; SF MOMA, San Francisco, CA; The Cinema du Reel at the George Pompidou Center, Paris, France; Anthology Film Archives, New York, NY; and the Pacific Film Archives, San Francisco, CA. She is currently on faculty at the California Institute of the Arts. Lee Lynch (b.1980, Redding, CA) is an award-winning filmmaker and conceptual artist whose feature length narrative and documentary films have shown nationally at such festivals as Sundance Film Festival, Park City, Utah; Tribeca Film Festival, New York, NY; AFI Fest, Los Angeles, CA; Full Frame Film Festival, Durham, NC; and more. He has shown internationally at the International Film Festival Rotterdam, Rotterdam, the Netherlands; Vienna Film Festival, Vienna, Austria; and the Marseille Documentary Film Festival, Marsaeille, France. He received his BFA from the School of Film/Video at the California Institute of the Arts, and his MFA from the University of Southern California. Sarah J. Christman (b. 1978, Philadelphia, PA) makes non-fiction films that examine the intersection between people, technology, and the natural world. Her work has screened internationally, including International Film Festival Rotterdam, Rotterdam, the Netherlands; Ann Arbor Film Festival, Ann Arbor, MI; and the San Francisco International Film Festival, San Francisco, CA, where "Dear Bill Gates" earned the New Visions Award. She is an Assistant Professor in the Film Department at Brooklyn College. Thursday, October 13, 6:00 p.m. Steina! 1970–2011, USA, multiple formats, ca. 75 min plus discussion. Steina Vasulka in person! Live performance! A major figure in the histories of video and electronic art, Steina Vasulka has continually expanded the possibilities of multimedia with her groundbreaking innovations. Trained as a classical violinist in Iceland, Steina turned to video after moving to New York City in the mid-1960s. Her distinctly musical experiments with the electronic signal, including her real-time performances and development of early video synthesizers, reverberate throughout historical and contemporary art practice. Steina’s recent projects continue this pioneering approach, as her dynamic environments of digitally manipulated visual and acoustic landscapes have been installed around the world. This evening, Steina presents a collection of both classic early pieces and newer works, discusses her interest in electronic media, and performs a stirring, not-to-be-missed interpretation of her seminal performance piece, Violin Power (1974–78, 1992–present). Steina Vasulka (b. 1940, Reykjavik, Iceland) is a major figure in the history of electronic and media art. She emigrated to the United States in 1965 after marrying Woody Vasulka. Together, they have significantly contributed to the aesthetic, theoretical, and institutional framework for electronic art, founding The Kitchen with Andreas Mannik in 1971, contributing to the development of the video art program at the Whitney Museum in the early 1970s, collaborating with Geoffry Schier to build one of the first real-time, computer-controlled video processors, and developing an open source, online archive from their personal papers at vasulka.org. Steina is the recipient of numerous awards, including a John Simon Guggenheim Memorial Foundation Fellowship, a National Endowment for the Arts Visual Art Fellowship, an American Film Institute Maya Deren Award, and the Siemens Media Art Prize in Germany. Her work has been screened, installed or performed at festivals and arts institutions in the U.S. and internationally, including at the Centre Georges Pompidou, Paris, France; The Kitchen, New York, NY; the Whitney Biennial at the Whitney Museum of American Art, New York, NY; the Media Festival S'Hertogenbosch, the Netherlands; and the L'immagine Electronica Festival, Italy. She currently resides in Santa Fe, New Mexico. Thursday, October 20, 6:00 p.m. Rebecca Meyers: blue mantle 2002–10, USA, 16mm, ca. 65 min plus discussion. Rebecca Meyers in person! In her nimble, intimately-observed films, Cambridge-based filmmaker Rebecca Meyers illuminates the uncanny and exquisite in the everyday. lions and tigers and bears (2006) seeks out urban wildlife, from spiders and pigeons to chrome-plated jaguars and marble lions adorning cars and city buildings; night side (2008) captures a wintry twilight of street lamp halos and solitary animals. Shot along the Massachusetts coast, Meyers’s latest film is a haunting ode to the sea. Combining historical accounts of ocean travel and disaster with images of its vast, roiling expanse, blue mantle (2010) meditates on humanity’s attempts to conquer the deep and reflects on its role as a metaphor and passageway to the unknown. This evening, Meyers presents these and a selection of earlier works, including glow in the dark (2002) and things we want to see (2004). Rebecca Meyers (b. 1976, New York City, NY) is a filmmaker and programmer living in Cambridge, Massachusetts. Her films have screened internationally at festivals and in curated exhibitions such as Media City, Windsor, ON, Canada, and Detroit, MI; Images Festival, Toronto, Canada; New York Film Festival's Views from the Avant-Garde, New York, NY; Festival Les Inattendus, Lyon, France; the London International Film Festival, London, England; Bringing to Light at the San Francisco Cinematheque, San Francisco, CA; and White Shadows: Stories and Polar Visions at the Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy. For three years she served as Co-Programmer of Chicago's Onion City Experimental Film and Video Festival and has curated film programs for the Chicago Underground Film Festival, the Massachusetts College of Art Film Society, Brooklyn's Light Industry and the Harvard Film Archive, where she acted as Archive Coordinator. She is currently Director of Film Programs at Emerson College and Associate Director of Studio7Arts in Cambridge, MA. Rebecca holds an MFA from the University of Iowa in Film/Video Production. Thursday, October 27, 6:00 p.m. Luke Fowler: A Grammar For Listening 2007–09, Scotland, 16mm and video, ca. 75 min plus discussion. Luke Fowler in person! How one sees the world and how one hears it are the indelible questions underlying Luke Fowler’s startling, vibrant films. The award-winning Glasgow-based artist often collaborates with musicians and sound artists, drawing upon the histories of field recording, experimental music, and portraiture. Fowler’s early films shed light on such infamous experimental musicians as Cornelius Cardew (of the London-based Scratch Orchestra) and Xentos "Fray Bentos" Jones (of the post-punk band The Homosexuals). More recently, his collaborations with Richard Youngs, Lee Patterson, Eric La Casa, and Toshiya Tsunoda have resulted in a series of audio-visual tone poems of domestic interiors, urban geography, and rural environments. This evening, Fowler presents a collection of these works, including his Tenement Films (3 Minute Wonders) series (2009), and selections from his three-part 2009 A Grammar for Listening cycle, among others. Co-presented with the University of Chicago’s Film Studies Center, which will present a second program of Fowler’s films on Friday, October 28. Luke Fowler (b. 1978, Glasgow, Scotland) is an artist, filmmaker and composer based in Glasgow. His work pushes the limits of documentary, while also exploring the social significance of sound. Fowler has exhibited internationally and within the United States, with solo shows at the Hessel Museum of Art, Bard College, NY; X-Initiative, New York, NY; the Modern Institute, Glasgow, UK; Serpentine Gallery, London, UK; Kunsthalle Zürich, Switzerland; Extra City, Antwerp, Belgium; Villa Concordia, Bamberg, Germany and White Columns, New York, NY. His work has also been included in group shows at Museo Tamayo Arte Contemporaneo, Monterrey, Mexico; Scottish National Gallery of Modern Art, Edinburgh, UK; New Museum, New York, NY; PS1 Contemporary Art Center, Queens, NY, and Tate Modern, London, England. He was the recipient of the Derek Jarman Award in 2009. Thursday, November 3, 6:00 p.m. Gregory Markopoulos: Eniaios II 1949–91, Greece/USA, 16mm, 125 min plus discussion. Archival print! Remembered as the "supreme erotic poet" of the American avant-garde, Gregory Markopoulos spent decades creating his monumental film Eniaios, an eighty-hour composition of twenty-two cycles. Eniaios (meaning “unity” or “uniqueness”) was originally conceived for screening at Temenos, Markopolous's open-air theater in the hills overlooking Lyssaraia, Greece. Silent yet sensuous, the film journeys through a host of imagery, including pulses of white light, passages of black, fragments of earlier works, and images of sacred places. Markopoulos died before Eniaios could be printed and his partner, filmmaker Robert Beavers, has spent the last two decades restoring the work. Only six of the twenty-two film orders have been printed thus far. Tonight’s screening of Eniaios II—the second cycle in the piece and an epic film in its own right—affords a rare opportunity to view Markopoulos’s magnum opus in the making. Eniaios VI–VIII will premiere June 29–July 1, 2012 at the Temenos in Lyssarea (Arcadia) Greece. For more info, visit: www.the-temenos.org. Gregory Markopoulos (1928–92) was born in Toledo, Ohio to Greek immigrant parents. He attended Film School at USC in the 1940s and became a key figure in the New American Cinema movement with others like Jonas Mekas, Shirley Clarke, and Stan Brakhage. A critic and teacher, Markopoulos founded the filmmaking program at the School of the Art Institute of Chicago in 1965. He and his partner Robert Beavers emigrated to Europe in 1967 after which he removed all of his films from circulation, refused interviews, and insisted that a chapter about him be deleted from the second edition of Visionary Film, P. Adams Sitney's seminal study of American avant-garde cinema. In the later part of his life, he focused almost entirely on the production of Eniaios. Thursday, November 10, 6:00 p.m. Nicolas Provost: Long Live the New Flesh 2007–10, Belgium, multiple formats, ca. 75 min plus discussion. Nicolas Provost in person! With digital prowess and deft editing, Belgian filmmaker Nicolas Provost transforms clichéd Hollywood scenes into something altogether more alluring, mysterious, and occasionally, more grotesque. Long Live the New Flesh (2009) takes this notion to extremes, melting the pixels of canonical horror films (The Shining, The Exorcist, and others) into new forms, effectively creating new kinds of monsters. Gravity (2007) considers the trope of romance fulfilled in a strobe-like succession of seemingly endless Hollywood kissing scenes. Provost based two of his latest works, Stardust and Storyteller (both 2010), in Las Vegas, imbuing banal shots of life on the strip and inside its casinos with a sense of the uncanny. On the whole, Provost’s art attests to the malleability of the cinematic images that remain ingrained in our memory, but also just out of reach. Co-presented by the Video Data Bank. Nicolas Provost (b. 1969, Ronse, Belgium) is a filmmaker and visual artist working in Brussels, Belgium. His work has been broadcast, screened, and exhibited worldwide on visual art platforms and film festivals, and has earned a long list of awards and screenings at prestigious festivals including the Sundance Film Festival, Park City, Utah; the San Francisco International, Film Festival, San Francisco, CA; Cinevegas, Henderson, NV; the International Film Festival Rotterdam, Rotterdam, the Netherlands; the Viennale, Vienna, Austria; and the Locarno Film Festival, Locarno, Switzerland. Solo exhibitions include the Seattle Art Museum, Seattle, WA; Musée d’art moderne et contemporain, Strasbourg, France; De Brakke Grond, Amsterdam, Netherlands; Tim Van Laere Gallery, Antwerp, Belgium; C-Space Gallery, Beijing, China; International Media Art Biennale, Wroclaw, Poland; Solar Galeria de Arte Cinematica, Vila do Conde, Portugal. Provost's first feature The Invader, a thriller about an anti-heroic immigrant and his struggle for economic and emotional survival in the new world, will premiere at the 2011 Venice Film Festival. Thursday, November 17, 6:00 p.m. The Films of Amar Kanwar 1997–2011, India, various formats, ca. 75 min plus discussion. Amar Kanwar in person! Related event: Artist Lecture: Wednesday, November 16, 6:00 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr. Free admission Amar Kanwar's films and installations offer incisive and meditative explorations of the political, social, economic, and ecological conditions of the Indian subcontinent. They are also formally inventive, synthesizing documentary, travelogue, and essay forms to re-imagine subjects from sexual violence to the political situation in Burma. This evening, Kanwar presents and discusses a range of films from across his vast oeuvre, including new and works-in-progress, selections from the 19-channel installation The Torn First Pages (2004-08), and his widely-esteemed 1997 short, A Season Outside (1997), an examination of nationalist violence along the disputed Indian-Pakistani border at Wagah in Kashmir. The film established Kanwar, according to critic Jerry Saltz of the New York Times, as an artist whose works “escape their own pedantic weight and exist in a lyrical realm where politics, poetry, passion, and form meld.” Co-presented by SAIC's Visiting Artists Program, the Department of Exhibitions and Exhibition Studies, and the Art Institute of Chicago's Department of Asian Art. Amar Kanwar (b. 1964, New Delhi, India) is an artist and filmmaker living and working in New Delhi, India. Recent solo exhibitions have been at the Marian Goodman Gallery, New York, NY; Haus der Kunst, Munich, Germany; and the Stedilijk Museum, Amsterdam, Netherlands. He has participated in Documenta 11 and Documenta 12 in Kassel, Germany and is also the recipient of the 1st Edvard Munch Award for Contemporary Art and an Honorary Doctorate in Fine Arts, Maine College of Art, USA. His films are also shown at film festivals where he has received awards like the Golden Gate Award, San Francisco International Film Festival; the Golden Conch, Mumbai International Film Festival; and the Jury's Award, Film South Asia, Nepal. ABOUT CONVERSATIONS AT THE EDGE Founded by the Department of Film, Video, New Media, and Animation in 2001, Conversations at the Edge (CATE) is a weekly series of screenings, artist talks, and performances by the most compelling media artists of yesterday and today. Bringing together experimental film and video, contemporary art, performance, music, new media, and more, CATE cultivates "conversations" across a range of artistic practices, as well as among makers and audiences. Having featured more than 250 artists to date—from Sharon Lockhart and Michael Snow to Dara Birnbaum and Ryan Trecartin—CATE's programming augments and extends SAIC's renowned interdisciplinary curriculum, providing students and the larger public alike with meaningful connections to diverse practices and practitioners. In turn, this exchange inspires the next wave of talented media-makers; notable alumni from the FVNMA department include Apichatpong Weerasethakul, Paul Chan, Deborah Stratman, Ben Russell, and So Yong Kim. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from across the globe. Located in the heart of Chicago, SAIC has an educational philosophy that is built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit www.saic.edu. |
![]() Amar Kanwar, The Smile, 2007 (November 17, 6:00 p.m.). Image Courtesy of the artist and Marian Goodman Gallery, New York. Download Release (printer-friendly version) CONTACT: Ann Wiens School of the Art Institute of Chicago 312.499.4214 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.499.4211 jeding@saic.edu |


SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC) ANNOUNCES NEW SEASON OF VISITING ARTISTS PROGRAMSeven new lecturers examine art and the humanities through lenses of post-colonialism, masculinity, feminism, politics, and biologyChicago, IL—The School of the Art Institute of Chicago (SAIC) is pleased to announce the newest guest presenters for its Visiting Artists Program (VAP), continuing a tradition formalized nearly 60 years ago. Six of its eight presentations this fall are free; all are open to the public.VAP hosts more than a dozen public presentations by artists and scholars each year in lectures, symposia, performances, and screenings. “This program is a cornerstone of Chicago's visual arts community, and an invaluable resource for those interested in the art of our time,” notes Andrea Green, Director of the Visiting Artists Program. “The ideas of these internationally renowned artists and scholars are inspiring. VAP features some of the most compelling thinkers at work today—probing, provoking, and questioning the subjects at the core of the creative process and critical inquiry.” The new season begins on September 8 with Harvard Professor and post-colonial theorist Homi K. Bhabha, then continues with the New York-based artist collective Type A on September 26, and welcomes world-renowned sound art pioneer Bill Fontana—this fall’s William and Stephanie Sick Distinguished Professor—on October 5. Visual artist Wolfgang Laib discusses his work with SAIC’s Mary Jane Jacob and Nora Taylor on October 17, followed by art historian and Distinguished Alumni lecturer Jenni Sorkin (BFA 1999) on November 2 and New Delhi-based filmmaker Amar Kanwar on November 16 & 17. The season concludes December 6 with a lecture from the BioCouture Research Project Director Suzanne Lee. Information on each presenter is included below. Admission Lectures begin at 6 p.m. Reservations for groups of 10 or more must be made two weeks prior to the lecture. Otherwise, seating is on a first come, first served basis. FREE and open to the public, except September 8 (Homi K. Bhabha): Free with museum admission Free for SAIC students, faculty, and staff with a valid ID The Art Institute of Chicago, Fullerton Hall, 111 S. Michigan Ave. November 17 (Amar Kanwar): $11 general admission, $7 students, $6 Gene Siskel Film Center members, $4 SAIC faculty, FREE for SAIC students SAIC’s Gene Siskel Film Center, 164 N State St. September 8: Homi K. Bhabha September 26: Type A October 5: Bill Fontana October 17: Wolfgang Laib November 2: Jenni Sorkin November 16: Amar Kanwar December 6: Suzanne Lee VAP Online In addition to making their appearances open to the public, SAIC presents many Visiting Artists Program lectures as audio podcasts online at www.saic.edu/vap. Recent presenters include Wangechi Mutu, José Muñoz, Harry Pearce, Richard Sennett, and Martha Wilson. Join the conversation by following VAP on Facebook or by signing-up for their eNewsletter. Homi K. Bhabha: Culture and Security The Art Institute of Chicago, Fullerton Hall, 111 S. Michigan Ave. Thursday, September 8, 6:00 p.m. Free with museum admission Free for SAIC students, faculty, and staff with a valid ID Homi K. Bhabha is the Anne F. Rothenberg Professor of the Humanities in the Department of English, director of the Mahindra Humanities Center, and senior advisor on the humanities to the President and Provost at Harvard University. He is the author of numerous works exploring postcolonial theory, cultural change and power, and cosmopolitanism, among other themes, including Nation and Narration and The Location of Culture. This lecture will explore the thin line that lies between barbarism and civility, examining the aesthetic and political technologies that attempt to provide security and solidarity while activating the anxiety and excitation of abandonment and annihilation. Presented in collaboration with SAIC’s Department of Exhibitions and Exhibition Studies and the Art Institute of Chicago. Type A SAIC Columbus Auditorium, 280 S. Columbus Dr. Monday, September 26, 6:00 p.m. Free admission Type A is a collaboration between Adam Ames and Andrew Bordwin. Working together since 1998, Type A creates videos, video installations, photography, sculptures, and drawings that deal with issues of masculinity, territory, competition, and collaboration in contemporary society. Type A explores the ways in which men compete, challenge, and play, and the resulting social and psychological imbalances, in works ranging from psychologically disarming to profoundly absurd. Type A has exhibited extensively including at the Indianapolis Museum of Art; Aldrich Contemporary Art Museum, Ridgefield, CT; Tang Teaching Museum and Art Gallery, Saratoga Springs, NY; Walker Art Center, Minneapolis; List Visual Arts Center at MIT, Cambridge, MA; Centrum Beeldende Kunst, Rotterdam, The Netherlands; and Centro de la Imagen, Mexico City. Bill Fontana: William and Stephanie Sick Distinguished Professor The Art Institute of Chicago, Fullerton Hall, 111 S. Michigan Ave. Wednesday, October 5, 6:00 p.m. Free admission Bill Fontana is a world-renowned pioneer of sound art who has created monumental, site-specific, and experiential aural installations around the globe. His works engage the human and natural environment as a living source of musical information, interacting with and transforming our perceptions of visual and architectural spaces. He has realized sound sculptures and major radio sound art projects for the European Broadcasting Union, ABC, NPR, and West German Radio. His work has been exhibited at the Whitney Museum of American Art, New York; San Francisco Museum of Modern Art; Museum Ludwig, Cologne; Post Museum, Frankfurt; Vienna Natural History Museum; Tate Modern London; 48th Venice Biennale; National Gallery of Victoria, Melbourne; and National Museum of Modern Art, Kyoto. Established in 2006 by a generous gift from William and Stephanie Sick, this distinguished professorship enables internationally renowned artists and designers to visit and teach at SAIC. Previous participants have included Bruce Mau and Jaume Plensa. Wolfgang Laib in Conversation with Mary Jane Jacob and Nora Taylor The Art Institute of Chicago, Fullerton Hall, 111 S. Michigan Ave. Monday, October 17, 6:00 p.m. Free admission Wolfgang Laib's installation for the Sullivan Galleries, Unlimited Ocean, comprises more than 20,000 piles of rice and pollen. He will discuss this work and his practice with Mary Jane Jacob, Professor and Executive Director of SAIC’s Department of Exhibitions and Exhibition Studies, and Nora Taylor, SAIC’s Alsdorf Professor of South and Southeast Asian Art. Laib has exhibited extensively, including at the Venice Biennale; Documenta 7; Musée d'art moderne de la ville de Paris; Kunstmuseum Bonn, Germany; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum, Washington D.C.; and Museo Nacional Centro de Arte Reina Sofia, Madrid. Laib has had major retrospectives at Museo Universitario Arte Contemporáneo, Mexico City and Museo Nacional de Arte de La Paz, Bolivia. Presented in collaboration with SAIC's Department of Exhibitions and Exhibition Studies. Jenni Sorkin: Ancient Modernisms Distinguished Alumni Lecture Series SAIC Columbus Auditorium, 280 S. Columbus Dr. Wednesday, November 2, 6:00 p.m. Free admission Jenni Sorkin (BFA 1999) is Assistant Professor of Critical Theory, Media, and Design at the University of Houston. She is currently completing her book Live Form: Craft as Participation, which examines the confluence of gender, artistic labor, and craft pedagogy from 1950 to 1975. She has written numerous essays on feminist art and material culture topics, and her writing has appeared in the New Art Examiner, Art Journal, Frieze, The Journal of Modern Craft, Modern Painters, and Third Text. In 2010 she co-organized Blind Spots/Puntos Ciegos: Feminisms, Cinema, and Performance, for the Eighth International Symposium of Contemporary Art Theory, held in Mexico City. She holds a BFA from SAIC, an MA from the Center for Curatorial Studies, Bard College, and a PhD in the History of Art from Yale University. From 2010–11 she was a Post-Doctoral Fellow at the Getty Research Institute in Los Angeles. Presented in collaboration with SAIC’s Alumni Relations. Amar Kanwar Lecture: SAIC Columbus Auditorium, 280 S. Columbus Dr. Wednesday, November 16, 6:00 p.m. Free admission Screening: Gene Siskel Film Center, 164 N. State St. Thursday, November 17, 6:00 p.m. $11 general admission, $7 students, $6 Film Center members, $4 SAIC faculty, Free for SAIC students Amar Kanwar’s films explore the politics of power, violence, sexuality, and justice. His multilayered installations originate in narratives often drawn from zones of conflict and are characterized by a distinctly poetic approach to the social and political. In retracing history through images, ritual objects, literature, poetry, and song, Kanwar creates lyrical, meditative film essays that do not aim to represent trauma or political situations as much as to find ways through them. Kanwar's work looks deeply into the causes and effects and how they are translated into everyday life and cultural forms. His recent solo exhibitions include Marian Goodman Gallery, New York; Haus der Kunst, Munich; and Stedilijk Museum, Amsterdam. He has participated in Documenta 11 and 12 and was the recipient of the Golden Gate Award, San Francisco International Film Festival; the Golden Conch, Mumbai International Film Festival; and the Jury's Award, Film South Asia, Nepal. Presented in collaboration with SAIC’s Department of Exhibitions and Exhibition Studies, the Art Institute of Chicago’s Department of Asian Art, and Conversations at the Edge in the Department of Film, Video, New Media, and Animation. Suzanne Lee SAIC Columbus Auditorium, 280 S. Columbus Dr. Tuesday, December 6, 6:00 p.m. Free admission Suzanne Lee is the Director of the BioCouture Research Project and Senior Research Fellow in Fashion at Central Saint Martins College of Art and Design (University of the Arts London). BioCouture is a research project harnessing nature to propose a radical vision for future fashion. It investigates the use of microbial cellulose grown in a laboratory to produce clothing with the ultimate goal of growing a dress from a vat of liquid. Lee is collaborating with scientists to unite design with cutting edge bio and nano technologies. She is the author of the groundbreaking book Fashioning the Future: Tomorrow’s Wardrobe (Thames & Hudson 2005/7) and lectures and exhibits internationally. BioCouture is exhibiting as part of the Victoria and Albert Museum’s Power of Making exhibition and the Craft Council’s Block Party (UK). She is a 2011 TED Fellow. About the Visiting Artists Program The primary mission of the Visiting Artists Program is to educate and foster a greater understanding and appreciation of contemporary art through discourse. Founded in 1868 and formalized in 1951 with the establishment of an endowed fund by Flora Mayer Witkowsky, the Visiting Artists Program is one of the oldest public programs of the School of the Art Institute of Chicago. In addition to public presentations by artists, designers, and scholars each year, VAP arranges studio critiques, round table discussions, and workshops for SAIC students, providing them with direct access to world-renowned speakers working across disciplines. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from across the globe. Located in the heart of Chicago, SAIC has an educational philosophy that is built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit www.saic.edu. |
![]() Type A (September 26, SAIC Columbus Auditorium, 6 p.m.) on location for Trigger. Image courtesy of the artists Download Release (printer-friendly version) CONTACT: John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


SAIC MASTER OF ARCHITECTURE PROGRAM EARNS MAJOR ACCREDITATIONChicago, IL, August 3—The National Architectural Accrediting Board (NAAB) has conferred its initial 3-year term of accreditation to the School of the Art Institute of Chicago’s (SAIC) Master of Architecture degree. Master of Architecture graduates in four tracks organized by SAIC’s Department of Architecture, Interior Architecture, and Designed Objects (AIADO) are now eligible to apply for professional licensure.SAIC’s master’s degree becomes one of just five accredited by NAAB among all those granted by the 41 members of the Association of Independent Colleges of Art and Design (AICAD). Joining programs at the University of Illinois at Chicago and the Illinois Institute of Technology, SAIC is the third school in the city to offer the accredited degree. SAIC President Walter E. Massey stated, “We are tremendously proud of SAIC’s curriculum in architecture. Our program stands as a vigorous, contemporary model for inquiry into built environments, and this accreditation is an endorsement of the excellent work by our faculty, staff, and students.” “This initial accreditation is a testament to the hard work and creativity of our students as well as the dedication and professionalism of the AIADO faculty,” notes Douglas Pancoast, Associate Professor and Director of Graduate Programs in Architecture and Interior Architecture. “Though design education has been a part of SAIC’s mission since its inception, the accreditation of the MArch program is a milestone for the AIADO department, SAIC, and the city of Chicago—enriching them all. With this accreditation decision, the AIADO faculty is excited to transition the MArch program from outset to fully operating platform. It’s only the beginning.” NAAB is the sole agency authorized to accredit U.S. professional degrees in architecture. Accreditation involves an extensive review of a program’s curriculum and student work over the course of several years, with period site visits from an accreditation team. SAIC’s visiting NAAB review team commended the program’s dedication to the development of critical professional practices. It acknowledged SAIC’s interdisciplinary educational community as a provocative and effective context for exploring the social and cultural implications of material and technological creative work. The School of the Art Institute of Chicago offers a single NAAB-accredited professional architecture program with the following four well-differentiated tracks: - Master of Architecture (102 credits; requirement: non-professional degree) Recent Faculty Accomplishments at SAIC SAIC Associate Professor Tim Parsons (AIADO) presented Adhocism, a two-week installation at Chicago’s Museum of Contemporary Art, July 19–24. Created with his wife Jessica Charlesworth to explore the activity of solving problems using materials at hand, the show was part of We Are Here—Art & Design Out of Context, a month-long series curated by MCA Design Director James Goggin. The title referred to the eponymous 1972 book by Charles Jencks and Nathan Silver. The Unstable Object, a film by Daniel Eisenberg (Film, Video, New Media, and Animation) that had its world premiere last month, has received the International Georges de Beauregard Prize. The award is one of two prizes granted to films in the International Competition at FIDMarseille, the International Festival of Documentary Film, Marseille. Nadav Assor (Art and Technology Studies, MFA 2010) is one of 10 recipients of the Israeli Ministry of Culture's 2011 Emerging Artist Awards for artists under the age of 35. The award includes a monetary prize and a 2012 show at one of Israel's leading museums of contemporary art, the Petah Tikva Museum. Mary Jane Jacob (Sculpture) participated in the panel discussion “A Review of Critical Pedagogy: Contemporary Art and Museums, contexts and possibilities” at the second International Museum Education Institute at the Museum of Modern Art, New York, on July 21. Jacob addressed participatory practices in public art at the two-day event, which explored the legacies of the pedagogical theories of Paulo Freire and Augusto Boal as present in artistic practices and museum education in Brazil and the United States since the 1960s. On the July 18 presentation of WTTW’s Chicago Tonight, host Phil Ponce interviewed SAIC faculty member Laurie Palmer (Sculpture) and alumnus Abraham Richie (MA 2011) on the recent installation of “Forever Marilyn”—a 26-foot tall statue of Marilyn Monroe unveiled July 15 on Michigan Avenue’s Pioneer Court—and subsequent attention in the local press regarding its merit. While much debate regarding the piece has focused on its suggestive nature, Palmer argues that the real issue is that the piece, which is technically on private property, is being viewed as public art. “It’s more interesting to me in its questions of public and private space,” said Palmer, “and the blurring of those boundaries.” The video segment, titled “Forever Marilyn,” is archived online. |
![]() ![]() SAIC's NAAB Team Room, showcasing SAIC M-Arch student work Faculty member Tim Parsons discusses SAIC's AIADO program Download Release (printer-friendly version) PRESS CONTACTS: Ann Wiens 312.560.9780 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC) ANNOUNCES FULBRIGHT AWARDS, YEAR-END FELLOWSHIPSChicago, IL—The School of the Art Institute of Chicago (SAIC) is proud to announce its newest Fulbright Award winners, along with its host of year-end fellowship recipients. According to the Chronicle of Higher Educationi, SAIC was once again ranked among the top five schools of art and design producing U.S. Fulbrights this year; in 2009-10, SAIC candidates earned as many Fulbrights as their counterparts at the Rhode Island School of Design, California Institute of the Arts, and Cranbrook Academy of Art combined.iiThese awards complement SAIC's own fellowship competition, founded in 1901, which now boasts more than 25 awards that enable graduating recipients to continue their professional growth through advanced independent study, art making, research, and travel. They include 12 Bachelor of Fine Arts, Post-Baccalaureate, and Master of Fine Arts Fellowships, nine Master of Arts and Master of Science Fellowships, the Master of Fine Arts in Writing Fellowship, the Leonore Annenberg Fellowship in the Arts, the Fred A. Hillbruner Artists' Book Fellowship, the Eldon Danhausen Sculpture Fellowship (new this year), the Carrie Ellen Tuttle Fellowship, the $10,000 Toby Devan Lewis Fellowship, the $25,000 Jacques and Natasha Gelman Travel Fellowship, and the $30,000 Edes Foundation Prize for Emerging Artists. A complete list of awards and their recipients is below, along with more information. In addition to these year-end fellowships, SAIC was pleased to present three new awards this year at THE WALK 2011 Presented by Swarovski, SAIC's annual fashion benefit gala supporting student scholarships: the one-year, full-tuition Swarovski Scholarship, presented to SAIC Fashion Design student Ana Leon (BFA 2013); a $30,000 scholarship from an anonymous donor presented to Alena Savinova (BFA 2013), and the $25,000 Ikram and Joshua Goldman Scholarship presented to Macie Francis (BFA 2012). A one-year paid internship at Proenza Schouler in New York was presented to Jacqueline Kim (BFA 2011), and a six-month to one-year paid internship at J.Crew in New York was presented to Erin Pianetto of Barrington (BFA 2011). The $25,000 Eunice W. Johnson Fellowship (Liz Patelski, BFA 2011) entered its second year at THE WALK 2011. LIST OF SAIC YEAR-END FELLOWSHIP RECIPIENTSThe Leonore Annenberg Fellowship in the ArtsEstablished in 2007 by the late Honorable Leonore Annenberg, and made possible by the Leonore Annenberg Fund for the Performing and Visual Arts which operates through the Annenberg Public Policy Center at the University of Pennsylvania, the Leonore Annenberg Fellowship in the Arts recognizes top students near the end of their formal training, or young artists of extraordinary talent who are already reaching audiences in significant ways. Beneficiaries of these awards display outstanding character and a desire to serve as leaders in their field and role models to the next generation. The 2011 SAIC recipient is photographer Steven Daly (MFA 2011), an Emmy award-winning producer and director as well as an SAIC Trustee Scholar (2010-2011), Enrichment Scholar (2007-2009), and Tatsuo Nakata Memorial Scholar (2007-2009). Daly holds a Bachelor of Science degree in Journalism and Political Science from Syracuse University's SI Newhouse School of Public Communications. His mentor in the fellowship program is Professor Barbara De Genevieve, Chair of the Department of Photography and Graduate Division Chair. Fred A. Hillbruner Artists' Book Fellowships Awarded annually to students who create outstanding artists' books. Fred Hillbruner, a librarian at SAIC for 26 years, helped cultivate the Joan Flasch Artists' Book Collection. Jurors Copper Giloth, Director of Academic Computing and Professor, Department of Art, Computer Animation and Drawing, Design, and Video, University of Massachusetts Henrietta Zielinski, Bibliographic and Preservation Librarian, John M. Flaxman Library Ann Tyler, Professor, Visual Communication Design, SAIC Graduate Recipient Sungwoo Suh Graduate Honorable Mentions Matthew Cummings Jean Fitzgerald Ju-ah Kwon Undergraduate Recipient Andrea Gonzalez Undergraduate Honorable Mentions Sara Drake Megan Pryce Eldon Danhausen Sculpture Fellowship Established this year as an endowed fellowship in memory of former SAIC faculty member Eldon Danhausen, this fellowship is to be awarded to a deserving graduate student studying in the Department of Sculpture. The first recipient of this new fellowship is Scott Andrew Carter. Carrie Ellen Tuttle Fellowship Established in memory of Carrie Ellen Tuttle, who received her MFA in painting from SAIC, this fellowship is awarded to a graduate painting student of exceptional merit. The 2011 recipient is Kyunghwa Shon. Toby Devan Lewis Fellowship Awarded to an MFA student who shows exceptional promise in painting, sculpture, film, video, mixed media, or performance. Toby Devan Lewis—a philanthropist, art collector, author, and curator—created the Toby Fund in 2006 to foster creativity in the arts, education, health, the environment, and the development of progressive institutions. This fellowship supports the pursuit of the recipient's artistic career. The 2011 recipient is Rebecca E. H. Gordon. Gelman Travel Fellowship The Jacques and Natasha Gelman Travel Fellowship enables a graduating student to travel outside of the United States and pursue new creative endeavors during the year following graduation. Jacques and Natasha Gelman were artists and collectors of European and Mexican art who emigrated from Europe to Mexico in the 1920s. The Gelman Foundation provides support to SAIC students through need-based scholarships and through this fellowship, which alternates annually between a BFA student and an MFA student. The 2011 recipient is Kazuki Guzman. Eunice W. Johnson Fellowship Eunice W. Johnson was the dynamic creator of the Ebony Fashion Fair, the world's largest traveling fashion show. As the wife and business partner of John H. Johnson, Eunice worked with him to build the publishing and cosmetics businesses of Johnson Publishing Company. Eunice's daughter and Chairman of Johnson Publishing, Linda Johnson Rice, awarded the first Eunice W. Johnson Fellowship during The Walk 2010 as part of a tribute to her mother's legacy. Rice presented the second Eunice W. Johnson Fellowship during The Walk 2011 to Elizabeth Patelski. Clare Rosen and Samuel Edes Foundation Prize for Emerging Artists The Claire Rosen and Samuel Edes Foundation Prize for Emerging Artists is open to graduate students in all disciplines and supports exceptional emerging artists. The Edes Foundation's deep commitment to education and the arts in America provides promising young artists and scholars with the financial means to focus exclusively on their work after graduation. The 2011 recipient is Sarah Sohn. BFA/Post-Baccalaureate Fellowships Jurors Kimberly Davenport, Director and Chief Curator, Rice Gallery at Rice University Miki Garcia, Executive Director, Santa Barbara Contemporary Arts Forum Pablo Helguera, Director of Adult and Academic Programs, Museum of Modern Art, New York Anna Louise Raymond Fellowship Alejandra Herrera Sona Hovhannisyan Noël Morical Edward Ryerson Fellowship Anthony Creeden Laura Denzer Jennifer Diaz Bum Joo Kim Hao Ni Fred J. Forster Fellowship Arend deGruyter-Helfer Lyra Hill James Nelson Raymond Fellowship Vrinda Bhageria Neva Everett Soh Hyun Park Misato Inaba Won Joon Lee Adrienne VandenBosch John Quincy Adams Fellowship James Ferguson Emily Ford Hillary Anne Strack William Merchant R. French Fellowship Morgan Carter Master of Fine Arts Fellowships Jurors Naomi Beckwith, Curator, Museum of Contemporary Art Chicago Malik Gaines, Curator, LAXART, Los Angeles Bartholomew Ryan, Assistant Curator, Walker Art Center Anna Louise Raymond Fellowship Sarazen Haile Jihye Hur Jinyoung Joung Edward Ryerson Fellowship Lauren Carter Andrew Norman Wilson Fred J. Forster Fellowship Jiaxin Miao George and Ann Siegel Fellowship Antonia Gurkovska Michael Smith James Nelson Raymond Fellowship Benjamin Chaffee Rebecca E.H. Gordon Ju-ah Kwon Zihan Loo Ivan Lozano Nancy Tien Yiwei Xu Wei-Hsuan Yen John Quincy Adams Fellowship Patrick Bobilin Wesley Wilson William Merchant R. French Fellowship Brian Anderson Brian Hubble Master of Arts and Master of Science Fellowships Master of Arts in Arts Administration and Policy Philip Nadasty Master of Arts in Art Education Rachel Harper Master of Arts in Teaching Brittanie Wine Master of Arts in Modern and Contemporary Art History, Theory and Criticism Courtney Thompson Master of Arts in Art Therapy Katharine Houpt Master of Arts in New Arts Journalism Abraham Ritchie Master of Science in Historic Preservation John D. Cramer Master of Arts in Visual and Critical Studies Meredith Kooi Dual Degrees, Master of Arts in Modern and Contemporary Art History, Theory and Criticism, Master of Arts in Arts Administration and Policy Ania Szremski Master of Fine Arts in Writing Fellowships Juror Lydia Millet, Novelist Abra Adduci Michael Balatico Honorable Mentions Shanita Bigelow Samantha Topol ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC’s resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures and performances. For more information, please visit www.saic.edu. iOctober 24, 2010: Top U.S. Producers of Fulbright Students, by Type of Institutions, 2010-11. iiOctober 18, 2009: Top U.S. Producers of Fulbright Students, by Type of Institutions, 2009-10. |
Download Release (printer-friendly version) PRESS CONTACTS: Ann Wiens 312.560.9780 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


ACCLAIMED MILAN INT’L FURNITURE FAIR EXHIBITION OF SAIC STUDENT WORK COMES TO THE SULLIVAN GALLERIESDesign Exhibition LOADED on view in Chicago June 11–25, 2011 SAIC Sullivan Galleries, 33 S. State St., 7th floorChicago, IL—Fifteen emerging designers from the School of the Art Institute of Chicago (SAIC) will present LOADED in Louis Sullivan’s historic Carson Pirie Scott building in downtown Chicago June 11–25. The exhibition of designed objects was recently hosted by Milan’s Salone Internazionale del Mobile (International Furniture Fair) in the elegant Spazio Rossana Orlandi, and is the result of an intense two-semester design studio directed by SAIC Architecture, Interior Architecture, and Designed Objects (AIADO) faculty Helen Maria Nugent and Jim TerMeer. LOADED will be on view in SAIC's Sullivan Galleries (33 South State Street, 7th floor) during SAIC’s AIADO and Fashion Graduate Thesis Exhibition. The opening reception, free and open to the public, is June 13, 6:00–8:00 p.m.The provocative objects presented in LOADED explore the history, physicality, and currency of two catalytic materials: iron and sugar. In addition to the 13 unique objects (lighting, tableware, and jewelry) created for the exhibit, two of the projects—one in sugar, the other in iron—have been produced in multiples specifically for the show. Elements of the exhibition design also engage in this investigation, resulting in custom cast-iron display fixtures and sculptural sugar props. LOADED explores the ways in which an object’s value is essentially fluid—continually shaped by our global systems of trade, by real or man-mad states of scarcity and abundance, by cultural ideologies, and by human desires. This premise and artists’ execution were well received by design press in Milan, where more than 10,000 visitors to Spazio Rossana Orlandi saw the show April 12–17. Domus published an opening-day photo essay featuring behind-the-scenes installation photos, and the green design website Inhabitat called the show “one of our favorite exhibits at this year's fair.” Wallpaper* magazine published online post-show coverage on April 18; Inhabitat contributor Frida Jeppsson added a separate feature on Won Joon Lee’s modular “stardust lamp,” and Core77 featured the show in slideshow coverage. Among other items, the ARTS THREAD blog also added a post-show review with images. Other presentations at Spazio Rossana Orlandi during the furniture fair included projects by Naoto Fukasawa, Jasper Morrison, Jaime Hayon, Humberto and Fernando Campana, Muuto, Piet Hein Eek, and Raw Edges (Shay Alkalay + Yael Mer). Participating designers in LOADED include: Brian Anderson (MFAW / MFA Des. Ob. 2011), Amma Aning (MDes. 2011), Morgan Carter (BFA Des. Ob. 2011), Ryan Chorbagian (BFA Des. Ob. 2011), Valerie DeKeyser (MDes. 2011), Cecilia Gomez (MDes. 2011)—whose I Am jewelry collection will be on sale at the Art Institute of Chicago's Renzo Piano-designed Modern Wing Shop, Stephen Gulau, (BFA Des. Ob. 2011), Won Joon Lee (BFA Des. Ob. 2011), Charlie McArthur (MDes. 2011), Jordan Morrell (MDes. 2011), Lauren Mosakowski (MDes. 2011), Nathan Paoletta (MDes. 2011), Ciara Taylor (BFA Des. Ob. 2011), Daniel Whiteneck (MArc. 2011), and Zhe Zhang (MDes. 2011). Iron projects were cast in collaboration with the Chicago Crucible, a boutique metal foundry operated by SAIC alumnus Lloyd Mandelbaum (BFA 2008). High resolution press images and project summaries are available online at www.saic.edu/images. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC’s resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. |
Download Release (printer-friendly version) CONTACT: Ann Wiens School of the Art Institute of Chicago 312.629.6135 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu Recent Press Coverage: Loaded: Heavyweight Craft Exhibit Showcases Designs Made From Iron and Sugar Inhabitat, 4/19/11 MILAN 2011: ORLANDI - Spazio Rossana Orlandi Core77 Stardust: Crystallized Sugar LED Lamp is All Sweetness and Light Inhabitat, 4/25/11 Rosanna Orlandi gallery highlights: Salone del Mobile 2011 Wallpaper*, 4/18/11 Loaded: what is a design object worth? domus The Challenge of Making It The Architect's Newspaper, 6/1/11 |


WORLD RENOWNED ARTIST LEROY NEIMAN DONATES $5 MILLION TO THE SCHOOL OF THE ART INSTITUTE OF CHICAGO TO CREATE NEW STUDENT CENTER IN HISTORIC SHARP BUILDING56-Foot-Long Mural Entitled “Summertime Along the Indiana Dunes,”
Created by LeRoy Neiman with Assistance from His Wife Janet Neiman, to Serve as Centerpiece of New Space
CHICAGO—School of the Art Institute of Chicago (SAIC) President Walter E. Massey today announced that former SAIC Faculty Member and Alumnus LeRoy Neiman and his wife, Janet Byrne Neiman (also an SAIC alumna) will make a $5 million gift to the institution to help create a new student center within SAIC’s building at 37
South Wabash Avenue. LeRoy Neiman’s brilliantly colored, motion-filled images of sporting events and leisure activities have made him perhaps the most popular living artist in the United States. A 56-foot-long, eight-foot-tall mural entitled “Summertime Along the Indiana Dunes,” (1965), co-signed by LeRoy and Janet Byrne Neiman, will be prominently displayed in the student center.The new space, to be named the LeRoy Neiman Center, will transform the northeast corner of Monroe and Wabash into an energetic, light-filled gathering space for SAIC students, faculty, alumni and the general public. The two-story space will house a lounge, café, art gallery, and more. “LeRoy Neiman’s gift allows us to create a student center for the first time in the history of the School of the Art Institute of Chicago,” said Dr. Massey. “This new space will extend our campus into the urban fabric of Chicago and serve as a gathering space for students, faculty, and alumni. I fully anticipate that the LeRoy Neiman Center will become the vibrant hub of the SAIC campus. We are tremendously grateful to the Neimans for their extraordinary generosity.” “Contributing to SAIC is important to me because the care and support of students is essential,” said LeRoy Neiman. “Now, I have the opportunity to give back to the institution that helped me become who I am today.” “Summertime Along the Indiana Dunes” was created by LeRoy Neiman with assistance from his wife, Janet Byrne Neiman, in 1965 for the Mercantile National Bank in Hammond Indiana. It was commissioned by Jack Murray, chairman of the Indiana bank, who met the young artist in a New York tavern. The 448-square-foot piece vibrantly depicts a sunny scene of family fun on the Indiana beaches. It is the largest mural ever created by the artist. The LeRoy Neiman Center is scheduled to open in the spring of 2012. The architecture firm of Valerio Dewalt Train Associates has been retained to transform this space within Holabird & Roche’s 1903 building. ABOUT LEROY AND JANET NEIMAN Best known for his vibrant, stunningly energetic images of sporting events and leisure activities, LeRoy Neiman is probably the most popular living artist in the United States. Neiman, who attended the School of the Art Institute from 1946–1950, taught at SAIC for 10 years beginning in 1950, and received an Honorary Doctorate in 2006. His signature artistic style is familiar to a remarkably broad spectrum of Americans. He was the official artist at five Olympiads, and millions of people have watched him at work: on ABC TV coverage of the Olympics, as CBS Superbowl computer artist, and at other major competitions, televised on location with his sketchbook and drawing materials, producing split-second records and highly developed images of what he is witnessing. He also has provided illustrations for Playboy magazine since the 1950s including the popular “Femlin” character that appears on the party jokes page. Neiman met his wife Janet, when both were students at the School of the Art Institute of Chicago, and he went on to teach at the School for 10 years early in his career. Many of his images of what he calls “the good life,” have appeared in the form of etchings, lithographs, silkscreen prints, and sculptures as well as paintings, in the permanent collections of public and private museums and other institutions worldwide. These institutional acquisitions, along with sales of approximately 150,000 of his silkscreen prints to individuals, attest to the enormous appeal of his work. LeRoy and Janet Neiman’s gifts to SAIC and the affiliated Michigan-based school Ox-Bow collectively total $9 million. A member of the New York City Advisory Commission for Cultural Affairs since 1995, Neiman has received four honorary degrees and, among other honors, an Award of Merit from the American Athletic Union (1976), a Gold Plate Award from the American Academy of Achievement (1977), and a Lifetime Achievement Award from the Muscular Dystrophy Association (1986). Through the years he has donated scores of his artworks to charitable organizations. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC’s resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures and performances. For more information, please visit www.saic.edu. |
![]() LeRoy Neiman. Photo © Cameron Neilson Download Release (printer-friendly version) CONTACT: Eileen Chambers Carol Fox and Associates 773.327.3830 x102 eileenc@carolfoxassociates.com John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


GRADUATE THESIS EXHIBITION OPENS FRIDAY APRIL 29 AT SAICLargest Show To Date is Curated by Four Recent Alumni and Features Work by More Than 130 StudentsSpecial Preview Reception Friday, April 29 from 8 to 10 p.m. is Free and Open to the PublicSAIC Also Presents More Than 10 Graduate Level Year-End Programs April–JuneChicago – The School of the Art Institute of Chicago (SAIC) proudly presents the annual year-end Graduate Thesis Exhibition Saturday, April 30 through Friday, May 20 at SAIC’s acclaimed Sullivan Galleries (33 S. State St., 7th Floor) and Wabash Galleries (22–28 S. Wabash Ave.) in the historic former Carson Pirie Scott Building. The show is the largest graduate thesis exhibition in SAIC’s history and will feature painting and drawing, performance, photography, printmedia, sculpture, film, video, sound, visual communication, art and technology studies, ceramics, fiber, and design created by more than 130 students.For the first time, the exhibition is guest curated by four recent SAIC alumni: Juan William Chávez (MFA 2004), Jessica Cochran (MA 2008), Bryce Dwyer (MA 2010) and Gregory J. Harris (MA 2010), who have worked with the featured artists to transform the galleries into a series of shows-within-a-show. These thematic sections unfold throughout the space in a sequence of visual encounters and unconventional experiences. The curators have been keeping a blog describing their process at blogs.saic.edu/gradexhibition2011. Also new this year, works by 30 artists will be on view in street-level Wabash galleries, accessible via an entrance at 28 S. Wabash Avenue. "This year, process is key to the School of the Art Institute of Chicago’s Graduate Thesis Exhibition," says SAIC Interim Dean of Graduate Studies Candida Alvarez. "We wanted to broaden the conversation around what ‘thesis&rlquo; is, highlighting the process of artistic production, and offering students a deeper understanding of what their practice means." Exhibition hours are Tuesday through Saturday from 11 a.m. to 6 p.m., and admission is always free and open to the public. A free preview reception will be held Friday, April 29, 8–10 p.m., and the galleries are also open Monday May 2 from 11 a.m.–6 p.m. For more information, please call 312.629.6635 or visit www.saic.edu/exhibitions. Exhibition Calendar ListingSchool of the Art Institute of Chicago Graduate Thesis ExhibitionSaturday, April 30–Friday, May 20 SAIC Sullivan Galleries (33 S. State St., 7th floor) and Wabash Galleries (22–28 S. Wabash Ave.) Gallery Hours: Tuesdays–Saturdays, 11 a.m.–6 p.m., Monday May 2 11 a.m.–6 p.m. Opening Reception: Friday, April 29, 8–10 p.m. Phone: 312.629.6635 Website: www.saic.edu/exhibitions Admission is free Additional SAIC Graduate Level Year-End ProgramsMaster of Science Historic Preservation Thesis PresentationsThursday, April 14, 5 p.m. Women’s Athletic Club of Chicago, 626 N. Michigan Avenue, 4th floor Loaded: SAIC in Milan, Italy April 12–17 Milan International Furniture Fair 2011 Spazio Rossana Orlandi, Via Matteo Bandello 14/16, 20123 Milano, Italy LOADED is a presentation of new objects designed by SAIC students that exploit the history, physicality and currency of iron and sugar. For more information, visit www.saic.edu/loaded. MFA Writing Program Thesis Readings Tuesdays through April 26, 12 p.m. Flasch Artists&rlquo; Book Collection, Sharp Building, 37 S. Wabash Ave., Room 508 Join us for a surprising weekly series in which graduating students from SAIC&rlquo;s Master of Fine Arts in Writing program read their thesis works, including, but not limited to, fiction, nonfiction and text off the page. MA Arts Administration and Policy Thesis Presentations May 2–3, 9 a.m.–4 p.m.; May 4, 9 a.m.–3 p.m. SAIC MacLean Center, 112 S. Michigan Ave., Room 112 MA Modern Art History, Theory and Criticism Thesis Symposium May 5–6, 10:30 a.m.–5 p.m. The Art Institute of Chicago, 111 S. Michigan Ave., Millennium Park Room Twenty-one MA students receiving their degrees in Modern Art History, Theory and Criticism present papers based on their theses. Topics include "Puppetry and the American Museum," "Specters of Ownership" and "The Mannequin as the Structure of Modern Beauty" Participating students include: Allison Ashmore, Lauren Bellard, Beth Capper, Cecily Ferguson, Jennifer Gerow, Emily Gottlieb, Alice Heeren, Ashley Homitz, Joseph Iverson, Paige Johnston, Daniel Orendorff, Elissa Papendick, Ariel Pittman, Rachel Popielarz, Lea Schleiffenbaum, Kelly Shindler, Ania Szremski, Courtney Thompson, Jeannette Tremblay, Danica Willard and Paul-David Young. Symptoms Variable: Visual and Critical Studies Graduate Thesis Exhibition May 7–21 Roxaboxen Exhibitions, 2130 W. 21st St. Reception: Friday, May 6, 6–9 p.m. Thesis Symposium: Thursday, May 12, 6–9 p.m. Graduating MA students in Visual and Critical Studies present an exhibition of recent work. Participating students include: Sara Clugage, Christine Elliott, T. Brandon Evans, Meredith Kooi, Lucy Parker, Lauren A. Ross, Jeremy Shedd and Dustin Yager. Performance Festival May 7–8, 7 p.m. SAIC Performance Space and remote sites 280 S. Columbus Dr. Witness the next wave of performance art as SAIC graduate and undergraduate students completing their degrees in Performance present their thesis works, which cross the borders of theater, movement, and the visual arts. IMPACT brings together a dynamic selection of contemporary performance that is visceral, conceptual and embodied. The work on view pushes the hybrid boundaries of ephemeral practices and creates a unique experiential environment in constant flux. For two exuberant evenings, the artists will engage multiple sites within the building and within the audience as they explore architecture, myth, memory, and process. Featuring work by: Sebastian Alvarez, Lee Blalock, Vicki Fowler, Rae Langes Jennifer Mills, Anthony Romero, Stuart Schmidt, Jillian Soto, and Georgia Wall. Distinguished Alumni Guest MC: Joseph Ravens; Producers: Marissa Perel and Michael Fleming Film, Video, New Media, Animation, and Sound Festival May 11–13, 4:30–10 p.m. Gene Siskel Film Center, 164 N. State St. Encounter the next generation of film, video, new media, animation, and sound artists as SAIC students present their thesis projects in this festival of innovative live-action shorts, animation, feature-length narrative and nonfiction works and experimental digital and audio pieces. MA Art Education Thesis Symposium May 11–12, 9 a.m.–4 p.m. Gene Siskel Film Center, 164 N. State St. MA Teaching Apprentice Presentations Thursday, May 12, 9 a.m.–9 p.m. National Museum of Mexican Art, 1852 W. 19th St. The Art of Connection: Art Therapy Graduate Thesis Exhibition May 14–27 Betty Rymer Gallery, 280 S. Columbus Dr. Opening Reception: Friday, May 13, 7–8:30 p.m. This exhibition showcases work by graduate Art Therapy students and the individuals they work with during their internships. Participating students include: Cate Barrington-Ward, Nicole Brown, Sophie Ann Canadé, Amy Cronk, Sofia Yusuf Daneshyar, Theresa Reardon Dewey, Alberto Ramón Gutiérrez, Rachel Julia Harrison, Caroline Rosalie Heller, Katharine Joy Houpt, Anikka Abigail Knick, Ling Cheun Bianca Lee, Alisha Erin Monypenny, Mónica Guzmán Perez, Sangeetha Ravichandran, Brittlyn O&srquo;Brien Riley, Callie Rimmel, Emerald Grace Smith, Mandy Kay Sproul, Annie Tabachnick, Tarah Thommes and Jovana Torres. Related Event: Art Therapy In A Collaborative Context Symposium Sunday, May 15, 2011 SAIC Columbus Auditorium, 280 S. Columbus Dr. 9 a.m.–4 p.m. (Student thesis presentations 4:15–5:30 p.m.) 312.899.7481 Register online at http://tinyurl.com/art-therapy-symposium Please submit any questions to: arttherapy_symposium@saic.edu Admission: Students ($20), Professionals ($30), Professionals seeking CEU ($35) Light breakfast and Lunch provided MA Art Therapy Thesis Symposium Sunday, May 15, 9 a.m.–4 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr. MA New Arts Journalism Thesis Presentations Thursday, May 19, 1–4 p.m. MacLean Center, 112 S. Michigan Ave., Room 707 AIADO and Fashion Graduate Thesis Exhibition June 11–25 Sullivan Galleries, 33 S. State St., 7th floor Opening Reception: Monday, June 13, 6–8 p.m. Join us for the year-end exhibition showcasing design from the Department of Architecture, Interior Architecture and Designed Objects (AIADO) and the Department of Fashion Design. This exhibition brings together thesis work that explores recent innovations in material, technology, fashion and form. About the School of the Art Institute of ChicagoA leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who’include many of the leading practitioners in their fields. SAIC’s resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures and performances. For more information, please visit www.saic.edu. |
![]() Kristin Nason (MFA 2011), Balance 1, 2011. Performance with found objects. Image courtesy of the artist. Download Release (printer-friendly version) Images and interviews available Visit the MFA 2011 Thesis Exhibition Curators&rlquo; Blog: blogs.saic.edu/gradexhibition2011 CONTACT: Matt Miller Carol Fox & Associates 773.327.3830 x104 mattm@carolfoxassociates.com John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


ARTIST PATTI SMITH TO DELIVER COMMENCEMENT ADDRESS FOR THE SCHOOL OF THE ART INSTITUTE OF CHICAGOChicago, April 14—American poet, singer, songwriter, photographer, and visual artist Patti Smith will deliver the Commencement Address to the graduating students of the School of the Art Institute of Chicago (SAIC) on Saturday, May 21, at the Frank Gehry-designed Jay Pritzker Pavilion in Chicago's Millennium Park.The body of work produced by Smith has influenced generations, across disciplines and around the world. Smith came into her own in the nascent cultural hotbed of mid-70s New York City as she merged poetry and rock in vital new ways. Her 1975 debut album, Horses, is routinely ranked as one of the greatest albums of all time. In 2007 she was inducted into the Rock and Roll Hall of Fame. In 2010 she won the National Book Award for Non-Fiction for Just Kids, a bestselling memoir about her early days in New York when she met, and made art with, her friend Robert Mapplethorpe. Smith has honorary doctorate degrees from Rowan University and Pratt Institute, and will receive an honorary degree from SAIC along with filmmaker Apichatpong Weerasethakul (SAIC MFA 1998)—winner of the 2010 Palme D'or at the Cannes Film Festival—and SAIC Chancellor Tony Jones, CBE, a former president of the school. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures and performances. For more information, please visit www.saic.edu. |
![]() Patti Smith, 2007 © Edward Mapplethorpe Download Release (printer-friendly version) Commencement Page with Bios CONTACT: John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


NEXT.cc AMONG FOUR U.S. NOMINEES SELECTED TO PARTICIPATE IN UIA GOLDEN CUBES AWARDSAIC Students Collaborate with Architects, Principals, and Teachers in Development of Web-based Design Education Program for K-12 StudentsChicago, IL — The Association of Architecture Organizations (AAO) has announced that NEXT.cc, a Chicago- and Milwaukee-based educational organization developed in part by students at the School of the Art Institute of Chicago, is among four nominees that will represent the United States in the international phase of the inaugural Architecture & Children Golden Cubes Awards conducted by the International Union of Architects (UIA). The U.S. nominees will join other top programs from around the globe as part of a celebration of K-12 architecture education efforts at the UIA Congress in Tokyo, Japan, September 25–28, 2011. Nominees’ work will be publicly displayed at the Tokyo Congress, and the UIA will select four final winners in the international phase. All winning applications are available for public view at wizehive.com/goldencubes.NEXT.cc was created by School of the Art Institute of Chicago professor Linda Keane, AIA (Architecture, Interior Architecture, and Designed Objects) and Mark Keane, UWM Professor with 45 SAIC students, 15 University of Wisconsin Milwaukee students, and an advisory board of K-12 teachers and principals. It was nominated for the Golden Cubes Award in the Audio-Visual Media category, which is open to all individuals and organizations. The jury commented NEXT.cc will host Design as Nature Teacher Workshops as part of National Education Week, April 15 at Visioneers Art And Design Day, Peck School of the Arts, UWM and April 20 at Nelson Institute’s Earth Day Celebration, Madison, WI. Keane explains that NEXT.cc introduces architecture to children with fun and free tools, languages, discovery, and design journeys. Children draw, paint, write, sketch, animate, model, and build online inside and become architectural investigators outside. NEXT.cc’s resources take children on physical field trips in local communities while encouraging virtual field trips to global institutions, museums, and contemporary art, design, and architectural practices around the world. Students may submit digital copies of their projects for inclusion in the NEXT.cc gallery online. How to learn, reason, think creatively, make decisions, problem solve, and see in the mind’s eye are 21st-century skills of architects developed and assessed using NEXT.cc’s Eco Web. NEXT.cc gallery of young imaginations demonstrates organization of people, places, and environments; interdependence of built and natural systems in spatial dimensions; and urban structure and impacts of change. Children, aware of architecture and engaged with their environment, change from passive consumers to active creators of better spaces and places. SAIC students participated in the development of the program through a course offered jointly by the departments of Art Education and Architecture, Interior Architecture, and Designed Objects called Eco Design. The course introduces environmental design education as a viable and necessary foundation for lifelong learning and urban stewardship. Students conduct information, object, experience, and environmental design research and develop curricular strategies and activities that encourage integrated “art + design + environmental” project-based methods of thinking and making for schools, museums, cultural institutions, and alternative settings. NEXT.cc’s transdisciplinary activities empower children to critique, create, and communicate, and shift from consumers to active participants in imagining new relationships between the built and natural environments. The Association of Collegiate Schools of Architecture sites NEXT.cc as a leading K-12 public architecture education program. Awarded a United States Green Building Council Excellence in Green Building Education Award, NEXT.cc reaches children in more than 35 states and 15 countries. A resource for Earth Day Educators, National Environmental Education Foundation, the Smithsonian, the Cooper Hewitt National Design Museum, the National Endowment for the Arts, Harvard High School Career Links Project, UK’s Info Cow, and Australia’s Object, NEXT.cc connects with its growing community via Facebook, Twitter, and Linked in. NEXT.cc was sited for being a " comprehensive and practical online tool" that was "stunning, intriguing, fun." About NEXT.cc NEXT.cc is an eco web that develops ethical imagination and environmental stewardship. NEXT.cc introduces what design is, what design does, and why design is important. It offers activities across nine scales- nano, pattern, object, space, architecture, neighborhood, urban, region, and world. NEXT.cc’s150+ journeys integrate more than 1,500 museums, institutions, and contemporary practices. NEXT.cc plans to reach 45 million third-grade through twelfth-grade students, their teachers, and their families with meaningful learning experiences that create positive influence on lives. About the School of the Art Institute of Chicago A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy that is built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC’s resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit www.saic.edu. |
Download Release (printer-friendly version) CONTACT: Ann Wiens School of the Art Institute of Chicago 312.629.6135 awiens@saic.edu |


ONLY SIX WEEKS UNTIL 77TH ANNUAL SAIC FASHION SHOW FILLS MILLENNIUM PARK; GALA SPONSORS ANNOUNCEDIkram Goldman to Receive SAIC Legend of Fashion Award at
THE WALK 2011 Presented by Swarovski,
Annual Benefit Gala to Support Student Scholarships
CHICAGO—SAIC will present its 77th annual fashion show, Fashion 2011, three times on Thursday, May 5, 2011, supporting the presentation of the SAIC Legend of Fashion Award to Ikram Goldman and the announcement of the $25,000 Eunice W. Johnson Fellowship along with the Swarovski Scholarship and additional surprise awards at a 7:00 p.m. scholarship benefit gala. For the first time in its storied history, the show will take place against the backdrop of beautiful Millennium Park, in a tented venue at Chase Promenade North (201 East Randolph Street). More than 35 Chicago-area high school students will be in attendance thanks to support from Chicago Bulls player Kyle Korver and his company, Seer Outfitters. Tickets to the shows and gala, which traditionally sell out well in advance, are on sale now. Fashion and art lovers from around the world will experience a spectacular runway show at these events featuring more than 250 original garments created by undergraduate students in SAIC’s internationally renowned Fashion Design program, led by Department Chair Nick Cave. Fashion 2011 delivers all the elements of a professional fashion show—stunning design, tight choreography, exquisite garments, and cutting-edge looks—by incorporating and combining techniques from the fields of sculpture, performance, art, design, technology, architecture, and installation. Seniors in SAIC’s acclaimed Fashion Design department will create complete collections of five garments; Juniors will show three prime examples of their designs; and each Sophomore will present one avant-garde look in muslin. Behind-the-scenes photos from students and other insights into the creative process are online at www.facebook.com/saic.fashionshow. Sixty models from Factor Runway will wear designs down a 90-foot runway inside a 15,000-square-foot tent on Chase Promenade, a three-block-long walkway lined by nearly 200 trees centrally located in Millennium Park. Hairstyling is provided by Aveda; make-up services are provided by Artists by Timothy Priano. Creative Director of Brooklyn-based WAAVES Studio Skooby Laposky—a past collaborator with designers including Gemma Kahng, Conny Groenewegen, and Jason Wu—will lend his creative expertise to the sound and musical accompaniment. SAIC Fashion 2011 is produced by SAIC faculty member Conrad Hamather, Graduate Coordinator of the Master of Design in Fashion Body & Garment program. THE WALK 2011 PRESENTED BY SWAROVSKI SAIC is also proud to host the THE WALK 2011, an annual gala benefit held in conjunction with the fashion show. The event is made possible through presenting sponsorship from lead corporate sponsor Swarovski and members of the MacLean Family—Margaret MacLean and Barry & Mary Ann MacLean of Chicago and Mettawa, Illinois. This year’s chairs are Marilyn Fields and Greg Cameron of Chicago. The co-chairs are Denise Gardner and Kate Neisser of Chicago. Proceeds from THE WALK 2011 benefit scholarships for SAIC students. “THE WALK is among the premier cultural events in the city, and it directly supports student scholarships,” says SAIC President Walter Massey. “By investing in these students we enable them to create work that is remarkably sophisticated, creative, and professional. THE WALK gives students a platform to share their work. What I love about the show is not only the work, but the interaction with the students. You really feel their passion for what they are doing; it comes through palpably.” The Swarovski Scholarship will be included in the evening’s scholarship presentations and several students will incorporate Swarovski jewelry into their garments. “Swarovski is proud to sponsor this amazing event to celebrate Ikram Goldman and the students of SAIC. Swarovski believes in giving back to the fashion community by nurturing future talent and is excited to see young designers’ talents on display at THE WALK 2011,” says Livia Marotta, Head of Communications for Swarovski CGB North America Limited. Last year the event raised more than $310,000, and included the first-ever presentation of the $25,000 Eunice W. Johnson Fellowship. The Fellowship will be awarded again this year, presented to a graduating senior by Linda Johnson Rice. SALLY SINGER TO PRESENT 2011 SAIC LEGEND OF FASHION AWARD TO IKRAM GOLDMAN A highlight of THE WALK 2011 will be when T: The New York Times Style Magazine Editor Sally Singer (formerly Fashion News and Features Director at Vogue) presents the SAIC Legend of Fashion Award to Ikram Goldman, owner of the renowned boutique ikram and trusted advisor to style-conscious women, First Lady Michelle Obama among them. Ikram Goldman is a leader among fashion tastemakers, offering her clientele a treasure trove of the best in women's fashion. Since opening her Chicago boutique, ikram, in 2001, the Israeli-born Goldman has showcased such stand-out American, European and Japanese designers as Azzedine Alaia, Lanivn, Chanel, Thakoon, Rodarte, Isabel Toledo, and Jason Wu, whose flowing, full-length inaugural gown was personally selected by Goldman for First Lady Michelle Obama. Named to the 2009 “It List” by Elle magazine and attracting regular notice for her boutique in Vogue, W, and Harper’s Bazaar, Goldman serves as a fashion advisor to other high-profile Chicago women including Desir´e Rogers, Mellody Hobson, and Linda Johnson Rice. Committed to nurturing the next generation of fashion designers, Goldman has been a fixture at THE WALK in recent years, noting new talent and offering insights to SAIC’s Fashion faculty and students. Distribution of a number of WALK 2011 student awards will be overseen by Goldman, with input from SAIC Fashion Design Department faculty and other special guests to be announced. Goldman’s extensive industry contacts and generosity will play a large role in determining the various components of these student awards. “Ikram is the perfect choice for this award. She is a visionary, not only within the world of fashion, but within the world of art and culture,” says SAIC Fashion Design Department Chair Nick Cave. “A visionary doesn’t function solely in the present, but sees into the future. Ikram has that ability. She functions from a place that is about growth and about one’s life continuing to evolve, reform, and reshape itself.” EVENT DETAILS Fashion 2011 will be presented three times on Thursday, May 5: 9:00 a.m. is a general admission dress rehearsal. Tickets are $40. 12:00 p.m. and 3:00 p.m. shows are general admission seating. Tickets are $75. Tickets to the 9:00 a.m., 12:00 p.m., and 3:00 p.m. shows are on sale now. Tickets are available online only at www.saic.edu/fashionshow. THE WALK 2011 Presented by Swarovski begins with a cocktail reception at 6:00 p.m. on Thursday, May 5, followed by a runway show honoring Ikram Goldman and Student Award announcements at 7:00 p.m., and concludes with an elegant post-show dinner at 8:00 p.m. Tickets are $500 to $1,000, and tables are $5,000 to $25,000. Call 312.899.1439 for tickets, tables, sponsorships, and more information. THE WALK 2011 Presented by Swarovski, with additional presenting sponsorship from the MacLean Family, is also supported by Exelon, Macy’s, Mesirow Financial, Ariel Investments, Grey Goose, Blue Plate, Aveda Institute, Frost, Factor Runway, and Artists by Timothy Priano. Chicago magazine is the exclusive print media sponsor. |
![]() 2011 SAIC Legend of Fashion honoree Ikram Goldman. Photo by SAIC alumna Kiley Taslitz Download Release (printer-friendly version) Digital Images and Interviews Available CONTACT: Alex Garday Carol Fox & Associates 773.327.3830 x105 alexg@carolfoxassociates.com John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


High School Students to Attend 77th Annual SAIC Fashion Show in Millennium Park with Support from Chicago Bull Kyle Korver's Seer Outfitters
CHICAGO—The School of the Art Institute of Chicago presents its 77th annual fashion show, Fashion 2011, on Thursday, May 5, 2011. For the first time, more than 35 Chicago-area high school students will be in attendance thanks to support from Chicago Bulls player Kyle Korver and his company, Seer Outfitters.Students from Chicago’s Young Women’s Leadership Charter School and Marwen, a not-for-profit arts-based community organization, will have the opportunity to attend one of the afternoon shows, experiencing all the excitement of a professional fashion show—stunning design, tight choreography, exquisite garments, and cutting-edge looks—by SAIC students who incorporate and combine techniques from the fields of sculpture, performance, art, design, technology, architecture, and installation. Seer Outfitters is a clothing company established by Kyle Korver and his brother Klayton. It is associated with the Kyle Korver Foundation, which supports programs to serve those in need in Chicago and several other cities. The Korver brothers say, “Sometimes, all a child needs is the opportunity to believe in themselves. We are excited to help students experience art by means of a professionally staged fashion show. The chance to see amazing work, created by SAIC students only a few years older than themselves, will surely impact and inspire their own creativity, perhaps igniting their dreams into possibilities.” The high school students will have the opportunity to find inspiration in a spectacular runway show featuring more than 250 original garments created by undergraduate students in SAIC’s internationally renowned Fashion Design program, led by Department Chair Nick Cave. Seniors will create complete collections of five garments; Juniors will show three prime examples of their designs; and each Sophomore will present one avant-garde look in muslin. EVENT DETAILS Fashion 2011 will be presented three times on Thursday, May 5: 9:00 a.m. is a general admission dress rehearsal. Tickets are $40. 12:00 p.m. and 3:00 p.m. shows are general admission seating. Tickets are $75. Tickets to the 9:00 a.m., 12:00 p.m., and 3:00 p.m. shows are on sale now. Tickets are available online only at www.saic.edu/fashionshow. THE WALK 2011 Presented by Swarovski begins with a cocktail reception at 6:00 p.m. on Thursday, May 5, followed by a runway show honoring Ikram Goldman and Student Award announcements at 7:00 p.m., and concludes with an elegant post-show dinner at 8:00 p.m. Tickets are $500 to $1,000, and tables are $5,000 to $25,000. Proceeds benefit SAIC scholarships. Call 312.899.1439 for tickets, tables, sponsorships, and more information. THE WALK 2011 Presented by Swarovski, with additional presenting sponsorship from the MacLean Family, is also supported by Exelon, Macy’s, Mesirow Financial, Ariel Investments, Grey Goose, Blue Plate, Aveda Institute, Frost, Factor Runway, and Artists by Timothy Priano. Chicago magazine is the exclusive print media sponsor. |
Download Release (printer-friendly version) Digital Images and Interviews Available CONTACT: Alex Garday Carol Fox & Associates 773.327.3830 x105 alexg@carolfoxassociates.com John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


FIFTEEN SAIC STUDENTS PARTICIPATE IN MILAN INT�L FURNITURE FAIR
Spazio Rossana Orlandi Presents LOADED
Chicago, IL�Emerging designers from the School of the Art Institute of Chicago
(SAIC) will present new work at Milan's premier independent design showroom,
Spazio Rossana Orlandi, during the Salone Internazionale del Mobile (International
Furniture Fair), April 12�17, 2011. Their exhibition, LOADED, is the result of an intense
two-semester design studio directed by Helen Maria Nugent and Jim TerMeer, both
professors in the department of Architecture, Interior Architecture, and Designed
Objects (AIADO) at SAIC. |
![]() Spazio Rossana Orlandi, Milan Via Matteo Bandello 14/16 Open April 12�17 from 9 a.m.�8 p.m. +39 02 46 74 47-1 www.rossanaorlandi.com Download Release (printer-friendly version) Download Release in Italian (printer-friendly version) Digital Images and Interviews Available at www.saic.edu/images CONTACT: Ann Wiens School of the Art Institute of Chicago 312.629.6135 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu Recent Press Coverage: Loaded: Heavyweight Craft Exhibit Showcases Designs Made From Iron and Sugar Inhabitat, 4/19/11 MILAN 2011: ORLANDI - Spazio Rossana Orlandi Core77 Stardust: Crystallized Sugar LED Lamp is All Sweetness and Light Inhabitat, 4/25/11 Rosanna Orlandi gallery highlights: Salone del Mobile 2011 Wallpaper*, 4/18/11 Loaded: what is a design object worth? domus The Challenge of Making It The Architect's Newspaper, 6/1/11 |


THE ART INSTITUTE OF CHICAGO RECEIVES MAJOR GIFT FROM JAHARIS FAMILY FOUNDATION$10 Million to Support Museum’s Presentation of Greek, Roman, and Byzantine Collection Gift Includes Funds for Programs, Renovations, AcquisitionsChicago, February 28, 2011—The Art Institute of Chicago announces today a gift of $10 million from the Jaharis Family Foundation, Inc., in support of the museum’s collection and presentation of Greek, Roman, and Byzantine art. This is the largest gift ever received by the museum made in support of the arts of the Ancient Mediterranean and Byzantine worlds—a curatorial department led by Karen Manchester, the Chair and Elizabeth McIlvaine Curator of Ancient and Byzantine Art—and will be used over the next couple of years to renovate and permanently reinstall the galleries in which Greek, Roman, and Byzantine art are displayed as well as to enhance the museum’s acquisitions, exhibitions, and educational programs in these areas.“The extraordinary commitment of the Jaharis Family Foundation to the Art Institute’s collection of Greek, Roman, and Byzantine art will have an enduring impact on our presentation of these works of art,” said James Cuno, President and Eloise W. Martin Director of the Art Institute of Chicago. “Their generous gift allows us to continue the revitalization of all departments of the museum, which we began in 2006, by now turning our attention to what is fundamentally the bedrock of Western artistic expression and some of the oldest works of art in our encyclopedic collection.” The Jaharis Family Foundation gift will be devoted to a revitalization of all aspects of the curatorial program related to Greek, Roman, and Byzantine art, including, but not limited to, the renovation and expansion of the galleries encompassing all of the upper level of McKinlock Court on the museum’s east side; the acquisition of works of art to enhance the collection; the pursuit of special exhibitions and loans of significant works of Greek, Roman, and Byzantine art to the Art Institute; and a wide variety of educational initiatives to support the collection, including lectures, scholarly partnerships, symposia, and teacher training programs. Mary and Michael Jaharis support many cultural, religious, higher education, and medical research institutions through the Jaharis Family Foundation. They both have long-standing Chicago connections. Mary Jaharis was born in Wisconsin, spent much of her early childhood in Athens, Greece and later moved to Chicago, where she completed middle school and high school. She attended Northwestern University, graduated from the School of the Art Institute of Chicago with a degree in Fine Arts, and later studied at the New York School of Interior Design. She is on the Board of Directors of the Jaharis Family Foundation, an Honorary Trustee of the Metropolitan Museum of Art, and on the Board of the St. Catherine’s Foundation, an organization overseeing the restoration of the St. Catherine Monastery in the Sinai Desert. Mrs. Jaharis is Life Trustee of the Art Institute of Chicago as well as a previous Sustaining Fellow. She is also an active member of the Philoptochos Society, a women’s philanthropic organization affiliated with the Greek Orthodox Church, and has long been involved in programs to improve the lives of economically disadvantaged families and children. Most recently, Mrs. Jaharis was honored by Hellenic College Holy Cross Greek Orthodox School of Theology (Brookline, MA) for founding the Mary Jaharis Center for Byzantine Art and Culture, a premiere international study center for scholarly research and public programs. Michael Jaharis, a native of Chicago and son of Greek immigrants, received his law degree from the DePaul University College of Law and entered the pharmaceutical industry. He was the founder and chairman of Kos Pharmaceuticals, Inc., which he sold to Abbott Laboratories, Inc. in 2006. Mr. Jaharis is currently a founder and director of Arisaph Pharmaceuticals, Inc., and a founder of Vatera Healthcare Partners LLC, a private investment firm. Mr. Jaharis is an Honorary Governing Member of the Art Institute of Chicago as well as a previous Sustaining Fellow. Mr. Jaharis also serves as Trustee Emeritus of Tufts University in Boston; Chairman of the Board of Overseers for the School of Medicine, Tufts University; Member of the Columbia University Medical Center Board of Visitors; Member of the Board of Overseers of the Weill Cornell Medical College and Graduate School of Medical Sciences; Director of The Onassis Public Benefit Foundation (USA); Founder of Faith: An Endowment for Orthodoxy and Hellenism; and Vice Chairman of the Greek Orthodox Archdiocese of America. Michael and Mary Jaharis live in New York City. They have two children and five grandchildren. |
Download Release (printer-friendly version) Digital Images and Interviews Available CONTACT: Chai Lee The Art Institute of Chicago 312.443.3625 clee4@artic.edu Erin Hogan The Art Institute of Chicago 312.443.3664 ehogan@artic.edu |


NEW MEDIA GENRES FEATURED IN “MIXED REALITY” EXHIBITION, SYMPOSIUM, AND PERFORMANCE AT SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC)THE SIMULATIONISTS on view Feb. 1–Mar. 23 in SAIC’s Betty Rymer GalleryChicago, IL — Live dancers interact with avatars, physical space merges with virtual environments, and previously distinct genres mix, merge, and meld to create new, hybrid art forms in THE SIMULATIONISTS: Mixed Reality Performance, a gallery installation supported by live and online performances, on view February 1 through March 23 at SAIC’s Betty Rymer Gallery.Students and alumni of SAIC, known for its interdisciplinary approach to art education, join international artists and prominent scholars for the exhibition, evening of live performance, and symposium. This group explores the possibilities created by bringing together previously separate genres—including animation, performance, dance, writing, and physical and virtual installations—within the new contexts offered by our current artistic, social, and technological climate. The exhibition, performance evening, and symposium address the impact of networks, computer code, avatars, and virtual environments on our understanding and expression of embodied performance. Curated by SAIC faculty members Claudia Hart (Film, Video, New Media, and Animation Department), Mark Jeffery (Performance and Contemporary Practices Departments), and Judd Morrissey (Art and Technology Studies and Writing Departments), THE SIMULATIONISTS features cris cheek, Ursula Endlicher, Kurt Hentschlager, Second Front, Alan Sondheim; SAIC alumni Chris Cuellar (MFAW 2010), Cassandra Jackson (BFA 2009), Colin Self (BFA 2010), Tessa Siddle (MFA 2010) and Katrina Zimmerman (BFA 2010); and SAIC students Lauren Elder, André Lenox, Evan Lennox, Lou Regele, Molly Shea, Nancy Tien, and Wesley Wilson. All events are free and open to the public. THE SIMULATIONISTS: Mixed Reality Performance February 1 through March 23 SAIC Betty Rymer Gallery 280 S. Columbus Dr., 1st floor Tue.–Sat., 11 a.m.–6 p.m. 312.629.6635 Reception: Friday, February 18, 4:30–7:00 p.m. THE SIMULATIONISTS: An Evening of Mixed Reality Performance Friday, February 18, 7 p.m. SAIC Performance Space 280 S. Columbus Dr., room 012 For more information: exhibitions-saic@saic.edu / 312.629.6635 THE SIMULATIONISTS: Mixed Reality Symposium Friday, February 18, 10 a.m.–4 p.m. SAIC Performance Space 280 S. Columbus Dr., room 012 For more information: exhibitions-saic@saic.edu / 312.629.6635 Presenters include Ghislaine Boddington, cris cheek, Ursula Endlicher, Kurt Hentschlager, and Chris Salter, who will respond through various interdisciplinary engagements with art history, digital performance, new media poetry, and augmented choreography. Hosted by SAIC’s Department of Performance and co-sponsored by SAIC’s Writing program, the event will be followed by a reception for THE SIMULATIONISTS exhibition at the Betty Rymer Gallery with a performance by Alan Sondheim. About the School of the Art Institute of Chicago A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy that is built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC’s resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit www.saic.edu. |
Download Release (printer-friendly version) Digital Images and Interviews Available CONTACT: Ann Wiens School of the Art Institute of Chicago 312.629.6135 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC) PRESENTS 77TH ANNUAL FASHION SHOW THURSDAY, MAY 5, 2011 IN MILLENNIUM PARKIkram Goldman to Receive SAIC Legend of Fashion Award at THE WALK 2011 Presented by Swarovski, Annual Benefit Gala to Support Student ScholarshipsFashion Show Tickets Now on SaleCHICAGO—Nick Cave, professor and chair of the School of the Art Institute of Chicago (SAIC) Fashion Design Department, proudly announces that SAIC will present its 77th annual fashion show, Fashion 2011, on Thursday, May 5, 2011. For the first time in its storied history, the show will take place against the backdrop of beautiful Millennium Park, in a tented venue at Chase Promenade North (201 E. Randolph Street). Tickets to the show, which traditionally sell out well in advance, are on sale now. Fashion 2011 Fashion and art lovers from around the world will have four opportunities to experience a spectacular runway show featuring more than 250 original garments created by the next generation of up-and-coming designers, undergraduate students in SAIC’s Fashion Design program, and worn by 60 professional models from Factor Runway. Fashion 2011 delivers all the elements of a professional fashion show—stunning design, tight choreography, exquisite garments, and cutting-edge looks—by incorporating and combining techniques from the fields of sculpture, performance, art, design, technology, architecture and installation. Seniors in SAIC’s acclaimed Fashion Design department will create complete collections of five garments, and sophomores and juniors will show prime examples of their designs. THE WALK 2011 PRESENTED BY SWAROVSKI SAIC is also proud to host THE WALK 2011 presented by Swarovski, the annual gala benefit held in conjunction with the fashion show. This year’s chairs are Marilyn Fields and Greg Cameron of Chicago. The co-chairs are Denise Gardner and Kate Neisser of Chicago. Proceeds from THE WALK 2011 presented by Swarovski benefit scholarships for SAIC students. Last year the event raised more than $310,000, and included the presentation of the $25,000 Eunice W. Johnson Fellowship to senior Luis A. Rodriguez (SAIC BFA 2010) to help him launch his line after graduation. “THE WALK is among the premier cultural events in the city, and it directly supports student scholarships,” said SAIC President Walter Massey. “By investing in these students we enable them to create work that is remarkably sophisticated, creative, and professional. THE WALK gives students a platform to share their work. What I love about the show is not only the work, but the interaction with the students. You really feel their passion for what they are doing; it comes through palpably.” SALLY SINGER TO PRESENT 2011 SAIC LEGEND OF FASHION AWARD TO IKRAM GOLDMAN A highlight of THE WALK 2011 presented by Swarovski will be when T: The New York Times Style Magazine Editor Sally Singer (formerly Fashion News and Features Director at Vogue) presents the SAIC Legend of Fashion Award to Ikram Goldman, owner of the renowned boutique ikram and trusted advisor to style-conscious women, First Lady Michelle Obama among them. Ikram Goldman is a leader among fashion tastemakers, offering her clientele a treasure trove of the best in women's fashion. Since opening her Chicago boutique, ikram, in 2001, the Israeli-born Goldman has showcased such stand-out American, European and Japanese designers as Azzedine Alaia, Lanivn, Chanel, Thakoon, Rodarte, Isabel Toledo, and Jason Wu, whose flowing, full-length inaugural gown was personally selected by Goldman for First Lady Michelle Obama. Named to the 2009 “It List” by Elle magazine and attracting regular notice for her boutique in Vogue, W and Harper’s Bazaar, Goldman serves as a fashion advisor to other high-profile Chicago women including Desiree Rogers, Mellody Hobson, and Linda Johnson Rice of the Ebony publishing empire. Committed to nurturing the next generation of fashion designers, Goldman has been a fixture at THE WALK in recent years, noting new talent and offering insights to the school’s fashion faculty and students. Distribution of THE WALK 2011 presented by Swarovski Student Awards will be overseen by Goldman with input from SAIC Fashion Design Department faculty and other special guests to be announced. Goldman’s extensive industry contacts and generosity will play a large role in determining the various components of the Student Awards. “Ikram is the perfect choice for this award. She is a visionary, not only within the world of fashion, but within the world of art and culture,” said SAIC Fashion Design Department Chair Nick Cave. “A visionary doesn’t function solely in the present, but sees into the future. Ikram has that ability. She functions from a place that is about growth and about one’s life continuing to evolve, reform, and reshape itself.” EVENT DETAILS Chicago magazine is the exclusive print media sponsor of Fashion 2011 and THE WALK 2011 presented by Swarovski. Fashion 2011 will be presented three times on Thursday, May 5: 9 a.m. is a general admission dress rehearsal. Tickets are $40. 12:00 p.m. and 3:00 p.m. shows are general admission seating. Tickets are $75. Tickets to the 9 a.m., 12:00 p.m. and 3 p.m. shows are on sale now. Tickets are available online only at www.saic.edu/fashionshow. THE WALK 2011 presented by Swarovski begins with a cocktail reception at 6 p.m. (on Thursday, May 5), followed by a runway show honoring Ikram Goldman and Student Award announcements at 7 p.m., and concludes with an elegant post-show dinner at 8 p.m. Tickets are $500 to $1,000, and tables are $5,000 to $25,000. Call 312.899.1439 for tickets, tables, sponsorships and more information. ABOUT THE SAIC FASHION DESIGN DEPARTMENT The School of the Art Institute of Chicago’s Fashion program provides a creative and intellectual context in which the nature and potential of fashion is closely examined and reimagined. Uniquely situated within a vibrant contemporary school of art and design, SAIC offers undergraduate, graduate, and post-baccalaureate Fashion programs that build on the connections and relationships between art and fashion that have been evolving in the past century, and that reach an unprecedented level in contemporary practices today. SAIC’s Fashion program is housed within the Sage Studios for Fashion Design located in the historic Carson Pirie Scott building. The 25,000-square-foot studio space includes the Fashion Resource Center, a hands-on collection of late-20th- and 21st-century designer garments and accessories representing extreme innovation, which allows SAIC students the opportunity to explore the most progressive achievements in the world of dress and fashion. The success of SAIC’s Fashion Design program and SAIC's interdisciplinary approach to education is reflected in a list of alumni that includes such notable designers as Halston, Cynthia Rowley, Lawrence Steele, J. Morgan Puett, Eunwha Kim, Maria Pinto, Gary Graham, and Matthew Ames. SAIC graduates hold senior design positions in firms as varied as Yeohlee, Jones New York, Levis, Nike, Charles Chang Lima, and Tommy Hilfiger, and design for Anna Sui, Calvin Klein, Tiffani Kim, Betsey Johnson, Triple5Soul, and Moschino. Upon graduating, many have chosen to intern for international houses such as Viktor & Rolf, Alexander McQueen, Wendy & Jim, Castelbajac, Zac Posen, Threeasfour and William Ivey Long, or to launch their own fashion lines. The current chair of SAIC’s Fashion Design Department is critically acclaimed designer Nick Cave. For more information, please visit www.saic.edu/fashion. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from around the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures and performances. |
Download Release (Printer friendly version) CONTACT: John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu Matt Miller Carol Fox & Associates (773) 327-3830 x 104 mattm@carolfoxassociates.com
|
For more information, please visit www.saic.edu.


SCHOOL OF THE ART INSTITUTE OF CHICAGO ANNOUNCES $1 MILLION GIFT FROM MARGOT AND TOM PRITZKER FAMILY FOUNDATIONGift Will Support Students Committed to the Advancement of Art and Design in ChinaChicago—The School of the Art Institute of Chicago (SAIC) is pleased to announce a $1 million gift to the school from the Margot and Tom Pritzker Family Foundation intended to enhance the school’s ability to recruit students from China. The gift has been designated to support scholarships that will assist students who are committed to the advancement of art and design in China and who intend to pursue their vocations and work in that country after graduation. Mayor Richard M. Daley announced the gift last night at a dinner honoring Chinese President Hu Jintao, who was presented with this gesture of friendship on behalf of the people of Chicago. Announcing the gift, the Mayor said, “Chicago is home to one of our nation’s great schools of art and design: the School of the Art Institute of Chicago. It is one of the oldest accredited independent schools of art and design in the United States and attracts students from around the world.” Tom Pritzker, Executive Chairman of the Board of Hyatt Hotels Corporation and Chairman of the Art Institute of Chicago, and his wife Margot are avid supporters of SAIC and have a keen interest in the preservation and advancement of arts and culture in China, interests that combined to inspire this generous gesture. “Margot and I are very happy to be able to extend this opportunity to the next generation of artists and designers in China, and to be joining with the Mayor to extend our friendship to the people of China on behalf of the City of Chicago,” said Pritzker. SAIC President Walter E. Massey stated, “At SAIC we are committed to an international student body that enhances the diversity that is so important to the quality of education we desire for all our students. This generous gift enhances our ability to provide that education.” The School of the Art Institute of Chicago will award the scholarships to students based on the following criteria: financial need; among the first generation in their family to attend college; prior work or study experience in China; familiarity with Chinese language, culture, or history; and an intention of working in China after graduation. |
![]() Download Release (Printer friendly version) Digital Images and Interviews Available CONTACT: Sherrie Medina School of the Art Institute of Chicago 312.543.8608 smedina@saic.edu |
For more information, please visit www.saic.edu.


ARTISTS & CURATORS TO DISCUSS YOSHIDA AT PUBLIC PANEL; �BEST SHOW OF THE YEAR� TO CLOSE FEB. 12The Peculiar and the Particular: A Conversation Inspired by Ray Yoshida Thursday, February 3, at Noon at SAIC Sullivan GalleriesChicago, IL � Curators John Corbett and Jim Dempsey will lead a public conversation in the School of the Art Institute of Chicago (SAIC) Sullivan Galleries with artists Art Green (SAIC BFA 1965), Tyson Reeder, Mary Lou Zelazny (SAIC BFA 1980), and curator Lisa Stone (SAIC MSP 1998) on Thursday, February 3, at Noon. Held in conjunction with the exhibition Touch and Go: Ray Yoshida and His Spheres of Influence, the panel will explore the impact of Ray Yoshida�s unrelenting vision as an artist, teacher, and collector, and consider both its historical significance and its resonance in contemporary practices. The discussion is free and open to the public. Touch and Go was named �likely the best show of the year in Chicago� by veteran gallerist and critic Paul Klein of the Huffington Post in November, and Newcity magazine selected the exhibition �best art exhibit in the last year� in its Best of Chicago issue published December 10. The exhibition is curated by John Corbett�an SAIC faculty member�and Jim Dempsey, house manager at SAIC�s Gene Siskel Film Center. Ray Yoshida�s (1930�2009, SAIC BFA 1953) influence on generations of Chicago art students is legendary. Art Green was a student of Yoshida�s and Mary Lou Zelazny worked closely with the painter, who was an SAIC faculty member for 44 years beginning in 1959. He was named Frank Harold Sellers Professor in the Department of Painting and Drawing at SAIC in 1971, retired as professor emeritus in 1998, and continued to teach until 2003. Tyson Reeder brings insight to the panel regarding Yoshida�s continued influence on younger generations of artists, and Lisa Stone, curator of the Roger Brown Study Collection, has extensive knowledge of the social and professional interactions among Yoshida and his peers. SAIC�s Sullivan Galleries are located at 33 South State Street, 7th Floor. Touch and Go remains on view there through February 12. Gallery hours are Tuesday�Saturday, 11 a.m.�6 p.m. For more information visit http://www.saic.edu/exhibitions Ray Yoshida, a 72-page softcover commemorative book published in conjunction with the exhibition, is available at the Sullivan Galleries ($35). The book features photographs of the artist's home-studio, images from his sketchbooks, writings, and works-in-progress. With an introduction by SAIC Dean of Faculty Lisa Wainwright and an interview with the curators, it includes personal recollections by artist-colleagues Mark Booth, Susanne Doremus, Art Green, Ted Halkin, Philip Hanson, Richard Hull, Michiko Itatani, Thomas Kapsalis, Jin Soo Kim, Jim Nutt, Frank Piatek, Suellen Rocca, Barbara Rossi, Elizabeth Rupprecht, Rebecca Shore, Lisa Stone, Frank Trankina, Karl Wirsum, Jim Zanzi, and Mary Lou Zelazny. The Peculiar and the Particular: A Conversation Inspired by Ray Yoshida Tuesday, February 8, Noon (RESCHEDULED from February 3) SAIC Sullivan Galleries 33 South State Street, 7th Floor For more information: exhibitions-saic@saic.edu / 312.629.6635 About the School of the Art Institute of Chicago A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from across the globe. Located in the heart of Chicago, SAIC has an educational philosophy that is built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit www.saic.edu. |
Download Release (printer-friendly version) Digital Images and Interviews Available CONTACT: Ann Wiens School of the Art Institute of Chicago 312.629.6135 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC) ANNOUNCES NEW SEASON OF VISITING ARTISTS PROGRAMEclectic program welcomes artists and scholars from New York to Los Angeles to Amsterdam and Tel AvivChicago, IL—The School of the Art Institute of Chicago (SAIC) is pleased to announce the newest guest presenters for its Visiting Artists Program (VAP), continuing a tradition formalized nearly 60 years ago. VAP hosts more than a dozen public presentations by artists each year in lectures, symposia, performances, and screenings. Five of its six presentations this spring are free; all are open to the public. “This program is a cornerstone of Chicago's visual arts community, and an invaluable resource for those interested in the art of our time,” notes Andrea Green, Director of the Visiting Artists Program. “The ideas of these internationally renowned artists are inspiring. VAP features some of the most compelling thinkers at work today—probing, provoking, and questioning the subjects at the core of the creative process and critical inquiry.” The new season begins on February 7 with performance theorist José Muñoz, continues with curator Lisa Freiman—organizer of the U.S. Pavilion at the next Venice Biennale—on February 28, and welcomes Kori Newkirk (SAIC BFA 1993) for this season’s Distinguished Alumni Lecture on March 8. Artes Mundi-prizewinner Yael Bartana presents March 10, followed by Slovenia-born artist Tobias Putrih on March 31. The season concludes April 12 with a lecture from Kenya-born, New York-based artist Wangechi Mutu. Information on each presenter is included below. Admission February 7, February 28, March 8, March 31, April 12: FREE and open to the public Lectures begin at 6 p.m. SAIC Columbus Auditorium, 280 South Columbus Drive March 10 (Yael Bartana): $10 general admission, $7 students, $5 Gene Siskel Film Center members, $4 SAIC faculty, FREE for SAIC students 6 p.m. SAIC’s Gene Siskel Film Center, 164 North State Street February 7: José Muñoz February 28: Lisa Freiman March 8: Kori Newkirk March 10: Yael Bartana March 31: Tobias Putrih April 12: Wangechi Mutu VAP Online In addition to making their appearances open to the public, SAIC presents many Visiting Artist Program lectures as recorded in audio and/or video through SAIC Wired, online at www.saic.edu/vap. Recent presenters include Harry Pearce and Martha Wilson. José Muñoz Monday, February 7, 6:00 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr. Free José Esteban Muñoz is Chair of the Performance Studies Department at the Tisch School of the Arts at New York University. His publications include various articles and the monographs Disideintifications: Queers of Color and the Performance of Politics, Cruising Utopia: the Then and There of Queer Futurity, and the forthcoming The Sense of Brown. He has edited various volumes of critical and performance theory, most recently a special issue of the journal Women and Performance titled "Between Affect and Psychoanalysis: A Public Feelings Project." He is co-editor of the Sexual Cultures book series at New York University Press. This presentation is supported in part by DePaul University, LGBTQ Studies Program. Lisa Freiman Monday, February 28, 6:00 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr. Free Lisa D. Freiman is Senior Curator and Chair of the Department of Contemporary Art at the Indianapolis Museum of Art. During her eight-year tenure there, Freiman has transformed the experience of contemporary art in Indianapolis. She has created a dynamic, widely renowned contemporary art program that has become an influential model for encyclopedic museums engaging in the art of our time. Actively seeking works of both emerging and established international artists, Freiman continues to provide a platform to support artists’ work through major traveling exhibitions, commissions, acquisitions, and publications. In the fall of 2010, Freiman was appointed by the United States Department of State to be commissioner of the U.S. Pavilion for the 54th Venice Biennale opening June 2011. Kori Newkirk: Distinguished Alumni Lecture Series Tuesday, March 8, 6:00 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr. Free Los Angeles-based SAIC alumnus Kori Newkirk (BFA 1993) creates multimedia paintings, sculptural installations, and photographs that transform his materials into gestures toward the semiotics of cultural identity and his own personal/familial history. His work explores the meaning of the materials, bringing to light the ways in which the implications may be transformed as they are forged through cultural context. A 10-year survey of Newkirk’s work was presented at the Studio Museum in Harlem (2008) and his work has been featured in the 2006 Whitney Biennial and DAK’ART: 7th Dakar Biennial in Senegal, along with numerous solo exhibitions across the U.S. and abroad. This lecture is presented in collaboration with SAIC’s Painting and Drawing Department and Alumni Relations. Yael Bartana Thursday, March 10, 6:00 p.m. Gene Siskel Film Center, 164 N. State St. Admission: $10 general admission, $7 students, $5 Film Center members, $4 SAIC faculty, Free for SAIC students Amsterdam- and Tel Aviv-based artist Yael Bartana's slippery, sophisticated films and videos reflect upon contemporary Israeli culture, the ideas and rituals that bind its citizens together, and its larger geopolitical context. Drawing upon ethnographic traditions, utopian Soviet-style propaganda, and historical reenactment, Bartana's work provocatively shuttles between irony and sincerity, playfulness and dead seriousness to examine relationships between the individual and the state. Bartana is a recent recipient of the prestigious Artes Mundi prize and her work has been exhibited internationally. This presentation is in collaboration with Conversations at the Edge and SAIC’s Department of Film, Video, New Media, and Animation. Tobias Putrih Thursday, March 31, 6:00 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr. Free Slovenia-born artist Tobias Putrih creates sculptures and installations that use everyday materials such as cardboard and Styrofoam to address architecture and structure, positing models for different uses and forms of inhabited space. His work was included in the 52nd Venice Biennale (2007) and the 29th Sao Paolo Biennale (2010), and has also been included in group exhibitions at venues such as the Museum of Modern Art (New York), MASS MoCA (North Adams, MA), the Hayward Gallery (London), White Cube (London), and the Van Abbemuseum (Eindhoven), among many others. He has had solo exhibitions at the Centre Pompidou, Paris; the MIT List Center, Cambridge, MA; and the Neuberger Museum, Purchase, NY. Wangechi Mutu Tuesday, April 12, 6:00 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr. Free The work of Kenya-born, New York-based artist Wangechi Mutu is a visceral response to her critiques of gender, culture, and mass media imagery. Exploring the female body as a site of engagement and provocation, Mutu's work is frequently populated by hybrid figures that possess an almost abject beauty. She samples imagery from disparate sources—medical diagrams, fashion magazines, anthropology and botany texts, pornography, and traditional African arts. Her signature aesthetic utilizes tactile, fleshy surfaces to readily engage in her own unique form of myth-making, bringing physical and conceptual depth while making social and personal commentary. Mutu has exhibited extensively, including recent one-person shows at Deutsche Guggenheim, Art Gallery of Ontario, San Francisco Museum of Modern Art, and Miami Art Museum. About the Visiting Artists Program The primary mission of the Visiting Artists Program is to educate and foster a greater understanding and appreciation of contemporary art through discourse. Founded in 1868, the Visiting Artists Program (VAP) is one of the oldest public programs of the School of the Art Institute of Chicago. Formalized in 1951 with the establishment of an endowed fund by Flora Mayer Witkowsky, the Visiting Artists Program hosts public presentations by artists, designers, and scholars each year in lectures, symposia, performances, and screenings. It is an eclectic program that showcases artists working in all media including sound, video, performance, poetry, painting, and independent film, as well as significant curators, critics, and art historians. About the School of the Art Institute of Chicago A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from across the globe. Located in the heart of Chicago, SAIC has an educational philosophy that is built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC's resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit www.saic.edu. |
Download Release (printer-friendly version) Digital Images and Interviews Available CONTACT: Ann Wiens School of the Art Institute of Chicago 312.629.6135 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


SCHOOL OF THE ART INSTITUTE OF CHICAGO IS A TOP PRODUCER OF U.S. FULBRIGHT STUDENTSChicago, IL — The Fulbright Program, the U.S. government’s flagship international educational exchange program, recently announced the complete list of colleges and universities that produced the most 2010–2011 U.S. Fulbright Students. The success of the top-producing institutions is highlighted in the October 25 online edition of The Chronicle of Higher Education.Three students from the School of the Art Institute of Chicago (SAIC) won Fulbright awards for 2010–2011, the second largest number among art and design colleges in the country. Anida Ali (MFA 2010) will study performance art in Cambodia; Isac Enriquez (BFAAE 2010) will study installation art in Brazil; and Nora Mapp (BFAW 2010) will study installation art in Canada. “Our students are examining the role of the artist in the larger global context, and exploring ways that artists and arts scholars can contribute to the dialog around national and international issues. What better way to study this than by practicing their discipline around the world?” said Elissa Tenny, SAIC Provost. “The Fulbright awards are a wonderful acknowledgement of the value of art and design in our global community. I am especially proud of our students who will participate this year and am confident they will make important contributions on this international stage,” said Lisa Wainwright, SAIC Dean of Faculty. The Fulbright competition is administered at the School of the Art Institute of Chicago through the Office of Career Services. Under this program, almost 1,700 American students, artists, and young professionals in more than 100 different fields of study have been offered grants to study, teach English, and conduct research in more than 130 countries throughout the world beginning this fall. Of the 1,700 Fulbright Scholars, 19% are at the Ph.D. degree level, 17% are at the master’s level, and 65% are at the bachelor’s degree level. Students receiving awards for this academic year applied through 600 colleges or universities. Lists of Fulbright recipients are available at www.fulbrightonline.org/us. About the School of the Art Institute of Chicago A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from across the globe. Located in the heart of Chicago, SAIC has an educational philosophy that is built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC’s resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures, and performances. For more information, please visit www.saic.edu. About the Fulbright Program Since its inception in 1946, the Fulbright Program has provided more than 300,000 participants—chosen for their academic merit and leadership potential—with the opportunity to study, teach and conduct research, exchange ideas, and contribute to finding solutions to shared international concerns. In the past 64 years, more than 44,000 students from the United States have benefited from the Fulbright experience. The Fulbright Program is sponsored by the United States Department of State, Bureau of Educational and Cultural Affairs. The Fulbright Program also awards grants to American teachers and faculty to conduct research and teach overseas. In addition, some 3,850 new foreign Fulbright students and scholars come to the United States annually to study for graduate degrees, conduct research and teach at U.S. universities, colleges, and secondary schools. |
Download Release (printer-friendly version) Digital Images and Interviews Available CONTACT: Ann Wiens School of the Art Institute of Chicago 312.629.6135 awiens@saic.edu John Eding School of the Art Institute of Chicago 312.629.6138 jeding@saic.edu |


SCHOOL OF THE ART INSTITUTE OF CHICAGO HOSTS
|
Download Release (printer-friendly version) Digital Images and Interviews Available CONTACT : John Eding School of the Art Institute of Chicago 312.259.2968 jeding@saic.edu Nick Harkin, Carol Fox & Associates (773) 327-3830 x 104 mattm@carolfoxassociates.com |


GOLUB & COMPANY CREATES SCHOLARSHIP AT SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC)![]() L to R: Lee Golub, Executive Vice President, Golub & Company; Baltazar Castillo, Golub Scholarship Recipient; Paula Smith, Senior Vice President, Golub & Company; and Michael Newman, President and CEO, Golub & Company, at the Golub & Company offices. Image courtesy School of the Art Institute of Chicago Chicago, IL—The School of the Art Institute of Chicago (SAIC) announces that Golub & Company—celebrating 50 years of business in 2010—has established the Golub Scholarship at SAIC, joining the Edes Foundation Prize, the Eunice W. Johnson Fellowship, and the John W. Kurtich Travel Scholarships as one of four major student awards established at SAIC in 2010. "We are excited to help future generations and are especially pleased to be collaborating with SAIC, as they exemplify the best of Chicago's art, culture and design philosophies," said Michael Newman, Golub's president and CEO. And we are proud to announce our first Golub Scholarship recipient, Chicagoan Baltazar Castillo." "It is energizing to partner with Golub & Company, a leader in the Chicago business community. Their support of our next generation of visionary makers and thinkers is an invaluable contribution to the city," said SAIC Dean of Faculty Lisa Wainwright. "SAIC is very grateful to Golub & Company for creating a scholarship that will help students develop the critical thinking and creative skills that will allow them to make important contributions to our cultural future. We celebrate their commitment to the Chicago community over the past 50 years." About Golub & Company Chicago-based Golub & Company and its affiliates are active nationally and internationally in real estate development, acquisitions, asset and property management, leasing and corporate real estate services. Since its founding 50 years ago, the company has owned, leased or managed more than 45 million square feet of commercial and multifamily real estate properties valued at more than $7 billion. Landmark developments by Golub in Chicago have included 22 West Washington (Block 37), 625 North Michigan, 444 North Michigan, 55 West Monroe, The Bristol Condominiums, The Streeter and Streeter Place. The firm's current Chicago portfolio includes John Hancock Center, Streeter Place, 22 West Washington, 680 North Lake Shore Drive, 625 North Michigan, 541 North Fairbanks, 33 North LaSalle and 225 West Washington. Internationally, Golub is active in Central and Eastern Europe, where the company's developments have included condominium residences, office buildings and retail centers. More information on Golub & Company is available at www.golubandcompany.com. |
Download Release (printer-friendly version) CONTACT : John Eding School of the Art Institute of Chicago 312.259.2968 jeding@saic.edu Mary Ellen Smith Golub & Company 312.440.8706 mesmith@goco.com |


JOHN W. KURTICH TRAVEL SCHOLARSHIP PROGRAM OFFERS SAIC STUDENTS OPPORTUNITY TO STUDY AND SEE THE WORLDMentor and SAIC Master Teacher’s New Charitable Donation to Provide Student Scholarships to Help with Tuition and Travel for International Study TripsCHICAGO, IL—The School of the Art Institute of Chicago (SAIC) proudly announces the inaugural recipients of the new John W. Kurtich Travel Scholarship Program, providing from the estate of beloved SAIC professor and scholar John W. Kurtich (1935–2004) travel scholarship funding for up to 20 SAIC students. The new scholarship program joins the Edes Foundation Prize, the Eunice W. Johnson Fellowship, and the Golub Scholarship as the fourth major new student award established at SAIC in 2010, which experienced a six percent increase in undergraduate enrollment this fall.The recipients for Winter 2011 are: Morgan Carter (BFA 2011), Veronica Diaz (BFA 2012), David Evancho (MArch 2012), Allison Glenn (MA/AAP and MA/AH 2011), Andrea Gonzalez (BFA 2011), Katharine Houpt (MAAT 2011), Siavash Khorrami (MArch 2011), Matthew Lockdall (BFA 2011), and Natalie Pfister (MFA 2011). Representing seven SAIC degree programs, the scholars will travel in at least seven foreign countries on four different trips organized by SAIC. Each scholarship offers approximately $5,000 per student to cover tuition and travel expenses for international study trips. “John’s amazing passion was always apparent when he talked about his love of travel as education for the mind, body, and soul. His lasting legacy should always be that any student should experience the joy of travel while continuing to better themselves through education,” says Troy Underwood, President of the Board of the Kurtich Foundation for Study and Research. “John’s love for SAIC has profoundly enhanced the quality of the curriculum,” says Tony Jones, CBE, Chancellor of SAIC. “More importantly his influence has overwhelmingly changed the lives of the people he loved the most, the students.” Study trips allow SAIC students to travel for 3–6 weeks to artistic centers across the globe, from Italy to Brazil to China, Singapore, and Hong Kong. Study trip participants from various SAIC departments and disciplines not only learn about the history of art and architecture at each location, but they also have the unique opportunity to travel with and learn from each other. Faculty advisors work together to plan each trip, thereby ensuring interdisciplinary dialogue and rich exchange. With the new John W. Kurtich Travel Scholarships, each recipient will carry on Kurtich’s legacy throughout their careers in the contributions they make to art and culture. The 2011 Kurtich scholars will be invited by the Kurtich family to a commemorative celebration highlighting their travel experiences organized by SAIC. About John W. Kurtich After 35 years as a SAIC faculty member Kurtich donated the sale of his Hyde Park estate to the campus and people he cherished the most, the SAIC community. His personal collection of more than 12,000 books, 250,000 slides, digital images, and intellectual properties were the focal point of the donation. Since his death in March 2004, John W. Kurtich’s legacy continues through the gift of the proceeds of the sale of his estate but also in the generous travel scholarships that will forever alter the lives of the selected SAIC students. Born in Salinas, California, in 1935, John W. Kurtich joined the faculty of the School of the Art Institute of Chicago in 1968 after completing his master’s degree in architecture at Columbia University. Trained as a licensed architect, his artistic practice also extended to writing and to filmmaking. At SAIC, Kurtich made an impact on everyone who knew him; as a mentor, a master teacher and a multifaceted artist. His work, travels, and eagerness to learn and live touched his colleagues, friends, and three decades of students, many of whom describe John as their intellectual inspiration. His legacy for scholarship, aesthetics, connoisseurship and spirited living will endure through his Scholars. Kurtich received numerous awards, including a grant from the National Endowment for the Arts, a Graham Foundation award, a William Kinne Fellows Traveling Fellowship, and several Fulbright-Hays Mutual Education Exchange Grants. His interdisciplinary scholarship of nearly every field –classical architecture, environmental design, filmmaking, theater, performance, music, photography, archeology, art history, and cooking –influenced the spirit of interdisciplinary study that serves as the foundation for all SAIC curricula. ABOUT THE SCHOOL OF THE ART INSTITUTE OF CHICAGO A leader in educating artists, designers, and scholars since 1866, the School of the Art Institute of Chicago (SAIC) offers nationally accredited undergraduate, graduate, and post-baccalaureate programs to nearly 3,200 students from across the globe. Located in the heart of Chicago, SAIC has an educational philosophy built upon an interdisciplinary approach to art and design, giving students unparalleled opportunities to develop their creative and critical abilities, while working with renowned faculty who include many of the leading practitioners in their fields. SAIC’s resources include the Art Institute of Chicago and its new Modern Wing; numerous special collections and programming venues provide students with exceptional exhibitions, screenings, lectures and performances. For more information, please visit www.saic.edu. |
Download Release (printer-friendly version) ![]() CONTACT : John Eding School of the Art Institute of Chicago 312.259.2968 jeding@saic.edu Matt Miller / Nick Harkin Carol Fox & Associates 773.327.3830 x 104 / 773.327.3830 x 103 mattm@carolfoxassociates.com nickh@carolfoxassociates.com |


SCHOOL OF THE ART INSTITUTE OF CHICAGO BRINGS ACCLAIMED AUTHOR AND CARTOONIST LYNDA BARRY TO CHICAGO NOV. 15 FOR SPECIAL VISITING ARTIST PRESENTATIONFree Event presented in SAIC Columbus Auditorium
Chicago, IL—The School of the Art Institute of Chicago brings Lynda Barry, the inimitable creator of “Ernie Pook’s Comeek,” to Chicago Monday, Nov. 15 at 6 p.m. as part of its ongoing Visiting Artist Program. At the event, Barry will do a slide show presentation, as well as discuss her influences, creative process, and career, before signing copies of her newest book, “Picture This,” which will be officially released by Drawn & Quarterly Nov. 9, 2010. The event is free and open to the public, and will be presented at the SAIC Columbus Auditorium, 280 S. Columbus Drive. Reservations are not required. Seating is limited and available on a first come, first served basis. |
Download Release (printer-friendly version) ![]() Lynda Barry self-portrait courtesy of Drawn and Quarterly CONTACT : John Eding School of the Art Institute of Chicago 312.259.2968 jeding@saic.edu Nick Harkin Carol Fox & Associates (773) 327-3830 x 103 nickh@carolfoxassociates.com |


SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC) PRESENTS
|
Download Release (printer-friendly version) CONTACT : John Eding School of the Art Institute of Chicago 312.259.2968 jeding@saic.edu Matt Miller Carol Fox & Associates 773.327.3830 x 104 mattm@carolfoxassociates.com |


CONVERSATIONS AT THE EDGE KICKS OFF NEW SEASON TONIGHT12 Presenters Bring Finest of Artists' Film, Video, New Media, and Animation to Chicago![]() Artist Talk: Karl Wirsum, October 28. Photo by Ursula Sokolowska Chicago, IL—Eleven weeks of public programming organized by SAIC's Department of Film, Video, New Media, and Animation (FVNMA) in collaboration with the Gene Siskel Film Center and the Video Data Bank begin today, September 16, with the world premiere of Daniele Wilmouth's Eleanore & the Timekeeper (2010). Highlights of the new season include appearances by Rosa Menkman, Bruce Bickford, Coleen Fitzgibbon, Luis Gispert, Alina Rutnitskaya, Kevin Jerome Everson, and Daniel Eisenberg. The complete schedule for the newest season of Conversations at the Edge (CATE) is available below and with presenter interviews, preview videos, critical reviews, and more at www.saic.edu/cateblog. Founded by FVNMA in 2001, Conversations at the Edge is a weekly series of screenings, artist talks, and performances by the most compelling media artists of yesterday and today. By bringing together experimental film and video, contemporary art, performance, music, new media, and more, CATE cultivates "conversations" across a range of artistic practices, as well as among makers and audiences. Gregg Bordowitz, Chair of the Department of Film, Video, New Media, and Animation, notes, "Conversations at the Edge provides Chicago's audiences and emerging artists with the opportunity to lead important discussions about the role of media in society—how artists can respond to historical and technological change in meaningful ways." Having featured over 200 artists to date—from Sharon Lockhart and Michael Snow to Dara Birnbaum and Ryan Trecartin—CATE's programming augments and extends SAIC's renowned interdisciplinary curriculum, providing students and the larger public alike with meaningful connections to diverse practices and practitioners. In turn, this exchange inspires the next wave of talented media-makers; notable alumni from the FVNMA department include David Gatten, Paul Chan, Deborah Stratman, 2010 Cannes Palme D'or recipient Apichatpong Weerasethakul, and So Yong Kim. All programs take place Thursdays at 6 p.m. at the Gene Siskel Film Center, 164 North State Street. Tickets $10 general admission, $7 students, $5 GSFC members $4 Art Institute of Chicago staff and SAIC faculty and staff FREE to SAIC students with a valid school ID All tickets may be purchased at the Film Center Box Office. Both general admission and Film Center member tickets are also available through Ticketmaster, 800.982.2787, www.ticketmaster.com, and all Ticketmaster outlets. The Film Center and its box office are open Monday-Friday, 5-9 p.m.; Saturday, 2-9 p.m.; and Sunday, 2-6 p.m. Discounted parking is available for $14 for nine hours at the InterPark SELF-PARK at 20 E. Randolph St. A rebate ticket can be obtained from the Film Center Box Office. For more information about the Gene Siskel Film Center, call 312.846.2800 (24-hour movie hotline) or 312.846.2600 (general information, Monday-Friday, 9 a.m.-5 p.m.), or visit www.siskelfilmcenter.org FALL PROGRAMThursday, September 16, 6 p.m.Eleanore & the Timekeeper Daniele Wilmouth in person! Best known for her striking performance films, award-winning Chicago filmmaker and SAIC faculty member Daniele Wilmouth's first feature is an intimate portrait of the complex bond between her aging grandmother and developmentally disabled uncle in rural Pennsylvania. Companions for the last 64 years—in times both idyllic and difficult—Eleanore and Ronnie are forced to embark on new, separate lives in the face of Eleanore's advancing age and waning health. Ronnie finds new freedom in a group home while Eleanore copes with loneliness and heartbreak in the modest farmhouse where Ronnie grew up. Throughout this seven-year chronicle, Wilmouth meditates on the modest gestures and daily rituals that have bound the two together, tying them to the rhythms of small-town America and larger cycles of death and rebirth. The result is a clear-eyed and moving meditation on everyday life, transience, and familial love. Daniele Wilmouth, 2010, USA, 16mm on DigiBeta video, 76 min (plus discussion). DANIELE WILMOUTH (1968, Pittsburgh, PA) creates hybrids of performance art, dance, installation, and cinema, which exploit the shifting hierarchies between live and screen space. Her films have screened in festivals, museums, galleries, and on television worldwide, including at the Kunst Museum, Bonn, Germany; the National Gallery of Armenia; Television Canal+(a), Argentina; Kino Arsenal, Berlin, Germany; Tampere Short Film Festival, Finland; IMPAKT Festival, Utrecht, Holland; Anthology Film Archives, New York; and the Ann Arbor Film Festival, Michigan. A retrospective of her work toured Russia in 2004. From 1990-96, Wilmouth lived in Japan, where she co-founded Hairless Film, an independent filmmaking collective. She also studied the Japanese contemporary dance form Butoh under Katsura Kan, and performed with his troupe The Saltimbanques. Wilmouth is the recipient of numerous grants and awards, most recently the 2010-11 EMPAC Dance Movies Commission from Rensselaer Polytechnic Institute. She is currently on faculty at The School of the Art Institute of Chicago and Columbia College. More info at hairlessfilms.org. Thursday, September 23, 6 p.m. Have to Believe We Are Magic: Videos by Kent Lambert and Jesse McLean Kent Lambert and Jesse McLean in person! By turns haunting and hilarious, the works of Chicago artists Kent Lambert and Jesse McLean remix the banal debris of television culture into striking meditations on our highly mediated public sphere. In Security Anthem (2003), Hymn of Reckoning (2006), and Sunset Coda (2006), Lambert culls footage from Lost, his own home movies, and the vocal stylings of former U.S. Attorney General John Ashcroft to explore the vagaries of national security in this current age of international terror. In her Bearing Witness trilogy, comprised of The Eternal Quarter Inch (2008), The Burning Blue (2009), and Somewhere Only We Know (2009), McLean considers the possibility for genuine human connection within a blur of televised emotion. This evening also features a brand-new collaboration between the two, as well as the North American premiere of McLean's Magic for Beginners (2010), among others. Kent Lambert and Jesse McLean, 2003-10, USA, multiple formats, ca. 80 min (plus discussion). KENT LAMBERT (1976, Colorado Springs, CO) lives and works in Chicago. His videos have been screened at festivals around the world and at such venues as Other Cinema in San Francisco and the Institute of Contemporary Arts in London. His pop band Roommate will release its third album, titled Guilty Rainbow, in early 2011. JESSE MCLEAN (1975, Philadelphia, PA) grew up in Pennsylvania, studied art at Oberlin College, and received her MFA in Moving Image from the University of Illinois at Chicago. She was the winner of the Barbara Aronofsky Latham Award for Emerging Experimental Video Artist at the 2010 Ann Arbor Film Festival. Besides Ann Arbor, she has shown her work at the Venice Film Festival, Dallas VideoFest, San Francisco International Film Festival, Onion City Film and Video Festival, Chicago Underground Film Festival, Yerba Buena Center for the Arts, Migrating Forms at Anthology Film Archives, Art Chicago, PDX Festival, FLEX, and the Director's Lounge in Berlin. She lives and works in Chicago, where she teaches part-time at the University of Illinois at Chicago. Thursday, September 30, 6 p.m Rosa Menkman: Glitched Rosa Menkman in person! Every technology possesses its own inherent accidents. Rosa Menkman is a Dutch artist and theorist whose focus is on visual artifacts created by accidents in digital media specifically. She describes these as "the uncanny, brutal structures that come to the surface during a break of the flow within a technology; they are the primal data-screams of the machine." Working at the experimental junction of glitch, noise, and new media art, Menkman creates glitch work and writes texts about codecs, interpolation, and compression going awry. This evening, Menkman will introduce a selection of videos followed by a real-time performance. Rest assured, the equipment is working, though it may not look like it is. This presentation coincides with GLI.TC/H, an international noise and new media conference taking place from September 29 to October 3 at various locations around Chicago. Visit http://gli.tc/h. Rosa Menkman, 2006-10, Netherlands, multiple formats, ca. 75 min (plus discussion). ROSA MENKMAN (1983, Arnhem, Netherlands) is the leading international theory-practitioner of glitch art. She has written extensively on digital artifacts and noise, including the Glitch Studies Manifesto (2010). Her videos and real-time performances have been included in festivals like Blip, Europe and U.S.; Haip, Ljubljana; Cimatics, Brussels; Video Vortex, Amsterdam and Brussels; and Pasofest, Ankara. She has collaborated on art projects together with Alexander Galloway, little-scale, Govcom.org, Goto80 and the Internet art collective, Jodi.org. Menkman received her master's degree in 2009 and is currently a Ph.D. student at KHM Cologne, writing on the subject of Artifacts. Thursday, October 7, 6 p.m. Bruce Bickford's World Bruce Bickford in person! "Bruce Bickford is a genius!" — Frank Zappa Enchanted gardens, epic battles, and creatures that morph out of roiling landscapes of clay are but a few of the visions that make up legendary animator Bruce Bickford's world—one of metamorphosis, destruction, and regeneration. Best known for his work with Frank Zappa—Baby Snakes (1979) and The Amazing Mr. Bickford (1987)—Bickford's stunning and surreal animations have influenced generations of artists, filmmakers, and musicians. This evening's program features a rare theatrical screening of his 1988 tour-de-force, Prometheus' Garden; recent pencil-line animations, including the hypnotic Inversion Layer (1994) and The Comic That Frenches Your Mind (2007); and a collection of rarely seen animated sequences and fragments spanning Bickford's prodigious career, featuring a not-to-be-missed live soundtrack by musicians Jeff Parker (Tortoise, The Relatives) and Frank Rosaly (Viscous). Special thanks to Peter Burr for his generous assistance with this program. Bruce Bickford, 1980-2010, USA, multiple formats, ca. 90 min (plus discussion). BRUCE BICKFORD (1947, Seattle, WA) began animating clay in the summer of 1964 at the age of 17. He graduated from high school in 1965 and engaged in military service from 1966 to 1969. Upon his return, he resumed animation and began experimenting with line animation. He met Frank Zappa in 1973 and worked for him from 1974-80, producing imagery for Baby Snakes (1979), The Dub Room Special (1985), Video From Hell (1980), and The Amazing Mr. Bickford (1987). Afterwards, he returned to Seattle and resumed animating, mostly his own personal work. His life and work were featured in the 2004 biographical documentary film, Monster Road, directed by Brett Ingram. Thursday, October 14, 6 p.m. Internal Systems: Films by Coleen Fitzgibbon Coleen Fitzgibbon in person! "...Brilliance waiting to be revisited." — Holly Willis, LA Weekly Between 1973 and 1975, Coleen Fitzgibbon, operating under the name "Colen Fitzgibbon," produced a series of films that stand as some of cinema's most rigorous explorations of the medium. Associated with the Structural film movement and New York's No Wave scene, Fitzgibbon's films emphasize time, duration, and their own flickering mechanics while also hinting at a deeper socio-cultural meaning. This evening, the SAIC alumna will present four of these films, including her 1974 standout, Internal System, whose recent restoration is attracting fresh acclaim. In the words of curator Andrea Picard, the film is "a vast, minimalist study of the monochromatic frame, a sort of sublime testing of film's internal logic, its emulsive permutations and light sensitivities." Also on the program: Fitzgibbon's scratchy audio-visual collage Found Film Flashes (1974); the gorgeous FM/TRCS (1974) which uses the process of rephotography to transform the image of a woman dressing into abstract orbs of color and light; and the witty Restoring Appearances to Order (1974), featuring a short sequence of Fitzgibbon scrubbing a dirty sink to suggest the labor of art-making. Special thanks to Sandra Gibson for her generous assistance with this program. Coleen Fitzgibbon, 1973-75, USA, 16mm, ca. 75 min (plus discussion). COLEEN FITZGIBBON (1950, Illinois) was active as an experimental film artist under the pseudonym "Colen Fitzgibbon" between the years 1973-80. A student at the School of the Art Institute of Chicago and the Whitney Independent Study Program, she studied with Owen Land (aka "George Landow"), Stan Brakhage, Yvonne Rainer, Vito Acconci, and worked on film projects for Dennis Oppenheim, Gordon Matta-Clark, and Les Levine. She formed the collaborative X+Y with Robin Winters in 1976, the Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince, and Winters in 1979 and is best known for co-founding the New York based Collaborative Projects, Inc. (Colab) in 1977, along with artists Kiki Smith, Jenny Holzer, Liza Bear, Betsy Sussler, and Tom Otterness, among others. Fitzgibbon has screened her work at numerous international film festivals and museums, including the EXPRMNTL 5 at Knokke-Heist, Belgium; Institute of Contemporary Art, London; Anthology Film Archives, Collective For Living Cinema, and Millennium Film Workshop, all New York City, and most recently at the Toronto Film Festival (2009) and the Museum of Modern Art, New York City. Fitzgibbon currently resides in New York and Montana. Thursday, October 21, 6 p.m. Luis Gispert: Hyperreal Luis Gispert in person! In his dramatic photographic tableaux, sculptures, video vignettes, and short films, Miami- and New York-based artist and SAIC alumnus Luis Gispert (SAIC BFA 1996) mashes up consumerist pop culture and narco-nouveau riche '80s aesthetics with Freudian nightmares and socio-economic provocation. Gispert, writes Edwin Stirman in Art in America, "aims for a new kind of baroque drama and satire by contrasting beauty and grotesquerie." This evening, Gispert will provide an overview of this work in all mediums, including his 2008 film, Smother, and the multi-channel portrait, Rene (2008). Set in 1980s Miami, Smother follows the adolescent Waylon, boombox in tow, on a kaleidoscopic and macabre journey out of his overbearing mother's clutches into a magical-realist nightmare world of his own making. Rene is an intimate, inventive study of family friend and Cuban emigre Rene as he goes about his daily routine in Miami, Florida. Co-presented by Parlor Room, a visiting artist and lecture series created, run, budgeted, and curated by graduate students in SAIC's Photography Department. Luis Gispert, 2001-08, USA, multiple formats, ca. 75 min (plus discussion). LUIS GISPERT (1972, Jersey City) creates art through a wide range of media, including photographs, film, sounds, and sculptures, touching upon hip-hop and youth culture, as well as Cuban-American history. His work has been exhibited internationally, including in the 2002 Whitney Biennial, New York; the Brooklyn Museum of Art; the Studio Museum in Harlem; Art Pace, San Antonio, TX; the Museum of Contemporary Art, North Miami; the Contemporary Art Museum Houston; Palazzo Brocherasio in Turin; the Royal Academy in London; National Museum of Poznan, Poland; and Schirn Kunsthalle in Frankfurt, Germany. His works are in the collections of the New Museum of Contemporary Art, San Francisco Museum of Modern Art, Solomon R. Guggenheim Museum , and the Whitney Museum of American Art. He received an MFA at Yale University in 2001 and a BFA from the School of the Art Institute of Chicago in 1996. From 1990-92, he attended Miami Dade College. He is represented by Mary Boone Gallery in New York, Rhona Hoffman Gallery in Chicago, and Frederic Snitzer Gallery in Miami. Thursday, October 28, 6 p.m. Under the Cement, Sediment: Recent Video In and Around China Curator Pablo de Ocampo in person! In Yang Zhenzhong's 2003 video Spring Story, a group of 1,500 employees at a Siemens factory recite an oft-cited line from a 1992 Deng Xiaoping speech: "A planned economy is not equivalent to socialism, because there is planning under capitalism too; a market economy is not capitalism, because there are markets under socialism too." This speech is now seen as a milestone in the creation of China's new hybrid economy, which embraces both socialist and free enterprise forces. Curated and introduced by Pablo de Ocampo, Artistic Director of the Images Festival in Toronto, the works in this program examine the country's recent political and economic transformations through its urban and industrial landscape. Additional pieces include Chen Chieh-Jen's haunting Factory (2003), shot in an abandoned textile factory with its former employees re-enacting their work amid the ruins; Oliver Husain's Swivel (2005), which consists of a continuous panning shot of a hyper-developed and glossy Shanghai; and Zhao Liang's City Scene (2005), which captures street life in Beijing in a series of short vignettes. Multiple artists, 2003-05, Canada / China / Germany / Taiwan, multiple formats, ca. 90 min. PABLO DE OCAMPO (1976, Phoenix, AZ) lives in Toronto, Canada, where he is the Artistic Director of the Images Festival, Canada's largest platform for the exhibition of experimental and innovative film and video art practice. Prior to his post at Images, de Ocampo resided in Portland, Oregon, where he co-founded the experimental film screening series Cinema Project and was the Executive Director of the Independent Publishing Resource Center. Thursday, November 4, 6:00 p.m. Civil Status: Films by Alina Rudnitskaya Alina Rudnitskaya in person! Often absurd and occasionally shattering, Alina Rudnitskaya's documentaries are tragicomic field notes on the bracing cultural and political changes of "New Russia." Produced largely through the storied St. Petersburg Documentary Studio, her films examine the day-to-day lives of her fellow citizens while illuminating their aspirations for and fantasies about the future. This evening, in a rare U.S. appearance, Rudnitskaya presents three films from her award-winning body of work. In Bitch Academy (2008), she follows a group of women who go back to school to become "strong women" by learning to seduce millionaire sugar daddies. Some revel in the school's provocative hands-on lessons while others grimly choke back tears—only hinting at the troubles they hope to escape—as they struggle to master this new form of empowerment. In Civil Status (2005), Rudnitskaya observes the everyday drama of work at the Civil Registry office, where the ladies-only staff transforms the joy, fury, and grief of new brides, divorcing husbands, and recent widows into bureaucratic procedure. And, in Besame Mucho (2006) she sketches an intimate portrait of an amateur choir in rural Tikhvin as they rehearse for a group of Italian diplomats. In Russian with English subtitles. Alina Rudnitskaya, 2005-08, Russia, 35mm and Beta SP video, ca. 90 min (plus discussion). ALINA RUDNITSKAYA (1976, Zaozernyj, Russian Federation) is a director and scriptwriter. She received a degree from the Academy of Aerospace Engineering, St. Petersburg in 1997 and studied film directing at St. Petersburg's University of Culture and Arts from 1997-2001. Her short films, largely produced through the renowned St. Petersburg Documentary Studio, have garnered over thirty international awards prizes and have screened worldwide, including at the Oberhausen Film Festival, Germany; the International Film Festival Rotterdam, Netherlands; International Film Festival Vila do Conde, Portugal; Documentamadrid, Spain; the London Film Festival, UK; Transmediale, Berlin, Germany; and Silverdocs, Maryland, USA; among many others. She lives and works in St. Petersburg. Thursday, November 11, 6 p.m. Erie Kevin Jerome Everson in person! Over the past thirteen years, Kevin Jerome Everson has crafted an exquisite—and prodigious—body of work on the working-class culture of African-Americans and people of African descent. Combining documentary and fiction, Everson's nearly 70 shorts and four features center on everyday tasks and gestures to unearth and illuminate the ordinary grace of daily life. This evening, in conjunction with the Video Data Bank's release of the 25-title DVD box set, Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson, the artist presents his acclaimed feature Erie (2010) along with a handful of new shorts. Unspooling in a series of hand-held, single-take shots filmed in the urban centers around the great lake, Erie captures the conversation of former General Motors workers as the plant is about to close; hospital employees carefully sorting and sterilizing surgical implements; and young performers krumping and rehearsing musical theater side-by-side, the camera moving between them in a kind of mash-up-en-scene and microcosm of the rich and multifaceted operation of the film as a whole. Co-presented by the Video Data Bank. Kevin Jerome Everson, 2010, USA, HDCAM video, ca. 90 min (plus discussion). KEVIN JEROME EVERSON (1965, Mansfield, OH) has made four feature-length films and nearly seventy shorts. He received an MFA from Ohio University and a BFA from the University of Akron. His films and artwork have been exhibited at the Museum of Modern Art, New York; the Whitney Museum of American Art; the Cleveland Museum of Art; the Studio Museum in Harlem; the Armand Hammer Museum, Los Angeles; Whitechapel Gallery, London; the Palm Beach Institute of Contemporary Art, Florida; Wurttenbergischer Kunstverein, Stuttgart, Germany; the Spaces Gallery, Cleveland; the American Academy of Rome, Italy; the Sundance Film Festival; Rotterdam International Film Festival; Cinematexas; Ann Arbor Film Festival; and Chicago Underground Film Festival, among many others. He is the recipient of a Guggenheim Fellowship, a fellowship from the National Endowment for the Arts, two fellowship from the National Endowment for the Humanities, two Ohio Arts Council Fellowships, an American Academy Rome Prize, and residencies at Yaddo and MacDowell Colony. He is currently Assistant Professor of Art at the University of Virginia and resides in Charlottesville, Virginia. Thursday, November 18, 6 p.m. Reenactments Curator Irina Botea in person! "Artistic reenactments do not ask...what really happened...instead, they ask what the images we see might mean concretely to us" — Inke Arns Artistic reenactments do not aim to affirm or glorify the past, but rather to examine an event's relevance in the present. They call into question our very understanding of this present—along with its social, political and cultural potential. This program, curated by artist and SAIC faculty member Irina Botea, proposes a trajectory of reenactment that cycles through highly mediated events and famous works of art, from a propaganda film made by the Romanian secret police in 1959 to Sharon Hayes's Symbionese Liberation Army (SLA) Screeds (2003), in which the artist attempts to recite from memory Patty Hearst's infamous tapes to her parents after being kidnapped in 1974. Also featuring work by Ion Grigorescu, Ciprian Muresan, Mathew Paul Jinks, Kerry Tribe, and Artur Żmijewski, among others. Multiple artists, 1959-2010, Poland/Romania/USA, multiple formats, ca. 75 min (plus discussion). IRINA BOTEA (1970, Ploiesti, Romania) is a visual artist, whose works combine cinema verite and direct cinema with reenactment strategies, auditions, and rehearsals. She received a BFA and MFA from Bucharest University of Arts in 2001 and an MFA from the School of the Art Institute of Chicago in 2006. Solo and group shows include: National Gallery Jeu de Paume, Paris; Reina Sofia National Museum, Madrid; Gwangju Biennale 2010; U -Turn Quadriennial, Copenhagen; 51st Venice Biennale; Prague Bienale; Kunst-Werke, Berlin; Casa Encendida, Madrid; Salzburger Kunstverein, Austria; Argos Center for Art and Media, Brussels; Artefact Festival, Leuven; Rotterdam Film Festival; HMKV Halle, Dortmund; Casino de Luxembourg; Kunstforum, Vienna; Foksal Gallery, Warsaw; MNAC (National Museum of Contemporary Art), Bucharest; Museum of Contemporary Art, Szczecin, Poland; and Center for Contemporary Art Ujazdowki Castle, Warsaw. She resides in Chicago. Thursday, December 2, 6 p.m. The Unstable Object Daniel Eisenberg in person! "Daniel Eisenberg's films construct intricate webs of associations and reflections that probe consciousness, memory, and the emotional undercurrents of landscapes."—Steve Anker What do a luxury automobile, a wall clock, and a cymbal have in common? Daniel Eisenberg's latest film, The Unstable Object, is an elegant and visually sensual essay on contemporary models of production. Interested in the ways "things" affect both producer and consumer, Eisenberg travels to a state-of-the-art Volkswagen factory in Dresden, Germany, where shoppers look on as their individualized cars are hand-built by high-tech specialists; to Chicago Lighthouse Industries, where blind workers produce wall clocks for federal government offices; and to a deafening cymbal factory in Istanbul, Turkey, where today's most sought-after cymbals are cast and hammered by hand, exactly as they were 400 years ago. Through a series of sequences sympathetic to each site and subject, The Unstable Object probes the relationships our global economy creates between individuals around the world. This special preview screening will be followed by a book signing for POSTWAR: The Films of Daniel Eisenberg (Black Dog Publishing, 2010), the first major critical study of the SAIC professor's work. Daniel Eisenberg, 2010, Germany/Turkey/USA, DigiBeta video, ca. 90 min (plus discussion). DANIEL EISENBERG (1954, Israel) has been making films for the past three decades. His films and videos examine history, memory, trauma, the contemporary urban environment, and labor, as well as their manifold representation and mediation. His work has been shown throughout Europe and North America, with exhibitions at the Museum of Modern Art, New York; the Centre Georges Pompidou, Paris; the Pacific Film Archive, Berkeley; the American Museum of the Moving Image, New York; De Unie, Rotterdam; and Kino Arsenal, Berlin; and at film festivals in Berlin, Sydney, London, and Jerusalem. Eisenberg has also edited numerous television documentaries, including Eyes on the Prize: America's Civil Rights Years, and Vietnam: A Television History. Eisenberg has received numerous awards and fellowships, including a John Simon Guggenheim Fellowship in 1999. His films are in the collections of the Centre Georges Pompidou, the Freunde der Deutschen Kinemathek, and the Australian Film and Television School, among others. He is currently Professor of Film, Video, New Media, and Animation at the School of the Art Institute of Chicago. ABOUT THE VIDEO DATA BANK Video Data Bank (VDB) is a not-for-profit international video art distribution organization representing video by and about contemporary artists. VDB provides video art, documentaries made by artists, and taped interviews with visual artists and critics for both rental and purchase to a wide range of audiences. For a comprehensive catalog and more information about exciting new releases, please visit www.vdb.org ABOUT THE GENE SISKEL FILM CENTER Celebrating 39 years of excellence in film programming, the Gene Siskel Film Center of the School of the Art Institute of Chicago is a world-class cinematheque dedicated to showcasing emerging artists, world cinema, independent filmmakers, and the classics. Presenting more than 1,500 screenings and 100 visiting filmmaker appearances annually, the Gene Siskel Film Center is Chicago's premier movie theater. For more information about the Gene Siskel Film Center, call 312.846.2800 (24-hour movie hotline) or 312.846.2600 (general information, 9:00 am-5:00 p.m., Monday-Friday), or visit www.siskelfilmcenter.org |
Download Release (printer-friendly version) CONTACT : John Eding School of the Art Institute of Chicago 312.259.2968 jeding@saic.edu |


SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC) ANNOUNCES FALL/WINTER PUBLIC PROGRAMSAll events open to the general public.![]() Artist Talk: Karl Wirsum, October 28. Photo by Ursula Sokolowska From avant-garde performances to international film screenings to compelling artists' talks, SAIC's public offerings provide Chicagoans with numerous opportunities to be inspired and get involved, while offering valuable dialogues between the acclaimed and the up-and-coming. This busy season of public programs features some of the most compelling thinkers at work today—probing, provoking, and questioning the subjects at the core of the creative process and critical inquiry. Below is listing information and summaries of the eclectic Fall/Winter line-up, followed by newsworthy faculty accomplishments at SAIC.SPECIAL EVENTS Holiday Art Sale Preview Party SAIC Ballroom, 112 S. Michigan Ave. Thursday, November 18, 5-8 p.m. $35 per person, $60 for two SAIC's New Artists Society, which supports new students with merit scholarships, is pleased to host the 2010 Holiday Art Sale Preview Party. Get first pick of original student artwork! Tickets include cocktails and hors d'oeuvres and are available at www.saic.edu/holidaypreview starting October 1 until November 17. Limited tickets will also be available for purchase at the door. Call 312.899.5158 for more information or to be added to the invitation mailing list. Holiday Art Sale SAIC Ballroom, 112 S. Michigan Ave. Friday, November 19, 11 a.m.-7 p.m. Saturday, November 20, 10 a.m.-5 p.m. Preview party: Thursday, November 18, 5-8 p.m. SAIC's Campus Life and Student Association co-sponsor the Annual Holiday Art Sale in the historic SAIC Ballroom. This don't-miss event is a wonderful opportunity for SAIC students to show and sell their work, and for the public to purchase a diverse selection of original paintings, sculptures, photography, prints, jewelry, fashion, and more. Do some holiday shopping while supporting up-and-coming artists. Participating students receive the majority of their total sales. SAIC's Student Association collects a small commission on all works sold to support the Art Sale each year and to fund other projects and programs. LECTURES Visiting Artists Program (VAP) September 21-December 6 All lectures held at 6 p.m. in the SAIC Columbus Auditorium, 280 S. Columbus Dr. All VAP lectures are free and open to the public. Formalized with an endowed fund from Flora Mayer Witkowsky, the Visiting Artists Program hosts public presentations by artists to foster a greater understanding and appreciation of contemporary art. For more information, visit www.saic.edu/vap or call 312.899.5185. The new season begins on September 21 with graphic designer Harry Pearce and is followed by the fall semester's Distinguished Alumni Lecture Series presentation by Maria Martinez-Canas on October 5. The series continues with recent MacArthur Foundation Fellowship winner Camille Utterback (October 25). Performance and conceptual artist Martha Wilson visits November 9, followed by author Lynda Barry on November 15. The season concludes with a lecture from scholar Richard Sennett (December 6). More Information on each presenter is available in the SAIC Press Room. Exploratory Languages: Visual Communication Design Visiting Designer Series September 10-December 3 All six lectures are free and open to the public. SAIC's Visual Communication Design department is hosting a series of public lectures as part of its new Visiting Designer Senior Seminar course. Leading designers/educators from across the country—representing client-associated work and self-generated explorations in a range of physical outcomes including artists' books, writing, posters, and film—will lecture on work that uses experimental visual language as a form of cultural critique. Katherine McCoy SAIC Columbus Auditorium, 280 S. Columbus Dr. Friday, September 10, 5:15 p.m. A principal at High Ground design studio, Katherine McCoy is a leading figure of contemporary design. Her leadership of design departments and national design organizations has largely shaped contemporary American design education. She is the former Chair of the Design departments at the Cranbrook Academy of Art and Kansas City Art Institute. An elected member of the Alliance Graphique Internationale, she has served on the Design Issues Advisory Board and the NEA Design Arts Policy Panel, and she was a Contributing Editor at ID Magazine. Her work has been widely published, including in Graphic Design in America: A Visual Language History and Women in Design. She co-authored and designed the book, Cranbrook Design: The New Discourse. Martin Venezky SAIC Columbus Auditorium, 280 S. Columbus Dr. Friday, October 1, 5:15 p.m. Martin Venezky is the principal of Appetite Engineers design firm and an Associate Professor at the California College of the Arts. He uses hand-generated imagery, developed through play, and guided by intuition, to create visually rich experiences. His experimental fonts and typography engage viewers as active participants in the search for meaning. Among his many clients are Blue Note and the Sundance Film Festival. His work has been included in Eye, Emigre, and Graphis, and was the subject of a solo exhibition at the San Francisco Museum of Modern Art. He is the author of the critically praised book It is Beautiful...Then Gone. Michelle Bowers MacLean Center, 112 S. Michigan Ave., 1307 screening room Friday, October 15, 5:15 p.m. Michelle Bowers, Assistant Professor in the College of Visual and Performing Arts at the University of Massachusetts, Dartmouth, describes her work using found imagery and discarded books as "working in the lines and in the margins of another individual's published work, collaborating and conspiring with the original content to create a new, redefined interpretation." The outcomes of this exploration have been published by the American Institute of Graphic Arts, the Type Director's Club, and included in Graphic Design: The New Basics and Introduction to Graphic Design Research Methodologies and Processes. Warren Lehrer SAIC Columbus Auditorium, 280 S. Columbus Dr. Friday, October 22, 5:15 p.m. A Professor at SUNY-Purchase's School of Art + Design, Warren Lehrer is an internationally recognized pioneer in the fields of visual literature and design authorship. He describes his artists' books and events with his wife, the performance artist Judith Sloan, as an exploration of "the vagaries and luminescence of character, the relationships between social structures and the individual, and the pathos and absurdity of life." His work has been exhibited at the Museum of Modern Art, L.A. County Art Museum, The Getty Museum, Georges Pompidou Centre, and Tate Gallery, and he has received awards from the National Endowment for the Arts and the Ford Foundation. Stuart McKee MacLean Center, 112 S. Michigan Ave., 1307 screening room Friday, November 12, 5:15 p.m. Stuart McKee is the Chair of the Graphic Design program at the University of San Francisco. His work explores issues of identity and marginalization through writing and design. Interested in the role of design to illuminate and overcome social problems, he has written for Emigre, the milestone Visible Language edition "New Perspectives: Critical Histories of Graphic Design", AIGA Journal of Graphic Design, and Design Culture. He has served as an editorial advisor for Print magazine. His work has been published and awarded by the AIGA, IDSA, and SEGD. Andrea Marks MacLean Center, 112 S. Michigan Ave., 1307 screening room Friday, December 3, 5:15 p.m. A Portland-based designer and an Associate Professor at Oregon State University, Andrea Marks is interested in the use of writing as a conceptual development tool, the role of women in contemporary design, and the political power of visual expressions. She is the producer of the acclaimed documentary about Polish street posters from World War II through the fall of Communism, Freedom on the Fence. A recipient of a NEA Design Arts grant for her project "Women of the Bauhaus," she is the author of Writing for Visual Thinkers. Behind the Seams + Making: Fashion Lecture + Workshop Series The Fashion Resource Center (FRC) at SAIC is proud to present its lecture and workshop series open to the public, an exceptional array of discussions and hands-on explorations with academics, artists, historians, and craftsmen who work in the field of fashion and its related disciplines. Garments, books, and other materials from the FRC collection supporting the topics will be available for investigation. Sponsorship is generously provided by Genacelli Hair Salon, Hanig's Foot Wear, Richard and Ellen Sandor Family Foundation, a new leaf, anonymous. All lectures begin at 6 p.m. Room 735, 36 S. Wabash Ave. Seating is limited to 47 guests per lecture. Tickets are $35 / $25 SAIC students, faculty, and staff Workshops run from 9:30 a.m.-4:30 p.m., with a break for lunch. Room 726, 36 S. Wabash Ave. Space is limited to 16 guests per workshop. Tickets are $75 / $50 SAIC students, faculty, and staff For questions or reservations, call 312.629.6731 or visit www.saic.edu/frc Homer D. Layne, In the Studio with Charles James Thursday, October 28, 6 p.m. While enrolled at Pratt Institute, Homer Layne met Charles James at a semester-long seminar Mr. James was conducting. When the seminar concluded, Mr. James asked Layne to work with him during his last three years at Pratt. Layne began full-time with Mr. James upon graduation and remained with him until his death. During his employment with Charles James, Layne did pattern making, cutting, and sewing. He executed more than 30 garments for Mr. James's illustrious clients. Kohle Yohannan—Model + Muse: Fashioning the Ideal Thursday, November 18, 6 p.m. A curator and cultural historian, Kohle Yohannan holds a BA in Art History from Columbia University, a Master's Degree from Parsons/Cooper Hewitt, and has completed his Doctoral coursework for a Ph. D. in Cultural History. Yohannan co-curated The Model as Muse: Embodying Fashion at the Metropolitan Museum of Art, and co-authored the accompanying publication. He is the author of Valentina: American Couture & The Cult of Celebrity, the critically acclaimed photo-biography John Rawlings: Thirty Years in Vogue, and Claire McCardell: Redefining Modernism. Beata Kania: Needlework + Embroidery Saturday, September 18, 9:30 a.m.-4:30 p.m. Kania's work is an attempt to accept change as intrinsic to all living creatures, by forging a new synthesis, new ways of doing things in the new context, safeguarded by traditions. This workshop will be an investigation into several contemporary approaches to needlework while seeking inspiration from history, ethnic embroidery and other artists. The session will include discussion of Kania's work, demonstrations of basic techniques, experimentation, and the implementation of those techniques into an original piece of artwork. Candace Kling: Ribbon Art + Fabric Manipulation Saturday, December 4, 9:30 a.m.-4:30 p.m. Learn of the various techniques used throughout history to manipulate ribbon and fabric. She'll bring slides as well as boards and boxes filled with samples. Kling's artwork will be used to illustrate the creative possibilities for the contemporary application of these historical techniques. She will share the artistic process involved in the creation of her exquisitely detailed textile sculptures. Kling is the author of the bestseller The Artful Ribbon, and has traveled to museums around the country capturing many beautiful images of the wonders therein. Parlor Room Lecture Series September 13-November 10 Parlor Room lectures are free and open to the public, excluding the Oct. 21 presentation by Luis Gispert, which is $10 general public; $7 students, $5 members A visiting artist program and lecture series created, managed, and curated by graduate students of photography at SAIC, Parlor Room provokes dialogue and connections with artists, curators, thinkers, and critics engaged with photography. Through public presentations, one-on-one studio visits, and informal group events with graduate students and faculty, Parlor Room seeks a diversity of thought and practice. For more information, follow Parlor Room on Twitter: @photoparlorroom Anthony Pearson Monday, September 13, 6 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr. Anthony Pearson is a Los Angeles-based artist working in photography and other media. His work was the subject of a solo exhibition at Midway Contemporary Art Museum in Minneapolis in 2008, as well as at the Marianne Boesky Gallery in New York City in 2009. His work is in the collections of the Hammer Museum and the Walker Art Center. Ron Jude Wednesday, October 6, 6 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr. Ron Jude is a New York-based photographer and teacher whose work extends from the New Topographics photographers, moving to a more "intimate, diaristic strain to create a subtle and uncanny investigation of the slippery threshold of narrative in still images." Jude's work is included in many permanent collections such as SFMoMA and the New Orleans Museum of Art. Luis Gispert: Hyperreal Thursday, October 21, 6 p.m. Gene Siskel Film Center, 164 N. State St. Luis Gispert creates art through a wide range of media, including photographs, film, sounds, and sculptures, touching upon hip-hop and youth culture, and Cuban-American history. His work has been exhibited nationally and internationally, including the 2002 Whitney Biennial, New York, and Schirn Kunsthalle, Frankfurt, Germany. Co-presented with Conversations at the Edge Ori Gersht: Fixing Time Wednesday, November 10, 6 p.m. SAIC Columbus Auditorium, 280 S. Columbus Dr. Israel-born and London-based, Ori Gersht has established an international profile through exhibitions at major venues such as the Smithsonian Hirshhorn Museum and the Tate Britain. "My work is not so much a direct commentary as it is an open-ended observation of the absurdities that surround us." His work has been acquired by major institutions such as the Guggenheim New York, SFMoMA and Tate. Norma U. Lifton Memorial Lecture: Patricia Leighten Thursday, October 7, 6 p.m. The Art Institute of Chicago, Price Auditorium, 111 S. Michigan Ave. Free Sponsored by the SAIC Art History Department, art historian Patricia Leighten will present a lecture entitled "'A Rationale of Ugliness': Primitivism, Cubism, and Its Audience, 1908-1913." This talk considers the contemporary criticism of Cubism, a critical discourse revealing assumptions about the nature of art and the nature of experience in the culture of pre-World War I France. Leighten's field of research is late-19th-/early-20th-century art and politics. In her research and teaching, she is interested in the relationship between visual culture and the politics of both representation and interpretation. Leighten received her Ph.D. from Rutgers University. She is author of Re-Ordering the Universe: Picasso and Anarchism, 1897-1914 (Princeton University Press 1989) and Anarchism, Modernism, and Its Parisian Audiences, 1900-1914 (forthcoming University of Chicago Press 2011), and, co-authored with Mark Antliff, A Cubism Reader: Documents and Criticism, 1906-1914 (University of Chicago Press, 2008) and Cubism and Culture (Thames & Hudson 2001 [Cubisme et culture 2002]). Artist Talk: Karl Wirsum Thursday, October 28, 6 p.m. Chicago Cultural Center, 78 E. Washington St. Millennium Park Room Co-presented by the Chicago Department of Cultural Affairs, The School of the Art Institute of Chicago, and Jean Albano Gallery Free More information: 312.744.6630 For his lifelong career and commitment to the local artistic community, renowned artist Karl Wirsum is receiving the 2010 Ruth Horwich Award from the Chicago Department of Cultural Affairs. One of the members of the legendary Chicago group The Hairy Who, Wirsum has been featured in more than 150 solo and group exhibitions since the 1960s. His vivid, imaginative work can be found in dozens of corporate and museum collections throughout the United States and around the world. Wirsum received a BFA from The School of The Art Institute of Chicago, where he continues to teach and inspire today. Named for Ruth Horwich, one of Chicago's most steadfast art supporters, this annual award recognizes the enduring career of an esteemed Chicago artist. This event is organized in conjunction with Chicago Artists Month, www.chicagoartistsmonth.org. Beth Lipman Thursday, November 18, 12 p.m. The Art Institute of Chicago, Price Auditorium, 111 S. Michigan Ave. Free Beth Lipman's work pays homage to still life paintings from the 17th-20th centuries. Still lifes can be contemplated on a purely atheistic level, or they can be interpreted on a political, moral or theological level and were usually influenced by economic or socio-cultural events. Instead of striving for illusionary perfection, the glass process is used to record Lipman's ability to control the material at that moment. In its most recent manifestation, the glass still life is reduced to a photograph. Lipman makes the glass, creates the composition, and uses photography to capture the moment. Afterwards, the glass is destroyed or recycled. This lecture is made possible by the William Bronson and Grayce Slovet Mitchell Lectureship in Fiber and Material Studies at SAIC. PERFORMANCES AND READINGS Adam Novy Joan Flasch Artists' Book Collection, 37 S. Wabash Ave., room 508 Thursday, September 23, 12 p.m. Free SAIC Writing Program alumnus Adam Novy (MFAW 1998) will read from his debut novel The Avian Gospel (Hobart, 2010). Novy's fiction and reviews have been published in Verse, American Letters and Commentary, Quarterly West, The Believer, The Reader, and Dossier. He lives and teaches in Southern California. New Blood IV Performance Space, 280 S. Columbus Dr., Columbus 012 (lower level) Saturday, November 20 and Sunday, November 21, 7 p.m. Free In this fourth annual event, SAIC graduate and undergraduate students host a two-evening festival of recent works that blur the boundaries between theater, movement, and the visual arts, and collectively present a vision of the next wave of performance art. Text Off the Page Reading Sullivan Galleries, 33 S. State St. Saturday, December 11, 7 p.m. Free Culminating in an exhibition at SAIC's Sullivan Galleries, Text Off the Page is a course offered through SAIC's Department of Writing that focuses on blurring the boundaries between writing and the visual arts, media, and performance. This event features performances and readings created in response to work by SAIC artists and writers in the Text Off the Page exhibition. FILMS AND SCREENINGS More Than Night: Looking at Film Noir Gene Siskel Film Center, 164 N. State St. September 3-December 14; Tuesday screenings at 6 p.m. include lectures $10 general public; $7 students, $5 members $4 SAIC students, faculty, and staff, and the Art Institute of Chicago staff For more information, visit www.siskelfilmcenter.org The Gene Siskel Film Center's fall lecture series More Than Night: Looking at Film Noir features weekly Tuesday lectures by James Naremore, Professor Emeritus at Indiana University and author of the acclaimed book More Than Night: Film Noir in Its Contexts. Films confirmed in the series are Howard Hawks's The Big Sleep (September 3 and 7), Alfred Hitchcock's Shadow of a Doubt (September 10 and 14), Robert Mitchum in Crossfire (October 1 and 5), Jacques Tourneur's Out of the Past (October 22 and 26), Robert Bresson's Pickpocket (November 19 and 23), Argentinian crime thriller Nine Queens (November 26 and 30), and David Lynch's Mulholland Drive (December 10 and 14). Conversations at the Edge (CATE) September 9-December 2; Thursdays, 6 p.m. The Gene Siskel Film Center, 164 N. State St. $10 general public, $7 students, $5 Gene Siskel Film Center members Free for SAIC students Organized by the Department of Film, Video, and New Media in collaboration with the Video Data Bank and the Gene Siskel Film Center, Conversations at the Edge is a dynamic series of screenings, performances, and talks by some of the most compelling media artists today. Visit the CATE blog at www.saic.edu/cateblog Fall series highlights include: Sept. 16: The North American Premiere of Chicago filmmaker and SAIC professor Dani�le Wilmouth's remarkable new documentary about the relationship between a 91-year-old woman and her developmentally disabled son, Eleanore & the Timekeeper (2010). Sept. 23: Chicago video artists Kent Lambert and Jesse McLean, screening a collection of each artist's playful and poignant riffs on contemporary televisual culture Sept. 30: An audiovisual performance and talk by Dutch artist and new media theorist Rosa Menkman, one of the leading international figures in Glitch art Oct. 7: An evening with legendary underground animator Bruce Bickford, screening a selection of his stunning, surreal clay and line animations Oct 14: A program of newly restored prints by abstract and No Wave filmmaker Coleen Fitzgibbon, who studied at SAIC in the early 1970s, presented by the filmmaker herself Oct. 21: An evening with Brooklyn-based photographer, filmmaker, sculptor and SAIC alumnus Luis Gispert screening a selection of his films and videos, co-presented by SAIC's Parlor Room, the Department of Photography's student-run visiting artists series Nov. 11: A screening of Kevin Jerome Everson's acclaimed new film Erie (2010), followed by a discussion with the artist, co-presented by the Video Data Bank in conjunction with their release of Everson's short films in a new DVD box set Dec. 2: A special sneak preview of SAIC professor Daniel Eisenberg's latest film, The Unstable Object, in conjunction with the launch and booksigning for Post-War: The Films of Daniel Eisenberg (Black Dog Publishing, 2010). Undergraduate Film/Video Festival October 2, 12-2 p.m. Gene Siskel Film Center, 164 N. State St. Free admission Reception and additional screenings TBD The Undergraduate Film/Video Festival (UGFVF) is an annual juried festival started by SAIC students to enrich the SAIC community by creating a positive, fun venue for screening student work and by presenting students with the opportunity to network and learn about the world of film festivals and distribution. Each year UGFVF screen the work of approximately 30 SAIC students to an enthusiastic audience and an esteemed jury (made up of members of Chicago's film and video community). ExTV, SAIC's student-run time arts broadcast platform, oversees, programs, and plans the entire festival. Winners are announced at the end of the main screening. Antonio Gaudi December 17-23 Gene Siskel Film Center, 164 N. State St. $10 general public; $7 students, $5 members $4 SAIC students, faculty, and staff, and the Art Institute of Chicago staff For more information, visit www.siskelfilmcenter.org A holiday tradition, the Gene Siskel Film Center brings back the ever-popular cult film by Hiroshi Teshigahara (Woman of the Dunes), inspired by the wild, undulating, joyously erupting forms of Barcelona architect Antonio Gaudi. Teshigahara's eye for texture, shape, and sensual detail meets Gaudi's whimsy in the cinematic exploration of such masterpieces of visionary architecture as the cathedral of the La Sagrada Familia. The contemporary of artists such as Picasso and Miro, Gaudi drew on Barcelona's medieval Romanesque architecture and ancient Arab culture for his inspiration. This film reveals the intricacy and hallucinatory richness of his concepts through camerawork alone. Forgoing narration, Teshigahara accompanies his images with a brilliantly eclectic selection of music, ranging from baroque harpsichord to glass orchestra. |
Download Release (printer-friendly version) CONTACT : John Eding School of the Art Institute of Chicago 312.259.2968 jeding@saic.edu |


SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC) ANNOUNCES NEW SEASON OF VISITING ARTISTS PROGRAMHistoric program becomes free and open to the public for all eventsCHICAGO — The School of the Art Institute of Chicago (SAIC) is pleased to announce the newest guest presenters for its Visiting Artists Program (VAP), continuing a tradition formalized nearly 60 years ago. VAP hosts more than a dozen public presentations by artists each year in lectures, symposia, performances, and screenings. This fall, SAIC is pleased to present all of its speakers at no charge. "This program is a cornerstone of Chicago's visual arts community, and an invaluable resource for those interested in the art of our time," notes Andrea Green, Director of the Visiting Artists Program. "The ideas of these internationally renowned artists are inspiring. VAP features some of the most compelling thinkers at work today—probing, provoking, and questioning the subjects at the core of the creative process and critical inquiry."The new season begins on September 21 with graphic designer Harry Pearce and is followed by the fall semester's Distinguished Alumni Lecture Series presentation by Maria Martinez-Canas on October 5. The series continues with recent MacArthur Foundation Fellowship winner Camille Utterback (October 25). Performance and conceptual artist Martha Wilson visits November 9, followed by author Lynda Barry on November 15. The season concludes with a lecture from scholar Richard Sennett (December 6). Information on each presenter is included below. ADMISSION: FREE and open to the public. All lectures begin at 6 p.m. and are held at the SAIC Auditorium, 280 South Columbus Drive. September 21: Harry Pearce October 5: Maria Martinez-Canas October 25: Camille Utterback November 9: Martha Wilson November 15: Lynda Barry December 6: Richard Sennett Harry Pearce SAIC Columbus Auditorium, 280 S. Columbus Dr. Tuesday, September 21, 6:00 p.m. Graphic designer Harry Pearce joined Pentagram's London office as a partner in 2006 having co-founded and grown Lippa Pearce to become one of the UK's most respected design agencies over the previous 16 years. Encompassing the public and private sectors, local and global charities, and commercial enterprises, his diverse clients include the Co-operative, Halfords, Phaidon Press, the Science Museum, Saks Fifth Avenue, and Shakespeare's Globe and Boots. To each he brings his own brand of intelligence combined with elegance and warmth mixed with wit. Pearce is also a member of the advisory board and lead designer for Witness—a human rights charity founded by Peter Gabriel. Throughout his career he has been concerned to make connections, to use design to connect minds so that they share a different and clearer vision. In 2009 he published his collection of design puzzles, Conundrums. Following the lecture, Harry Pearce will sign copies of his book, Conundrums: Typographic Conundrums. Maria Martinez-Canas: Distinguished Alumni Lecture Series SAIC Columbus Auditorium, 280 S. Columbus Dr. Tuesday, October 5, 6:00 p.m. Cuba-born and Miami-based, SAIC alumna Maria Martinez-Canas (MFA 1984) fuses aspects of painting, photography, and collage to excavate an allusive journey back to starting points, both personal and cultural. Her artistic quest juggles contradictory elements and innovative media to resolve feelings of displacement and exile. Martinez-Canas's multidimensional images explore the complexities of identity with a balance of fragility and power. Her works have been exhibited extensively in the United States and abroad, with 34 one-person exhibitions and more than 250 group exhibitions, and are included in the permanent collections of the Museum of Contemporary Art in Chicago, Philadelphia Museum of Art, San Francisco Museum of Modern Art, Whitney Museum of American Art, and many others. This lecture is presented in collaboration with SAIC Alumni Relations. Camille Utterback SAIC Columbus Auditorium, 280 S. Columbus Dr. Monday, October 25, 6:00 p.m. Camille Utterback is an internationally acclaimed artist whose interactive installations and reactive sculptures engage participants in a dynamic process of kinesthetic discovery and play. Utterback's work explores the aesthetic and experiential possibilities of linking computational systems to human movement and gesture in layered and often humorous ways. Her work focuses attention on the continued relevance and richness of the body in our increasingly mediated world. Utterback's extensive exhibit history includes more than fifty shows on four continents. Recent awards include the MacArthur Foundation Fellowship (2009), Transmediale International Media Art Festival Award (2005), Rockefeller Foundation New Media Fellowship (2002), and a Whitney Museum commission for their ArtPort website (2002). Martha Wilson SAIC Columbus Auditorium, 280 S. Columbus Dr. Tuesday, November 9, 6:00 p.m. Over the past four decades, pioneering artist Martha Wilson has created conceptual performance, photography, and video works that explore her female subjectivity and sensitivity to surveillance. Wilson was a founding member of the all-girl, conceptual feminist punk rock group DISBAND, and she has widely performed her signature impersonations of high-profile political figures since the early ′80s—Alexander Haig, Nancy Reagan, Barbara Bush, and Tipper Gore. In 1976 Wilson founded (and has since directed) Franklin Furnace Archive, Inc, the stalwart institution that presents and preserves artists' books, temporary installations, and performance art. During the last 30 years, Franklin Furnace has presented nearly 2,000 events and Wilson has developed exhibitions, publications, courses, and pedagogical resources concerning the artistic movement and philosophy we now know as Postmodernism. Lynda Barry SAIC Columbus Auditorium, 280 S. Columbus Dr. Monday, November 15, 6:00 p.m. The inimitable creator behind the syndicated strip Ernie Pook's Comeek, Lynda Barry works as a painter, cartoonist, writer, illustrator, playwright, editor, commentator, and teacher. Barry explores the depths of the inner and outer realms of creation and imagination, where play can be serious, monsters have purpose, and not knowing is an answer unto itself. Widely praised, her works include the books One! Hundred! Demons!; The! Greatest! of! Marlys!; Cruddy: An Illustrated Novel; Naked Ladies! Naked Ladies! Naked Ladies!; her bestselling and acclaimed Drawn & Quarterly, What it is, which received the Eisner Award for Best Reality Based Graphic Novel and the R.R. Donnelly Award for highest literary achievement by a Wisconsin author; and The Good Times are Killing Me, which was adapted into an off-Broadway musical. Following the lecture, Lynda Barry will sign copies of her new book, Picture This. Richard Sennett SAIC Columbus Auditorium, 280 S. Columbus Dr. Monday, December 6, 6:00 p.m. Chiefly known for his elegant and scholarly writing, Richard Sennett deftly explores the disciplines of architecture, design, music, art, literature, history, and political and economic theory. Celebrated for his studies of social ties in cities, Sennett has produced more than a dozen books, including three novels, mostly on aspects of the urban experience and the interconnection between authority, modernism, and public life. In the 1970s Sennett co-founded the New York Institute for the Humanities at New York University, and since the mid-90s he has split his time between NYU and the London School of Economics. His books include The Fall of Public Man; Respect, In an Age of Inequality; The Culture of New Capitalism; and, most recently, The Craftsman. This lecture is supported in part by the William H. Bronson and Grayce Slovett Mitchell Lecture Series in the Departments of Architecture, Interior Architecture, and Designed Objects and Fiber and Material Studies at the School of the Art Institute of Chicago. About the Visiting Artists Program The primary mission of the Visiting Artists Program is to educate and foster a greater understanding and appreciation of contemporary art through discourse. Founded in 1868, the Visiting Artists Program (VAP) is one of the oldest public programs of the School of the Art Institute of Chicago. Formalized in 1951 with the establishment of an endowed fund by Flora Mayer Witkowsky, the Visiting Artists Program hosts public presentations by artists, designers, and scholars each year in lectures, symposia, performances, and screenings. It is an eclectic program that showcases artists working in all media including sound, video, performance, poetry, painting, and independent film, as well as significant curators, critics, and art historians. |
Download Release (printer-friendly version) ![]() Camille Utterback photograph by Lyle Troxell CONTACT : John Eding School of the Art Institute of Chicago 312.259.2968 jeding@saic.edu VAP ONLINEIn addition to making their appearances open to the public, SAIC presents many Visiting Artist Program lectures as recorded in audio and/or video through SAIC Wired, online at www.saic.edu/vap. Recent presenters include Saya Woolfalk and Doug Aitken. |


School of the Art Institute of Chicago Fashion Design Department Chair Nick Cave's World-Famous Soundsuits to Hit the Streets of the South Loop and the Pages of VogueIn the September Issue of Vogue, Artist Nick Cave Intersects with the Fall Accessory CollectionCHICAGO — The School of the Art Institute of Chicago (SAIC) is proud to announce that Fashion Design Department Chair Nick Cave's world-famous Soundsuits will be featured in an eight-page spread in the September issue of Vogue. Shot by fashion photographer Raymond Meier and hitting newsstands today, Tuesday, Aug. 24, the photos feature Cave wearing the Soundsuits while highlighting bags and footwear from designers such as Yves Saint Laurent and Dior.Also hitting the streets locally, from Friday, Sept. 10 to Friday, Sept. 17, is an exclusive weeklong video art installation of Cave's Soundsuits entitled "Drive-by," that will light up the corner of East 23rd Street and South Michigan Avenue each evening beginning at 8 p.m. (dusk). A Soundsuit pop-up shop also launches on Sept. 10 (to be located in a storefront adjacent to the installation), along with a virtual store on soundsuitshop.com. The Soundsuit stores are a collaboration between Cave and Bob Faust, creative director of Faust Design. The virtual and pop-up stores will offer for sale everything from limited edition prints of Nick Cave Soundsuits to books, 3-D cards, gift wrap, ironed-to-order T-shirts, magnets and viewfinders. The Soundsuit pop-up shop will open to the public Friday, Sept. 10 from 8 to 10 p.m., and Cave will be on hand to sign copies of the September issue of Vogue from 9:30 to 10 p.m. for members of the public who are interested in meeting him. Please note, guests need to bring their own copies of Vogue; it will not be sold on site and Cave will not be signing any other items. After the Sept. 10 launch, the live Soundsuit pop-up shop will be open to the public from 6 p.m. to 9 p.m. daily for six days only, from Saturday, Sept. 11 through Friday, Sept. 17. For high resolution press images, please visit www.saic.edu/images (username/password: press). To purchase official Soundsuit merchandise, please visit soundsuitshop.com beginning Friday, Sept. 10. For more information about the School of the Art Institute of Chicago's Fashion Design Department, please visit www.saic.edu/fashion. Fall News From SAIC's Fashion Design Department SAIC's renowned Fashion Resource Center presents the second annual Behind the Seams lecture series in conjunction with a new fashion workshop series, Making. These series bring internationally renowned artists and designers to Chicago for intimate conversations and unique, hands-on educational experiences. For more information, please visit www.saic.edu/frc Behind the Seams: Fashion Resource Center Lecture Series All lectures are in SAIC's Fashion Resource Center, 36 S. Wabash Ave., Room 735. Tickets are $35; ticket information at 312.629.6731. Homer D. Layne Thursday, October 28, 6:00 p.m. A former design assistant to the American couture designer Charles James, Layne is now the President of Charles James Limited Editions, Inc. He will be in conversation with costume historian Sandra Adams on James. Kohle Yohannon Thursday, November 18, 6:00 p.m. Curator, author, and public speaker, Kohle Yohannon will be discussing fashionable photography. He is the author of The Model as Muse: Embodying Fashion and Valentina: American Couture and the Cult of Celebrity. Making: Fashion Resource Center Hands-On Workshops All workshops are in SAIC's Fashion Resource Center, 36 S. Wabash Ave., 7th floor Tickets are $75; ticket information at 312.629.6731. There is a one-hour afternoon break during both workshops. Beata Kania Saturday, September 18, 9:30 a.m.-4:30 p.m. Beata Kania is an artist and educator and the title of her workshop is Luscious Embroidery. Candace Kling Saturday, December 4, 9:30 a.m.- 4:30 p.m. Candace Kling is the author of The Artful Ribbon and an educator on the topic of ribbon art and fabric manipulation, which will be the focus of her workshop. About SAIC's Fashion Design Department The success of the School of the Art Institute of Chicago's Fashion Design program and SAIC's interdisciplinary approach to education is reflected in a list of alumni that includes such notable designers as Halston, Cynthia Rowley, Lawrence Steele, J. Morgan Puett, Eunwha Kim, Maria Pinto, Gary Graham, and Matthew Ames. SAIC graduates hold senior design positions in firms as varied as Yeohlee, Jones New York, Levis, Nike, Charles Chang Lima, and Tommy Hilfiger, and design for Anna Sui, Calvin Klein, Tiffani Kim, Betsey Johnson, Triple5Soul, and Moschino. Upon graduating, many have chosen to intern for international houses such as Viktor & Rolf, Alexander McQueen, Wendy & Jim, Castelbajac, Zac Posen, Threeasfour and William Ivey Long, or to launch their own fashion lines. The current chair of SAIC's Fashion Design Department is critically acclaimed designer Nick Cave. For more information, please visit saic.edu/fashion. Each year, SAIC's Department of Fashion Design presents an annual fashion show and gala (THE WALK) that is a celebration of contemporary fashion, art, architecture and design featuring more than 200 innovative student-designed garments. Each year during its annual fashion show events, SAIC also presents a SAIC Legend of Fashion Award to a designer who has made significant contributions to the field. Recent recipients include SAIC alumni Maria Pinto (BFA 1990; 2009 SAIC Legend of Fashion Award recipient) and Gary Graham (BFA 1992; 2010 SAIC Legend of Fashion Award recipient). The first SAIC fashion show took place in 1934, and throughout its history the show has maintained its world-class reputation. |
Download Release (printer-friendly version) CONTACT : John Eding School of the Art Institute of Chicago 312.259.2968 jeding@saic.edu Matt Miller / Nick Harkin Carol Fox & Associates 773.327.3830 x 104 / 773.327.3830 x 103 mattm@carolfoxassociates.com nickh@carolfoxassociates.com ![]() ![]() ![]() |


|
Chicago, August 17, 2010 -- The Art and Architecture Department at Harold Washington College, one of the City Colleges of Chicago, and the Departments of Architecture, Interior Architecture and Designed Objects; Sculpture; and Art Education at the School of the Art Institute of Chicago (SAIC) proudly present Green Showcase Exhibit from Monday, August 30 through Friday, September 10, 2010. The exhibit will take place at Harold Washington College, 30 East Lake Street, Room 102. There will be a reception with refreshments on August 31 from 3:00 p.m. to 6:00 p.m. The exhibit and reception are free and open to the public. The Green Showcase Exhibit displays student plans from Harold Washington College and SAIC for projects that were inspired by the City of Chicago's Green Initiative, two of which are currently in the development stages for Harold Washington College: the Green Roof project for the 30,000-square-foot rooftop of Harold Washington College, which will make it one of the largest green roofs in the city; and the "10 East Lake" project, an outdoor sustainability lab located on the premises of Com-Ed's CTA Generator Station—activating the plaza that is directly to the west of the college. Both plans are slated to begin construction in the near future. There are real and speculative green projects that SAIC students have been co-designing with south and westside communities in the exhibition, as well. The renderings on display show living walls, rainwater collection systems, farmers markets, rain gardens, outdoor classrooms, sculpture gardens and much more. Students are responding to the architecture of the city and the sites, as well as the data about the sites that they have collected through digital sun analysis, wind condition calculations, bird habitat observations and other environmental tests. The roof project will be a collaborative space for the whole college, including the integral involvement of the Biology department, which will have classrooms and teaching greenhouses on the site. Participating artists include: Cathy Arreaza, Jaime Castro, Michele Crawford, Racquel Davey, Alli Gentles, Amber Ginsburg, Laura Goetz, Sheila Horne, Brendan Hudson, Rebekah Ison, Stefan Johanson, Kyeong Ho Kim, Louise Pan, Georgiana Phua, Brendan Post, Lia Rousset, Carlos Ruiz, Etta Sandry, Kyunghwa Shon, Lauren A. Thomas, Patricia Vermeulen, Michelle Daniela Villarreal, Lindsay Warner, Traci Wile. Harold Washington College is one of the seven City Colleges of Chicago. The Green Showcase Exhibit is located inside Harold Washington College, 30 East Lake Street, Room 102. Gallery hours are Monday through Friday, 10 a.m. to 5 p.m., and by appointment. For more information, contact the Harold Washington College Art and Architecture department at 312-553-5844. |
Download Release (printer-friendly version) CONTACT : Sherrie Medina 312.899.1220 (office) 312.543.8608 (cell) smedina@saic.edu |
