A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
A portrait of a designer in front of a blue backdrop

Uthman Olowa

AICAD Fellow

Contact

Bio

B.S. Mechanical Engineering, 2016, Binghamton University, Binghamton, NY; M.Arch, 2023, Rhode Island School of Design (RISD), Providence, RI. Exhibitions: RISD Grad Show Online Exhibition; RISD Architecture Triennial Scale to Fit, Providence; Carr Haus + RISD Black Artists and Designers Exhibition, Providence; Eclectic Zone, New York; Fantasy In Color Exhibition, New York. Awards: Rising Black Designer Scholarship, Gensler.

Courses

Title Department Catalog Term

Description

Light is a miraculous condition both conceptually and physically in the fact that it is a medium which can not be touched or held, etc. Light in combination with space creates containers for the production of what can only be described as auras. The ephemeral conditions which light produces actually changes and alters the spaces we inhabit daily. The course Light & Space is designed to develop and expand both artistic and architectural sensibilities for students in the exploration of natural and artificial light as a medium. This one day a week studio is structured around a series of lectures about the comparison between Architects and Artists through exercises involving both physical and digital models within the city of Chicago. The exercises will introduce students on how to construct and assemble spaces in order to control light and the effects it has on inhabitants of architectural surroundings. The instructors of Light & Space present a series of case study comparisons between architects and artists as a means to open the possibilities for extreme experimentation within the studio setting. Students final project of the semester is the curation of the collection of imagery designed and rendered via all exercises, but open ended for each individual student?s interpretation and personal expression of social, political, and gender issues, etc. This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Class Number

2367

Credits

3

Description

This two-day core design is structured around three clear goals: identifying the issue(s) at stake for the project, understanding its connection both to architecture and society; exploring architectural strategies and their relationship to the overall ambitions of the project; and developing graphic tools to convey the relevance and quality of the design exploration. Students conduct research, increase the sophistication of their approach to design and formal analysis, and use rigorous representation techniques. The 40,000-sf project has educational, health, leisure, and cultural programs at its core, operating at the scale of the neighborhood and the city. The project is modeled after the nonprofit private institution SESC that operates with forty-three buildings in twenty-one cities of the municipality of S?o Paulo. Reference buildings from that network are Lina Bo Bardi?s SESC Pompeia (1986) and SESC 24 de Maio, designed by Paulo Mendes da Rocha and MMBB Arquitetos. A series of case studies are used to illustrate outdoor and indoor programmatic and experiential approaches. This course builds on Arch/Inarc Studio 2 by introducing architecture projects of increasing complexity and scale, and requires presentations of increasing clarity and technical competence. The course will include pinups, discussions, critiques, and presentations. Assignments include case study analysis, site research, spatial exploration, program and user study, and interior space definition. This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Class Number

1053

Credits

6

Description

The Intermediate Design Studio in the accredited professional graduate degree emphasizes the capacity of buildings, interior space and urban interiors to engage and make tangible the opportunities inherent to diversity, change and the temporal occupation of space and time. Course Goals and Objectives include developing an understanding of how diversity and temporal or contingent conditions inform architectural space making, form and program. These questions are explored through the design or adaptive re-use of a medium sized building accommodating 100 occupants, sited in a culturally diverse and historically complex context. The design exploration needs to provide evidence of a deep understanding of the ethical and social responsibilities of the architect, of human behavior in a context governed by diversity and change and translated into a design proposition of a contextually sensitive building ? while addressing site conditions, accessibility, building services and systems and user well-being. Student performance criteria (SPC) that address the most recent National Architectural Accreditation Board (NAAB) requirements will be highlighted and form part of the coursework outcomes. Readings, textual and visual case studies and site visits will vary, but always provide the background and theoretical grounding for the site and project analysis and final project development and representation. Project work is a cumulative archive of the process of problem analysis and design exploration that are translations of observations, facts and ideas ? all being made visible through diagrams, drawings and models. Parts of the semesters work will be conducted in groups and which will contribute to individual project work presented in a final critique.

Class Number

2453

Credits

6